Top 839 Singers Quotes & Sayings

We call out-of-tune singers as 'Aurangazeb singers.' I wouldn't say I'm as bad as an 'Aurangazeb singer,' but I'm definitely no singer.

I was nearing the end of childhood when I started to pay real attention to jazz singers. Women excelled as jazz singers; they surpassed most of the men. Black women excelled as jazz singers; they surpassed most of the whites.

As it turns out, three of my four kids are professional singers. And they're really interesting, good singers.

I think the best singers in the world, historically, are American. Britain's got its fair share, as well, but some of the greatest singers, ever, whether you're talking about Whitney Houston or Mariah Carey or Aretha Franklin, are from the legacy here.

To women, drummers seem like these adorable, sexy Neanderthals, and lead singers seem mysterious and dangerous. So while the lead singers all want to be David Bowie, floating into parties and being the center of attention, it's the drummers who are in the corner doing keg stands and breaking tables. Usually it's the drummers who get the fun-loving ladies and the singers who get the nutcases.

I have the background singers of Ray Charles, the background singers of Smokey Robinson, and the background singers of Barry White and I built a choir around that.

Well first of all, I'm a singer. I sing since I talk. So the great ballad singers, the people that sang with so much feeling, jazz, blues, all those singers, they were songs that I listened to, records that my mom played for me, and then later I bought.

Eventually, the more I listened and became obsessed with singers, I feel like the more I realized that I had my own little thing that I could do. So this is why I just became obsessed with looking for new singers, unknown singers, people that maybe have been forgotten, and really checking them out and analyzing what they do.

There is a lot of propaganda about opera singers not being able to act. That's not necessarily true and hasn't been true for a very long time. And certainly there were those instances when singers were told they need to fit into a certain size dress. Of course, women. Men? They just make the costume bigger.

The very beautiful and very touching thing about opera singers is they are very willing to do whatever you want. Unlike actors, who constantly want to know why they're doing something, opera singers will sort of follow you into the fires of hell.

It's a wonderful way to get at who someone is through their own love of music and going right at their subconsciousness if you will. You don't play girl singers for girl singers. You know, there's certain things. You do play Ellington for Bobby McFerrin.

I've never associated myself with other singers, certainly not female singers.

It's funny: when I was a kid, my mom would reorganize the record collection all the time. She'd have classical, she'd have Celtic, she'd have rock and roll, and then she'd have female singers. And I don't like it that female singers are their own genre.

There are so many people in this world that have the look and have talent, and yet they keep putting out this teenybopper singers that have no vocal capability at all. Sometimes I think there's no real music anymore. We don't have singers like we did back in the day. Music is supposed to convey a message. Music is supposed to make you feel a certain way. Now, I don't want to hear about big bootie shaking on the floor. Music just isn't what it used to be. I think that with the times changing, labels do actually need to get that and stop signing all these crap artists.

In vocal choreography you had to give a lot of consideration to the fact that you were working with singers and not dancers. But you had to make singers look like they were dancers, and to make the movements as natural as possible, and there to be an association with the movement, uh, somewhat to what the lyric was saying.

I've always said that Adele has turned so many people on to British singers - whether female singers or just like music from this country in general.

There are two types of conductors. One is the good conductor who can do passionate music but also listen to the singers and do the orchestra. And then there are great conductors, who have their own opinion on the music, who are ruling everything - and not listening much to the singers, but the orchestra play amazingly.

The singers all loathe the sight of one another, the chorus despises the singers, they both hate the orchestra, and everyone fears the conductor; the staff on one prompt side won't talk to the staff on the opposite prompt side, the dancers are all crazed from hunger in any case.

There's a lot of great singers out here.

I know singers; I've worked with some of the greatest singers in the world.

I studied with Stella Adler and I didn't like the representational aspect of most opera singers. Most of the opera singers had not a false, but over theatrical way of presenting.

Lead singers, they're their own breed.

I think soul singers are much better singers than I am.

I like the big bombastic singers, but I'm also very drawn to what I call character singers. They're people who obviously aren't very huge singers, but they've got this ability to tell a story and touch you emotionally without really using any kind of histrionics or special effects.

I just became obsessed with looking for new singers, unknown singers, people that maybe have been forgotten, and really checking them out and analyzing what they do - and obsessive listening. I think that's the core of my work on music - has been just listening to things and listening to singers.

My favorite singers in the world have been black singers, and you can go to any church and hear the best singers in the world - and I'm a singer, and I love singing!

People like Clyde McPhatter who came out of the black churches - like Sam Cooke and Aretha Franklin - were all church singers who became great pop singers because gospel singing is very close to the blues.

Denzal Sinclaire embodies the tradition of the great singers I love like Nat Cole, yet definitely has his own voice. He is one of my favourite singers.

A lot of the new people they choose on shows like 'American Idol' and things like that - I don't ever hear lead singers. They always seem to choose to pick people that are great singers, fabulous singers, but they've never got the voice that makes a great lead singer.

There are so many great singers out there.

Singers are definitely getting their due in Bollywood. I feel that music composers, on the other hand, tend to lose out on the popularity, fame, and success that singers usually enjoy.

The most widely criticised singers in the history of opera, Maria Callas and Franco Corelli, happen also to be the best singers. I am honoured for being part of their group.

I am one of the few composers who has been lucky enough to manage to do songs with female singers, despite the labels and producers wanting otherwise. They don't believe that songs with female voices can work and often push us to work with male singers.

The best songs are stories, and the best singers storytellers. Great singers can make you care about what they're feeling. You have a sense of knowing them.

I just essentially stayed at home for three years and just learned to play as many instruments as I could and listened to as many singers as I could. Like, when I got to about 19/20, I started listening to singers. I normally just listened to bands. Now I listen to a lot of old singers, not a lot of new stuff.

I like R&B. I listen to music, not singers.

People, whether they know it or not, like their blues singers miserable. They like their blues singers to die afterwards.

I grew up listening to Beethoven and old jazz singers like Billie Holiday, Nina Simone and Anita O'Day. But those were, like, the only women I listened to - I hated women pop singers.

In the hierarchy of instruments, if you're a harpist, you're considered someone with a brain much more than if you're a singer. Even though singers, particularly singers who can play piano... If you go to the office of career development, you can get a gig much easier. Still, musicians tend to look down on you. I think they've got some nerve, because if they could sing, they would do it, but most of them can't.

The people I admire are Tim Buckley and John Martyn - singers that grew into themselves and were honest. John Martyn is one of the great soul singers because soul is not a genre; it's a feeling.

People talk about Frank Sinatra all the time - and they should talk about Frank - but he had the greatest arrangers. They worked for him in a different kind of way than they worked for other people. They gave him arrangements that are just sublime on every level. And he, of course, could match that because he had this ability to get inside of the song in a sort of a conversational way. Frank sang to you, not at you, like so many pop singers today. Even singers of standards.

All blues singers are great liars.

We're entertainers, not just singers!

With my previous record deal, it'd be like, 'OK, so I have this track then, EMI - do you know any singers, maybe? Do you have any singers on your little label there?' And funnily enough, they didn't. But I prefer finding unknown singers myself anyway.

I feel there are tone singers, and there are more vocal gymnastics singers. And I think that's amazing when people can do that, but I think there's room for the tone singers. And there aren't a lot of them.

Our hospital was famous and housed many great poets and singers. Did the hospital specialize in poets and singers or was it that poets and singers specialized in madness?

I remember when I got into movies, the only way singers could be heard was to through playback singing in movies. Then gradually came the music companies promoting independent pop singers.

The old jazz singers or old blues singers, you always just saw them kind of sitting down and singing. They weren't worried as much about their voice sounding perfect. They would make the song kind of fit their voice.

Frank [Sinatra] sang to you, not at you, like so many pop singers today. Even singers of standards. I never wanted to be a singer that sings at somebody. I've always wanted to sing to somebody. I would have gotten that subliminally from Frank many years ago. Hank Williams did that, too. He sang to you.

You have singers that are trained, and then you have natural singers: people that, in my opinion, were just born to sing. And hopefully, I am one of them.

To me, that's when music was music. Every studio had a full symphonic orchestra and a whole bunch of singers they used on every picture. Every radio show had singers on it, and NBC and CBS had their own staff orchestras. Music was everything. And it was good music; it wasn't based on three chords.

For the most part, I've been influenced by black singers and singers I couldn't sound like. Whenever I tried to do a dark note or a bent note, I would just sound like Hootie And The Blowfish.

Singing doesn't have to mean that you sound like Stevie Wonder. I love to sing. I'm not the greatest singer in the world. But, a lot of my favorite singers aren't the greatest singers in the world.

I really like female singers; I've got zero interest in working with male singers. Any male voice I need to do, I can do.

I would say that the most complex style of singing comes from India. Real, classical Indian music produces probably the best technical and natural singers in the world, just because the patterns and the inflection are so complex in how the style moves and what it requires vocally. I think the best classical singers come from India.

I think we did our first session in 1958. There were no black background singers - there were only white singers. They weren't even called background singers; they were just called singers. I don't know who gave us the name 'background singers,' but I think that came about when The Blossoms started doing background.

All you need in a successful boyband is two great singers and three okay singers and you get can away with it.

All singers, no matter how gifted, should always try to go improve. And all students begin in the same place despite the level of their talent. It's like bodybuilding: All people who train use similar exercises no matter how naturally physically endowed a person may be. I have worked with many of the most brilliant singers in modern music and it's always the case that they have a great deal of under-realized potential no matter how amazing their abilities.

To women, drummers seem like these adorable, sexy Neanderthals, but lead singers seem mysterious and dangerous. So while the lead singers all want to be David Bowie, floating into parties and being the center of attention, it's the drummers who are in the corner doing keg stands and breaking tables. Usually it's the drummers who get the fun-loving ladies and the singers who get the nutcases.

I don't think I'm turning back the clock by doing these old tunes. I love rock and roll and popular music. It's just that the spirits of the singers whose songs I do are living within me. That's why the songs come out in the voices of the original singers. I'm not doing imitations. That's the way they sound inside me.