Michelle Pfeiffer in Tim Burton's 'Batman' was one of the most inspiring - I saw that and I was like, 'I want to be her, I want to do that.'
I was a big fan of the Tim Burton films. I really liked the character. And I remember thinking the Batmobile was very cool.
Tim Burton - he's not exactly a subtle filmmaker. I mean that in a good way.
Tim Burton's 'Sleepy Hollow' has got to be the most gorgeous, sumptuous, painterly movie ever made about multiple decapitations.
Whenever anybody asked me, 'Who is your number one director to work with?' I would always say Tim Burton.
Working with Tim Burton is like a psychic experience -Tim waves his hands and says, 'I don't know,' and you go home and do it. He's the most articulate nonverbal person in the world. He doesn't say a word, and you know exactly what it means.
I would love to work with Tim Burton. I think we would be very good together.
For Tim Burton's birthday I gave him a rainbow beetle. He loved it!
I wanted to be Steven Spielberg, Tim Burton, Stanley Kubrick, David Cronenberg, Ridley Scott, James Cameron, and Hitchcock. I'd wanted to be a director since 13, and horror and the suspense thriller were the most powerful genres to me.
I have seen Hollywood artistes like Al Pacino, Tom Cruise and Tim Burton doing theatre and Broadway shows. Cinema actors tend to go back to theatre because it gives them an opportunity to reinvent themselves.
I don't consider 'American Rose' to be a biography so much as a microcosm of 20th-century America, told through Gypsy's tumultuous life - it's 'Horatio Alger meets Tim Burton.'
Because the world of this film begins and ends in the imagination of Tim Burton, you're not seeing a movie that's been shot on locations that you've seen a million times. Because this world has no rules, you're seeing so many different and separate brushstrokes and colors and characterizations somehow getting combined through Tim.
Gypsy [Rose Lee] is as unique as she is timeless. Her story is classic Americana, and the strangest rags-to-riches saga you'll ever read; I like to call it Horatio Alger meets Tim Burton.
For me, one of my favorites, director-wise, is Tim Burton. I also really admire the work of actors like Sean Penn. He is probably my favorite actor because of his dedication and commitment to roles, and the ability to morph and change himself when he needs to. It's about dedication and commitment and a passion.
I attribute the black tones in my films to Stephen King, Tim Burton, Joe Hill and Richard Matheson. However, most of my writing is influenced by mental health. I'm incredibly passionate about shedding light on the stigmas associated with mental illnesses.
These last few years, working with Tim Burton, it's been the best time I've ever had.
I love Michael Keaton. I think he's awesome - he's such an awesome actor - like the 'Beetlejuice' films. I just love that Tim Burton stuff.
We were such fans of Sleepy Hollow, in all of its iterations - growing up with the Disney show, and then Tim Burton's and, obviously, the most important being Washington Irving's short story. It evokes and invokes a very specific feeling and tone.
I don't want to be the Asian filmmaker; I just want to be a filmmaker. I want to be Spielberg. I want to be Tim Burton.
If we had to go live action, I'd hold out for Tim Burton to direct.
In a Tim Burton movie, you know it's going to be something unusual, or a bit mad. Something "other."
Like many actors, I started off as a monkey. My first job ever was as an extra in Tim Burton's 'Planet of the Apes.' I'm the tiny little monkey in the background. I met Rick Baker doing that - then, because of my size and the fact I was older than 18, he figured I could double Daveigh Chase in 'The Ring.'
I really want to work with Tim Burton and Johnny Depp.
I'm an enormous Tim Burton fan.
I want to be in a Tim Burton movie so bad.
What I really learned from Tim Burton is that it's important to have your own person in a role because you can't play a character unless there are elements of human behaviour that you yourself understand. I was really struck by how Tim Burton would like to sit and chat about you... or question things which then you had never thought about. It is a good thing to always step back a bit with things like that. But I try my damned hardest to learn something from everything I do.
I love Nicoletta Ceccoli , and I love Tim Burton movies. So those are like my biggest inspirations I think.
The first movie I fell in love with was Tim Burton's 'Batman,' which isn't Chicago, obviously, it's Gotham.
I was never totally sold on this idea that I'm just a musician. I wanted to be the Tim Burton of music.
When I was younger, I used to love Tim Burton's 'Batman.' I was, like, 15, and even then, I was aware, 'This is really the Joker's film.' It's like, the Joker just takes over, and Batman, you really don't learn too much about him.
When you're on film or TV, essentially you're in front of the camera. Unless it's a Tim Burton thing, the desire is to be real and grounded.
How many chances to you get to make a musical about a serial killer? The minute Tim Burton approached me, I was in.
Tim Burton is underrated. I loved Big Fish, loved that movie, think it's the best movie of the year, hands down. Really impressed with that.
When I'm done with my last album, I want to make a movie with Tim Burton telling the story of all of the albums connected. That's my biggest dream.
I kind of stumbled into comics in a roundabout way. One of the first films my father introduced me to was the 1989 'Batman,' the Tim Burton one.
I actually did do a musical many years ago with John Waters called Cry-Baby, but technically it was only half me - it wasn't me singing. Tim's [ Burton] the only person brave enough to actually let me try to sing.
I like the cinema of people like Terry Gilliam and Tim Burton. I am not keen on trying to reproduce reality - for that you should do documentaries.
I am definitely a Tim Burton fan. I had seen 'Edward Scissorhands' enough times to know it by heart. That's exciting: to work on something you feel like you really get.
I went and met with Tim Burton for the role of Batman. But I just couldn't really take it seriously; any man who wears his underpants outside his pants just cannot be taken seriously.
I do believe that you have to bring some degree of truth from yourself to the role [Sweeney Todd: The Demon Barber of Fleet Street ]in and I'll admit it here, I have shaved a grown man before. I have done it. And it wasn't Tim [Burton].
There are not many A-list directors who get to make the movies they want to make. I know two: Woody Allen and Tim Burton. Two different textures, but both get to do what they want, and that's rare.
I absolutely loved working with Tim Burton because he is just a creative, outside of the box thinker. How he does things is fantastic. It is different - weird different - and he does things that are groundbreaking. They are courageous to do and once you do them you are like, 'Wow! That really does work!'
I dream of working with iconic directors such as Tim Burton, Baz Luhrmann, Terry Gilliam and Wes Anderson - so I'm setting my sights pretty high! My perfect role would be in a fairy-tale period piece, and I'm quite upset all the Harry Potter movies have been made as I'd love to have been in those.
Tim also has enough confidence so that it always looks like a Tim Burton film, but it really is collaborative. You're allowed to do it your way but of course he's always going to choose his way.
Tim Burton, let's face it: he's into stitches.
My worst audition was for Tim Burton for 'Batman.'
I've worked with Tim Burton five times, and it's just like being part of a family; life doesn't get much better than that.
When you're talking about Tim Burton, you're talking about a guy that has such a visual sense, an aesthetic, a storytelling style. It's like he's got his own genre.
I was very lucky because Tim Burton really gave me a career. I don't think Hollywood would've known what to do with me. If I hadn't done 'Beetlejuice,' I think I would've just gone back to my school.
My favorite movies are from directors that have a vision, like Wes Anderson or Tim Burton.
I'm being photographed, worrying about my hair - and yet here I am, I've directed a feature film, why do I care about the way I look? Who cares? Does Tim Burton care? Does Joel Coen?
Stephen Daldry would be a director that I would love to work with as well as Peter Jackson, Tim Burton, and I'm very lucky to have worked with Isabel Coixet, who is also one of my favourite directors.
I think Batman Returns is right for riffs. I love it but it's the ultimate Tim Burton movie. There is so much that happens that's crazy and there are a ton of things to riff.
Tim Burton is an artist who has had a huge influence on me. I definitely share his sensibility. It's a joyful approach to darkness.
I want to be host of 'SNL.' I want to work with Steven Spielberg, Leonardo DiCaprio, J.J. Abrams, Emma Stone and Tim Burton, Sean Penn, Cameron Crowe. I want to work with Adam Sandler - he is so funny - and Tina Fey and Amy Poehler.
It was Tim Burton's 'Batman' in, what, '89, I think? What we could see was there was someone behind the curtain controlling all of this, and you could see it from one Tim Burton film to the next, that the guy who made 'Edward Scissorhands' also made 'Batman.' You could connect the dots because his style was so distinct.
Tim Burton... as an actor you wait and wish and hope and pray you'll work with him.
I've always liked fairy tale and spectacle. I wouldn't say I was a fantasy fan, but anything beyond reality I've always found exciting - the work of David Lynch, the work of Tim Burton. But for me, I also love those things that are absolutely about human relationships.
I thought 'Charlie And The Chocolate Factory' was terrible. I'm a big fan of Johnny Depp and Tim Burton, so I don't know what went wrong with that.
Ever since the Tim Burton Batman of 1989, it has been de rigueur in movies to focus on the freaky alienation aspect of the superhero's life: This is how talented people make movies for 14-year-olds while retaining their self-respect.
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