Top 370 Steven Meisel Quotes & Sayings

Steven Erikson is an extraordinary writer. I read Gardens of the Moon with great pleasure. And now that I have read it, I would be hard pressed to decide what I enjoyed more: the richly and ominously magical world of Malaz and Genabackis; the large cast of sympathetically-rendered characters; or the way the story accumulates to a climax that hits like machinegun fire. My advice to anyone who might listen to me is, Treat yourself to Gardens of the Moon. And my entirely selfish advice to Steven Erikson is, write faster.

I love Carpenter, I love Craven - these are all the classics - the Romeros of the world, but I think the biggest influence on me as a storyteller and as a filmmaker is actually Steven Spielberg. I love that even though Steven isn't known for being a horror director, he started out his career making scary movies.

One of my favorite poses was when working with Steven Meisel. It was one of my first photo shoots with him, and we were trying to get the cover of Italian 'Vogue.' Then, I literally took my Balenciaga hat, pulled it down, and gave a rolling-eye, 'ugh' face, crossed legs on the floor. And lo and behold, that was the cover of Italian 'Vogue.'

I had met Michael Stipe, and he was such a kind person, and extremely understanding, so I asked him if he knew a photographer who would come to Detroit, where I lived, who would be child friendly and who would respect my home. Michael suggested Steven [ Sebring]. One day a knock came at my door, and when I opened it, there was Steven. He's been like a brother ever since.

I have always wanted to work with Steven R. Monroe, and when I read his script, I was blown away! I think 'Complacent' hits a nerve that people try so desperately to avoid, which is what I love about Steven's work.

An Isaac Mizrahi fashion-show ticket signed by Steven Meisel. I rushed up to Meisel at the end of the show and asked him to autograph the card that had his name and seating assignment on it. It was an incredible moment when he shot the autumn/winter 2014 Moschino campaign.

I guess the one-liner kind of comic sounds like a guy who can talk and talk and whatever the subject is, he can pull out a one-liner, but I couldn't do that. I didn't like the association. I mean, I love Steven Wright, but so many people started saying "Steven Wright" to me, and I would get mad, because I never wanted to be thought of as copying anybody.

When you look at Steven Meisel's pictures and you see girls rolling around in mud or cars are blowing up? It takes a tremendous amount of courage to be able to do that. I think you have to be malleable, and that's what makes a truly great model. It's not the perfect lip or the perfect face, it's your own ability to take on a character and that's, I think, something there's a misconception about.

Steven Spielberg and I have tremendous amounts of money.

Steven Spielberg is a talented, wonderful filmmaker.

I'm not a Steven Gerrard supporter.

Each photographer has their own vibe and presence that they bring to their shoots. Steven Meisel is a teacher. He teaches everyone on set something about their craft. He has an amazing way to bring out everyone's best in themselves.

Steven Spielberg was my childhood hero.

I don't think anyone can replace Steven Gerrard, be it Messi or whoever.

I don't think I'll ever be another Steven Gerrard, to be honest!

By the time May rolls around, I'm probably going to want to spend a month on an island. But if Steven Spielberg or Steven Soderbergh or any number of directors were to say 'Hey, there's this role, are you interested?' I'd be there in a flash.

By the power of Steven Wright's Beard!

I knew I wanted to be the Steven Spielberg of dance.

I've read that Steven Wright's style was born out of genuine nervousness.

Steven Wright can do Steven Wright very well. Not everyone can do Steven Wright's jokes with the same results.

When fans come to me, and they say, 'You're my favorite singer in rock music,' and I go, 'What about Steven Tyler?' 'No, I like you better.' 'What about Robert Plant?' 'I like you better.' That's kind of weird to me, because I'm like, 'No, dude - Steven Tyler and Robert Plant are gods.'

I've been a huge fan of Steven Bochco's for over two decades.

With Steven Meisel, I'd looked at his work from afar and always loved it, and when I started to work with him, I was blown away. He taught me so much about looking at women and looking at images.

There are some very creative people out there who are like Steven Meisel, and that is why their work is so extraordinary.

In my teen years, I was hanging out with adults - Steven Meisel, Francois Nars, Oribe, Paul Cavaco. We had so much fun! We'd go out in New York.

A career high was when I did a cover for W Magazines July issue with Steven Meisel. So few girls shoot with Meisel in their career, and a lot of people had told me I would never achieve that, so it was a dream come true.

When they started to drain a swamp where birds and fish had lived, for a new housing development down the road from his apartment, Steven watched the protests and the preparations with interest. The bird people were furious, the developers unmovable, and Steven was filled with relief that the fight wasn't his. Nothing here was his... He thought there should have been something sad about how little he was tied up with the place, but instead it felt like freedom. He was free because it wasn't his water here, and they weren't his fish.

I knew I liked art. I knew I liked photography. I remember seeing photos of Linda Evangelista in Italian Vogue as a teenager, and at the time I didn't know who she was. There were two photos - one shot by Fabrizio Ferri and another one by Steven Meisel. I didn't know who any of those people were. I think it was the first summer I was modeling, I saw these magazines sitting out and looked at them. I remember thinking, These are the kind of images I want to make.

I cut my hair short and it basically changed everything overnight. I was about 18 when I cut my hair off - the little pixie haircut. Nobody had short hair at the time. Literally overnight everything changed. I worked with Steven Meisel within a month and a half and I booked every show. Then I got a Vogue cover - my first Vogue - and that came out a few months later.

Steven Gerrard would be the captain of my World XI dream team.

By the time May rolls around, I'm probably going to want to spend a month on an island. But if Steven Spielberg or Steven Soderbergh or any number of directors were to say 'Hey, there's this role, are you interested?' I'd be there in a flash

The Underneath was my first film. Steven Soderbergh. I remember that I thought, "Wow, this is such a highlight. Am I ever going to get back to this?" Loved working with Steven and in Austin, Texas, one of the rockin'-est towns in America. I'll always remember it, because I was really grateful that someone finally hired me for a movie.

A typical weeknight when he was home like this: 1. Sit down and try to do homework. 2. Get interrupted by Jeffrey: “Please play with me!” 3. Ignore brother, try to do homework. 4. Get interrupted by Jeffrey: “Come ON, Steven! I’m BORED!” 5. Beg Jeffrey for five minutes of peace. 6. Get begged for five minutes of play: “Steven, you never, ever play with me—ever!” 7. Move entire homework operations center to different room. 8. Repeat steps #1-7 as directed by small drugged maniac.

Having worked with so many of the geniuses, I'd learned so much. It's the best sort of photography school, to work with people like Penn or Avedon or Meisel.

I was 12 when I did 'Super 8,' and when Dakota was 12, she did 'War of the Worlds.' Steven Spielberg was involved with both movies, so we both worked with Steven when we were 12.

For me and Steven to both play for Fulham at the same time was special.

I love Steven Wright.

I'm the Steven Spielberg of Malibu.

When Steven Spielberg comes calling, it behooves you to seriously consider it.

I want to do an album with Steven Seagal.

I grew up watching Steven Spielberg and scary movies.

Steven Gerrard - at his peak, he was outstanding both attacking and defensively.

I tried to get Steven Seagal for my 'Stepfather Factory' video in 2002.

I worked with Herb Ritts on the Marky Mark shoot, and then Steven Meisel, and then they'd start sending limos for me, and I was like, 'That is so embarrassing. I'm not getting in a stretch limo by myself to go to a shoot.' That whole New York thing of, 'You are fabulous! Turn up to a Meisel shoot in a limo and you're fabulous!'

I'm very lucky that I've worked mainly with two amazing photographers in David Sims and Steven Meisel.

I love Steven Meisel and David Sims' work, I think they're both amazing photographers. I want to be at the same level as them one day.

I had written the script for Juno and apparently Steven Spielberg had read it. I can't just call him Steven, that's weird... Mr. Spielberg had read it and he liked it. He asked me if I would write this television show for him and I said, 'Yeah!'

I had Steven Spielberg on my radio show.

Well, you don't make any demands to Steven Spielberg.

Steven, I know I phrased that as a question, but it was really a command. Yes, but mine is…ummm…private. Private, Steven? Yes, Miss Palma. PRIVATE Steven? Again with the capital letters?

I was heavily influenced by Andy Kaufman and Steven Wright.

I'm a huge Steven Martin fan.

I actually had another motivation for letting Steven [Sebring] film us. After I'd been out of the public eye for 16 years, lost my friends and lost my husband, some of my confidence had been undermined. Steven made the process of filming fun; I could pretend that we were in something like Don't Look Back.

Among today's directors I'm of course impressed by Steven Spielberg and Scorsese, and Coppola, even if he seems to have ceased making films, and Steven Soderbergh - they all have something to say, they're passionate, they have an idealistic attitude to the filmmaking process. Soderbergh's Traffic is amazing. Another great couple of examples of the strength of American cinema is American Beauty and Magnolia.

I was lucky enough to work a little bit with Steven Spielberg.

A career high was when I did a cover for 'W Magazine's July issue with Steven Meisel. So few girls shoot with Meisel in their career, and a lot of people had told me I would never achieve that, so it was a dream come true.

Steven Meisel is completely consumed with what interests him. He does what he wants to do, and when something doesn't interest him, he's not afraid to say so. I think that's why you don't see his work all over the place as often as you might like to. Today he only photographs what he wants to photograph, what turns him on. He has an extraordinary eye, and his sophistication is limitless. This is a man who doesn't miss a beat.

I feel that 'Rudraksh' is Mani Shankar's answer to Steven Spielberg.

Steven Gerrard doesn't play because his name is Steven Gerrard. He plays because of what he brings in terms of performances. If that wasn't the case, he wouldn't play. He is as good as he was, and I have learned a lot from him.

Steven Gerrard is the best player I've ever played with.