Top 413 Toronto Quotes & Sayings - Page 7

When I was 18, I was moving to New York to start college at The New School. I had done a year of college in Toronto and wasn't happy there. I didn't have any friends in New York City, but I applied and got in. It was pretty overwhelming, but everyone in New York is so ambitious and creative.

Last night, we did the Threatdown -- God, it's hard to even talk about this -- and for the first time, I didn't mention bears. It's winter, they're asleep, I didn't think it would be a problem. But today I see this in the Toronto Globe and Mail -- apparently a 700-pound polar bear showed up at a children's hockey game. I've said this before, they're after our kids -- they're tender, juicy, you don't even have to throw away the bones.

It's like so great to be in Toronto and to see everything that's in the books and everything they reference and to be able to hang out in those places and go to those bookstores and those comic book stores and those music stores, and like have that, from the books onto the screen, is so cool and I'm glad to have been part of that.

When I was 9, I auditioned for an arts school in Toronto with a few of my friends. The sole reason we auditioned was that we found out you got to miss a couple days of school to do the audition. Without actually wanting to go to arts school, I accidentally got in. My parents encouraged me to try it, and I ended falling in love with performing.

A friend of mine's sister was on a TV show here in Toronto, a popular show. I don't know I guess it must be some Canadian come line. Well Mr. Dressup a friend's sister was on Mr. Dressup and I just never understood - knew that I could know someone in the flesh that was on the TV. It was just a bizarre thing for me. I grew up drinking Coca Cola, singing to Michael Jackson and the '80s a pretty stand by me life.

I teach students that what people say about failure in politics is mostly wrong. People always told me, 'They'll praise you on your way up and kick you on your way down.' That wasn't my experience. I can't walk down the street in Toronto without someone coming up and saying hello.

Toronto I've worked in so many times so you kind of just know every store, every hotel, every - it's really close to New York so it's awesome for my children so if I have to go home for two days it doesn't take very much time. Except for Air Canada. Air Canada is the worst part.

I kind of work on an airplane. The Burger King brand headquarters is in Miami. The Tim's headquarters and our head office is in Toronto. And we have international offices for the brands in Switzerland and Singapore, so I kind of bop back and forth around all the offices. And I try to spend most of my time visiting our restaurant owners.

In Toronto, I grew up taking a subway, I grew up taking a bus. I spent my formative adult years in New York City, walking the streets, taking the subway. You're connected to the larger whole. L.A. is so spread out, and you're so incubated inside those cars and it's so exhausting to deal with the traffic, without really having the human contact.

When I come to a new city is I combine: I say, well, it's like Barcelona and Edinburgh, though I can't imagine what that would be. But Toronto, the last few times I've been here, what always comes up is Chicago and West Berlin. It's a big, sprawling city beside a lake, of a certain age and a certain architectural complexity. But the high-end retail core looks more like West Germany than the Magnificent Mile. Yonge Street is like K-Damm. There's an excess of surface marble and bronze: it's Germanic and as pretentious as pretentious can be.

I remember attending Toronto Comicon shortly after the release of Captain Marvel and seeing a five-year-old girl who'd come in a handmade Captain Marvel outfit with her hair moussed up - and I totally got the need for this book, for this hero. Someone who looks like her, and acts like her. So, in a way, Captain Marvel helped pave the road to the expanded role of female leads.

There should be more love in Toronto when it comes to the music and entertainment scenes instead of keeping that Screwface Capital name. There should be more artists eating together, more artists celebrating together and more artists making music together. That's how I feel.

I was born in Darien, Connecticut, but in 1959, when I was four, my parents moved to the suburbs of Toronto. Then, in the late 1960s, they bought a cottage in a resort/trailer park in the Kawarthas region of Ontario, and we moved up there. I wrote a book about it in 2000 called 'Last Resort: Coming of Age in Cottage Country.'

...60 advocates of unorthodox therapies whose credentials are given in the ACS book (above).(:) Of these 60, thirty-nine or almost two-thirds, hold...medical degrees from such universities as Harvard, Illinois, Northwestern, Yale, Dublin, Oxford, or Toronto. Two are osteopaths. 3...also hold...(PhD's)....scientific....reputable....8 others received PhD's in such fields as chemistry, physiology, bacteriology, parasitology, or medical physics, from...Yale, Johns Hopkins, UC Berkeley, Columbia, and NYU. Thus over 75%...are medical doctors or doctors of philosophy in scientific areas.

So my thing is we want come in and diffuse anything that's not real, anything that doesn't associate with real hip-hop. We want to be the one that says, 'Yo, we want to help build and build a bigger and better industry.' I'm just like, 'Yo, with talent from Toronto, Vancouver, Quebec. Who's paying attention?'

I think professionally I admire people and the way they've handled their careers and being in the media. But the people that I used to inspire me and keep me going were my peers in Toronto - I would see the same girls going to audition after audition, and their resilience to do it again, and I found that inspiring.

I'd love to shoot something in Toronto; I'd love to bring something to Canada. I'm dying to shoot something in Vancouver where I'm from.

There's, what, 300 films at the Telluride or Toronto or something. How many are those people gonna see? How many of those are actually gonna be in a theater, you know? You know, as an actor, I mean, I learned a long time ago that the fulfillment in this business is the doing of it because you can't rely on anything coming out.

When I was 16, I used to drive huge loads of laundry in a three ton truck. I would turn round at night to drive back and see the band in a place north of Toronto called Dunn's Pavilion. I would drive that truck all day and they drive back and all the way until one day I wrecked the truck. I fell asleep and wrecked it. I was OK and so was my helper. I called my dad and the first words out of his mouth were, "are you OK?" I was really lucky I had a kind father.

For some reason at Sundance, more than other festivals that I'm aware of, you find filmmakers rushing to screen works that sometimes aren't completed. In my seven years of programming at Toronto, I'm not aware of any documentaries that went back for serious editing after their premiere - other than those presented as works-in-progress. But at Sundance every year there seems to be a few films that push the deadline so hard that they get taken back to the edit room afterwards.

Actually, I'm frequently described as the UK's only translator of Korean literature, but even that isn't accurate - Agnita Tennant is UK-based, Janet Poole is British though lives in Toronto, Brother Anthony was born here though is now a naturalised Korean citizen. There's also Chi-young Kim and Sora Kim-Russell, who are younger and do fiction for commercial houses.

I've never been obsessed with celebrity or star-struck or anything. I met Penelope Cruz when we were in Toronto, who I think is a goddess and an unbelievable actress, and she introduced herself. As she walked away from the table I had to take a deep breath, which was strange because I've never had that with anyone.

The most adorable thing about Toronto is that she remains fiercely aloof and indifferent to the fads and entrepreneurial fevers of her lovers. She is intractably herself, admissive to the most vagrant, sober in a way that gets misinterpreted as stodginess. Her generosity extends to the meek as well as the gold diggers. Mercifully, she doesn't give a hoot about our portraits of her, but just waits, patiently, for our affection and citizenship.

I mean I feel like we've shot all these different movies. Like the first 2 weeks of shooting was all Steve Stills apartment and band rehearsal, you know? And so it was like this tiny little group of people and small set comparatively and it just looked like a Toronto apartment. And then we sort of kept ramping up further and further until now we're here in this giant like craziest set I've ever seen with LCD crazy lights that go....you know?

There was actually a camera on your face. I don't know so much about the animation process but the camera was in our face so it could get expressions from our faces that would eventually arrive on the gnomes. It almost felt like you were cheating at times because it was a wee bit too much fun. You were in that box on your own. Kelly [Asbury] was in Toronto, I was in LA, so I was just on my own. I thought: "I can't be getting paid for this as well!"

It is amazing to me how deeply into the popular culture the creature has become. There are zombie walks in every major city. I live in Toronto, and last year 3,000 people came out dressed as zombies.... I do not get it. Maybe it's an easy costume: Splash some ketchup on and rip up your jeans -- although most people already have torn jeans -- and you're done.

I want to hold onto that because I think every kid when they dream about playing basketball, they don't dream about being a role player. They dream about being the man. I have that position in Toronto and to give that up and go somewhere else to be an addition would kinda defeat the purpose of my dreams.

I was born in Darien, Connecticut, but in 1959, when I was four, my parents moved to the suburbs of Toronto. Then, in the late 1960s, they bought a cottage in a resort/trailer park in the Kawarthas region of Ontario, and we moved up there. I wrote a book about it in 2000 called 'Last Resort: Coming of Age in Cottage Country.

Before we left town, Antonio pulled into a strip mall and went in to get subs and salads, leaving Clay and me half naked and bleeding in the car, and Cain unconscious in the trunk. No wonder I was anxious to get back to Toronto. Spend too much time around these guys and you become a little too nonchalent about blood-soaked clothes and bodies in the trunk

I remember when we were in rehearsals and we were going through it because we rehearsed before we went to Toronto, and it's more of the same. She and I had to deal with a lot of stuff in this movie and we really have to take ourselves there. It actually started in rehearsals, and just revisiting that piece of it all. Just the way Monica is and what she says and the way she looks at me, it really affects me throughout rehearsals and throughout the scenes.

Toronto won't topple New York or London as a financial center, nor will it dethrone Los Angeles as the international entertainment capital, but with its large and stable banks, numerous knowledge-based industries thriving in the surrounding mega-regions, and an increasingly diverse population, it will gain ground. And with employment opportunities in the largest centers eroding, it can make a big move on top global talent. It stands as a model of an older, once heavily industrial Frostbelt city that has not only turned itself around but continues to grow and thrive.

Look, I'm just this kid from Toronto who got his start in school plays. I still live with my folks who make me mow the grass and take the garbage out. Then one day, I'm on this multimillion dollar set surrounded by R2D2 and C3PO. Every nuance was surreal. The saber. A thrill. The outfit and cloak? Mind-boggling. Meeting R2D2. An out-of-body experience.

I have very happy memories of fairy tales. My mother used to take me to the library in Toronto to check out the fairy tales. And she was an actress, so she used to act out for me the different characters in all these fairy tales.

I did get to shadow some amazing brain surgeons, a female brain surgeon in Toronto, another surgeon in London. And then we had a surgeon onset [of Doctor Strange] every day. So and he taught me to do sutures and was practicing on turkey breasts, raw turkey breasts.

I found that through my life, living in the city of Toronto, I look above the Pizza Pizza sign, and I look above the other signs and window dressing, and I see evidence of a city that no longer exists in the keystones and the decorations that line the tops of buildings. That presence of the old city has always moved me.

Toronto's likable, but it could be a lot more, as I think Montreal is, lovable. What we need more than anything, I think, is a great pedestrian promenade. Pick a busy streetscape, close it to cars forever, and it will fill with people enjoying nothing more than the pleasure of their own company.

My favorite story about O'Connor - one of them - is I was in Toronto at a pro-life conference.I had a session before he was to come on,I thought very moderately - that not have unwanted abortions was to have much more research on contraception. Two true-faith people came out of the audience, wrested the microphone out of my hand and said, `That is im - inappropriate, improper. Pro-lifers do not believe in contraception.' [John] O'Connor's watching this said,`I want to tell you I'm delighted that Nat is not a member of the Catholic Church. We have enough trouble as it is.'

I lived in London for a long time, and that's a pretty white town. In Toronto, I just ended up in this circle of indie rock kids who happened to be white, too... Really, it was just when I started getting out there and meeting more people and seeing more fans that I went, 'Oh, actually, I'm not white.'

It's wonderful. It's amazing. I mean we have such a great music scene and art scene and there's just a great group of young people, you know, temping their way through their 20's doing other amazing things. And I've been in...I spent like 10 years working here without ever having been shooting in Toronto. And it's so frustrating because it's a great city. And I remember seeing Montreal actually used as Montreal in that Ed Norton-Robert DeNiro.

Playing big films on festivals is SO misguided. And I know where it comes from: it comes from the head of the festival thinking that he'll play with the big guys, like that's the way to do it and it's SO not the way to do it. It's where Cannes went wrong, it's where Toronto is going wrong. I mean, I got off the plane in Cannes this year and the streets were paved with posters from studio movies. Who cares about that? Why come to Cannes for that? You're going to be able to see all those films anyway - you're not going to be able to avoid them, so I don't get it. Obviously.

The 'Degrassi' producers were very supportive. They sent me flowers when I got 'The Vampire Diaries,' and then as soon as it premiered and got the great numbers that it did, I got another large bouquet of flowers from them. Every time I go back to Toronto, I see them and hang out with them.

Country artists, I met a lot of them when I was five, six years old. I had an uncle who was a country and western singer and I met Lefty Frizzell when I was five or six years old in those shows that would come through Toronto from Nashville.

I dropped out of school to play poker, and at 21, I moved from Toronto to try my luck as a pro in Vegas. I ate the typical meat-heavy diet of most poker players in the '90s: burgers and steak, along with French fries, mash, and a bucket-load of wine, beer, and vodka. There was nothing fresh in my diet, and I felt terrible.

I was the oldest model in South Africa - I grew up in South Africa, but I was born in Canada - and then when I moved back to Canada, to Toronto, at 42, I was a grandmother doing front covers. I was the oldest model in Canada.

I think "Avatar" is kind of a unique category where people are enjoying the unique theatrical experience even though they may have seen it on the small screen. They want to have that immersive, transportive experience. "2001: A Space Odyssey" played for three years at the Loews cinema in Toronto. I remember that. It just kept playing. People wanted to return to that experience. That may not be the best example because I think "2001" took 25 years to break even.

I first visited the Toronto fest in 1979, its fourth edition, when it was known as the Festival of Festivals and had an audience of about 40,000. I happily returned to the 10-day skein nearly every year thereafter, as attendance swelled to 400,000 and it grew into the most influential film festival in North America, perhaps the world.

The Sage of Toronto... spent several decades marveling at the numerous freedoms created by a "global village" instantly and effortlessly accessible to all. Villages, unlike towns, have always been ruled by conformism, isolation, petty surveillance, boredom and repetitive malicious gossip about the same families. Which is a precise enough description of the global spectacle's present vulgarity.

My dad's a prominent theatre director in Toronto, so I grew up in that world, directing and producing theater since I was a teenager. I always loved movies but they seemed too complicated until I got a job as an assistant on a movie-of-the-week and the technical process became demystified, like peeking behind a magician's curtain. Not long after that I switched to movies and never looked back.

I trained for four years in Toronto, and even before that, I was back and forth between Canada and the States during summer for training. And, since there isn't much difference between Canada and the States, I haven't felt much difference in the environment.

A journalist in Toronto named Shannon Boodram saw my Facebook page and told me I was 'strikingly beautiful.' She shot a YouTube video of me, and it made a hit, grabbing thousands of views. She said the camera loved me and that I should be a model. I had never thought about modeling - it just hadn't seemed possible.

I can't read my poem "Distracted by an Ergonomic Bicycle" without thinking of Seattle, where the events of the poem took place, and I can't read "In Defense of the Semicolon" without thinking of Toronto - but why should that matter to anyone else? If another reader imagines "In Defense of the Semicolon" taking place in New Orleans, great.

I went to theatre school for four years and just wanted to do theatre. I had no ambition to be on TV or to be on camera. I just wanted to go to New York or London and be on stage... I did a lot of theatre in Montreal, got involved in TV in Toronto and then moved to L.A. I hope that film and TV will take me back to theatre.

I was in Toronto when they had a severe outbreak of SARS - you know, Severe Asian Racism Syndrome. I was in the airport and there were these big snowboarder guys and they had white masks around their necks, and as soon as they saw me, they put their masks on. So I went "cough, cough, cough... You wanna egg rorr?