Top 15 Trilogies Quotes & Sayings

'Daughter of Smoke and Bone' is one of my all-time top YA fantasy trilogies, so I was a little nervous about reading 'Strange the Dreamer.' Of course, I shouldn't have been worried because Laini Taylor immediately grabbed me by the proverbial lapels and refused to let me go.

I'm often characterized as an optimistic writer, and certainly my 'Neanderthal Parallax' and 'WWW' trilogies shade toward the utopian. I like to think that's not simple naivete, but rather a reasonable approach.

I have this prejudice that trilogies are long, three-volume novels.

STAR WARS is really three trilogies, nine films. The first trilogy covers the fall of the Republic and the rise of the Empire, the middle trilogy the fall of the Empire, and the last trilogy involves the rebuilding of the Republic. It won't be finished for probably another 20 years.

There are two trilogies I admire: Robertson Davies's 'The Deptford Trilogy' and Philip Pullman's 'His Dark Materials.'

I've just finished a series of Olivia Manning novels. She's best known for two trilogies: Balkan Trilogy and Levant Trilogy. The six novels are continuous and contain the same set of characters. They are based on Manning's experiences in Eastern Europe and Egypt during the Second World War. Each novel is a wonderful picture of the peculiar British expatriate culture and what was happening during the war. She's one of those brilliant women who write very well about domestic relationships. All the books are slim, and it's easy to gallop through them.

As a young actor, I found myself in all these movies at once, with two big trilogies and a Cameron Crowe film and working with Ridley Scott a couple of times.

It wasn't long after I began writing Star Wars that I realized the story was more than a single film could hold. As the saga of the Skywalkers and Jedi Knights unfolded, I began to see it as a tale that could take at least nine films to tell - three trilogies - and I realized, in making my way through the back story and after story, that I was really setting out to make the middle story.

I've been looking for ways to audition more, because it also keeps me sharp and keeps my ambition at its firm edge. That's something that I'm actively engaged in conversations about now with my reps: What's out there that I can really either put myself on tape for, or meet with the director for and read for? How do we do that? We're now at the end of the Star Trek reboot trilogies and whether we are going to do another movie remains to be seen, and so I feel like I'm at the end of this cycle that began with me coming out of school and auditioning and building my way up.

The first script was one of six original stories I had written in the form of two trilogies. After the success of Star Wars, I added another trilogy. So now there are nine stories. The original two trilogies were conceived of as six films of which the first film was number four.

I've always loved literature, and the best books I read were always trilogies.

From the outset, I conceived Star Wars as a series of six films, or two trilogies.

I don't know if there are too many other trilogies with stories that have continued to captivate audiences like 'Back to the Future' has.

My advice to aspiring writers of fantasy trilogies or series is that each book needs two main plots. There's the 'big story', the over-arching grand plot of the entire series, and there is the complete-in-itself, one-book plot.

All books should be trilogies; I mean I think we all agree on that.