Top 1200 Rap Song Quotes & Sayings

All I'm saying, as a fan, is I'm tired of the same song for 30 years. Can't we change the message a little? You've arrived. You have a black president. Every white guy in a commercial doesn't have to be the idiot and every black guy in a rap song doesn't have to be God's gift to the world.

Sometimes I'll have a whole song done without having a beat - I'll just rap on an instrumental tempo and recreate a whole new song just around the lyrics.

I never tried to emulate that New York rap style. What I do is a quasi rap. It's a honky rap, not a black rap. I find it puzzling that so many people have assumed I'm black.

I rap when I'm rich. I rap when I'm broke. I rap when I'm bullshit in the street. I rap about only having one woman now. If you can look at a continuum of my career, it's been an evolution of a real dude. So when I say I take my wife to the strip club, we're there, at the five-dollar joint. More than anything, I want people to take away that I'm not mainstream act.

I thought that God and rap would never work. I thought that God wasn't okay with rap. People knew I used to rap, and I went to the Bible studies. Someone said, 'Hey, you should rap about Jesus.'

I can't freestyle or else I'll just start saying anything, so I'll write the song first and then record. I'll rap to the producer and he'll make the beat off my rap.

One of the things that I'm dying to do is to sing the hook on a big rap song.

It's lifestyle music. It's not like some secretary who likes some pop song, but can't name who the band is; whereas a heavy metal fan is into every aspect of it. We'll see if rap holds up to that. Run-DMC seemed to be the Led Zeppelin of rap.

I look at rap as an opportunity to act. My head is full of different characters - in each song I'm auditioning a character.

But, Eminem... No, I've loved rap for a long time, especially when it got out of its first period and became this gangsta rap, ya know this heavy rap thing? That's when I started to fall in love with it. I loved the lyrics. I loved the beat.

You could name practically any problem in the hood and there'd be a rap song for you.

I'll make a song with Rick Rubin, a song with Beyonce, a song with Lenny Kravitz. I just believe in making good music. I'm not trying to section myself off into just making hard-core rap music.

I don't have any sympathy for the subject matter, [but] I have great respect for rap artists. In fact, not for the rap artists, but the people who make the music over which they rap. Rap music - the music itself is incredible - but [the people that make the music] are hardly ever credited.

My music isn't rappity-rap-rap-rap.

That's one of my struggles as a hip-hop artist. If I feel like doing a super conscious song where I don't even rap.

Rap has so many possibilities that need to be explored. There are different factions of rap, but some are in a rut. Rap doesn't have to be about boosting egos and grabbing your crotch and dissing women. There's a way to make political and social issues interesting and entertaining to the young rap audience.

For me, I like old-school rap music. There was a time when music was so, so rich overall, and the content of what people talked about was so deep on every level, song-for-song, pound-for-pound, and on radio, there was so much content. I gravitate more towards that type of music, to be honest.

I'm not blowing my own trumpet here, but I made a rap song 20 years ago with Afrika Bambaataa.

Gunna ain't never wrote no song for me. He just showed me how to rap.

I rap on 'Front Porch Junkies' and 'Whatcha Got in that Cup.' I try to channel my inner Lil Wayne and Drake. It's fun to be able to freestyle over a country melody and say country words over a rap song.

I feel like when it comes to rap - like, real rap music - and knowing the pioneers of rap, I feel like there's no competition for me in the NBA. Other guys can rap, but they're not as invested or as deep into actual music as I am and always have been. I think that might be what the difference is. I'm more wanting to be an artist.

Lil Jon was definitely a pioneer for some of the punk-rap acts we see now. He showed you could scream on a song and still have a hit on the radio.

Even though 'Turn Down For What' is considered an EDM song, it's really a rap song.

I am a firm believer in playing the type of music that compliments the song the best. If it's a folk song make it sound like one. If it's a rock song make it sound like one, if it's a rap song take it off the record.

If you asked me to write a rock song or a rap song, I couldn't do it because they're not in my fingers.

I have a song that's called 'Rap Dreams, Hoop Dreams'. Besides education, everybody's got hoop dreams from day one in rap. Rap, sports, music have so much of an impact on the world.

Rap is hardcore street music but there are women out there who can hang with the best male rappers. What holds us back is that girls tend to rap in these high, squeaky voices. It's irritating. You've gotta rap from the diaphragm.

I mean, there's an aspect I've always said that is - it's, you know, it's not poetry but it's kind of like it. It's not song lyrics but it's kind of like song lyrics. It's not rap but it's kind of like rap. And it's not stand-up comedy but it is kind of like stand-up comedy. It's all those things together.

I don't sit down to write a country song. I don't sit down to write a rap song. I just sit down to write a song, you know what I mean? And I try to make that song the best it can be.

Of course, if you're gonna make a rap song, you're gonna want to sound like Melle Mel.

I cut a rap song once. It was a few years ago for my old show 'Buck Commander,' and it was a song called 'You're Short.' It was about my camera guy. We shot the video in Las Vegas, 'Ocean's Eleven' style!

I don't listen to rap all the time. Even though I rap, rap can be nerve-wracking.

90% of the people that rap are just rappers, they rap what they see, a lot of them exploit other peoples lives, I've been through it all, I don't glorify it cos when I was in jail, I wasn't like YES I'm in jail now I can say that in my rap.

I grew up listening to all kinds of music, everything from country to rock, pop, R&B and even rap, so for me, music is music and a great song is a great song.

If you feel that you can just come in the studio and freestyle on my song, then I'm ready to rap battle you. That's just how I feel about it because I know I'm way harder than another rapper freestyling on my song.

When a rap song glorifies violence, death and sadness and loss is inflicted because of the violence.

I can't stand rap....people who can't sing do rap....you can sing rebellion as well as talk it....Hitler would have been in a rap band.

I wish I could end every rap song I didn't like with a buzzer.

I always do my rap from the outside looking in. Like I do my rap as if I'm looking at me rap.

Every song on '10 Day' is a completely different sound - the cadence, the flow, even the production - because I like so many different types of music and because my taste is so refined. 'Acid Rap' is another tape where every song sounds different.

I guess rap has such a bad name, because everybody can do it now, and that's probably why people don't want to be considered as rappers anymore, they're not taken seriously anymore. But yeah, rap is definitely the core of what I want to do. But I'm also an artist so I try to do as many things as I can, but I always keep rap in the equation.

For you to be able to rap fast and fit many words into a bar, that's what rap is about, the showmanship. That's the thing we're kind of losing now. I'm not saying that the music now is horrible. I mean, I don't listen to it. The showmanship and creativity in rap is what made it special and what made it different.

Rap's the only music that they categorize like that. That's one thing that I hate, like, down South rap, or up North rap. Country is just country rather than wherever it's from. R&B, you don't call it Atlanta R&B, you know what I mean. So that's already like a shot at our culture.

Something that distinguishes my solo work from normal rap production is that it has a lot of melody - it's not just cutting up a song and having someone rap over it.

We thought that using rap would draw a parallel with the protest music from the 60s and 70s that we found through the research for animadoc. When we thought about rap, Emicida immediately came to mind and we decided to call him to create this song bring the audience back to earth and put their feet on the ground. Emicida's song is the only one that has lyrics in actual understandable Portuguese.

I love rap. I love hip-hop. But something is wrong when every song, no matter what, has got a rap.

Rap, rap! upon the well-worn stone, How falls the polished hammer! Rap, rap! the measured sound has grown A quick and merry clamor. Now shape the sole! now deftly curl The glassy vamp around it, And bless the while the bright-eyed girl Whose gentle fingers bound it!

I love rap lyrics, I love hearing people rap, I love molding a thought or idea into the shape that fits on a rap beat.

I guess, like, I've always listened to rap, and I remember I specifically started listening to, like, pop-rap when I was, like, 11, you know, like Shaggy. I love Shaggy. And then I discovered, like, underground rap when I got to high school, and really, that's when it kind of blossomed. I don't feel like my love for rap blossomed off of Shaggy.

I never tell my artists how to rap or how to approach a song. I let them do the song.

A Song of the good green grass! A song no more of the city streets; A song of farms - a song of the soil of fields. A song with the smell of sun-dried hay, where the nimble pitchers handle the pitch-fork; A song tasting of new wheat, and of fresh-husk'd maize.

One of the things that I'm dying to do is to sing the hook on a big rap song. No one's ever called me to do that.

You're not going to hear me do a rap song, you're not going to hear me do a jazz song. We have to be true to our roots, do what we do, and try to do it a little better each time.

I like rap music. But bragging about being rich to poor people is really offensive. I want to hear a rap song about buying a Cy Twombly painting or dating a museum curator. I want to hear about that kind of rich.

The big stars in rap, they were too big, so when my rap generation started, it was about bringing you inside my apartment. It wasn't about being a rap star; it was about anything other than.

Skateboarding was my introduction to rap and the first rap song that I really liked was KRS-One 'Step Into A World.'

I was, like, 12 or 13; the first hip hop song I tried to rapping to was Macklemore's 'Thrift Shop,' and my English was so bad, but learning to rap to different songs really helped me with my pronunciation, and looking at the lyrics on Rap Genius and stuff like that.

I've never been a rap guy, I don't really know that much about rap music, to be honest. I like it, but I think what really happened was just my music seems to work so well with rap music.

You gotta do a lot more than rap. Rap is not just rap. If you don't have an image, you're not capturing nobody's attention.

But once you've made a song and you put it out there, you don't own it anymore. The public own it. It's their song. It might be their song that they wake up to, or their song they have a shower to, or their song that they drive home to or their song they cry to, scream to, have babies to, have weddings to - like, it isn't your song anymore.