Top 1200 Room With A View Quotes & Sayings

If the view is very beautiful, do not sit and watch; go to the view, be in the view!

What I see is trying to make sure that everybody thinks you have more than what you actually have. What’s the point if you actually don’t have it? If you don’t have it, then you don’t have it. Have what you have. Enjoy that . . . The craft is everything. Don’t be afraid of not being the wealthiest person in the room. Be the smartest person in the room. Be the slickest person in the room. Be the most creative person in the room. Be the most entertaining person in the room. Just be in the room.

One person's view is not to be sniffed at. Everybody is entitled to have their view and people are entitled to have a different view from the view the [American] Government has arrived at and they're entitled to express their view.

Don't scrutinize people with a microscope; view them from a comfortable distance. And allow some room for compassion in the space the lies between you.

The room is a special place. It's not "A room" it's THE room. It's a place where there is no restriction. If we title it "a room" it can be any room but it's THE room so it is a special place. We all have this place. It's like our little corner that you are comfortable with.

There is room for everyone; there is room for every culture, race, language and point of view.

FOOVIEW (foo' view) n. The ability of a dog to inflict guilt from any angle in the room while he watches his master eat.

I just always believe that we should not reward people with citizenship whose first act in this country was a violation of the law. And I continue to hold that view. But let me say, I think there is plenty of room here for compassion. And there's plenty of room here for crafting a solution that will deal with this issue in the long term.

If there's a British film in the marketplace that is successful on a worldwide basis - whether it's 'A Room with a View,' 'Four Weddings' or 'The Full Monty' - money follows, and everyone tries to emulate that success.

There is an eternal conflict between the school-room and the bar-room. The school-room makes men, the bar-room destroys them.

See, nobody understood how we were able to make a film like 'A Room With a View' so cheaply, for about $3.2 million, and have it look as good as it did.

There are many nations that have perfected a particular room. You know, you have the French drawing-room, the Austrian ball room, the German dining room, and I think the library is a room the English get right.

No guest rooms.” I shake my head resolutely. “I want to be in a room room. A lived-in room.

But I started it when I was going through a transitional time in my life. At the end of it, it really sort of symbolized it. I had made room to change, and room to grow. I recorded it in a little room.

By the time any view becomes a majority view, it is no longer the best view: somebody will already have advanced beyond the point which the majority have reached.

To be in a room and have to explain your point of view is a huge skill in Hollywood.

Obama specializes in knocking down straw men. 'I reject the view that says our problems will simply take care of themselves,' he said, implying that's the view of Republicans. It's the view of almost no one.

In a world of fixed future, life is an infinite corridor of rooms, one room lit at each moment, the next room dark but prepared. We walk from room to room, look into the room that is lit, the present moment, then walk on. We do not know the rooms ahead, but we know we cannot change them. We are spectators of our lives.

One of the greatest attacks of the enemy is to make you busy, to make you hurried, to make you noisy, to make you distracted, to fill the people of God and the Church of God with so much noise and activity that there is no room for prayer. There is no room for being alone with God. There is no room for silence. There is no room for meditation.

Possibly I am difficult to live with, but I don't bring my work home much. I'm either busy or not busy. And I don't work from home. I have an office here which has a white wall. No view. I did try working in a room with a view but it was too interesting. Too distracting.

The iPhone calendar isn't bad, but it isn't great, either. It only offers a day view and a month view - it doesn't have a week view, which drives me crazy.

Inside many liberals is a totalitarian screaming to get out. They don't like to have another point of view in the room that they don't squash and the way they try to squash it is by character assassination and name calling.

Having a female point of view in the room - when you get into a discussion about behavior - who would say what and how they would interact with one another. In certain situations, women are going to have a different opinion on that than men. It made for a really balanced conversation in the room.

The great thing is the thing of being able to see things through many points of view. That's enlarging. I mean, it saves you from ultimately from the boredom of having one point of view, like being locked in a room with nothing but your own point of view, your own references.

I was born in Swindon... a place that always looked west. I found that wherever I go I love to have a room with a view of the western sky. My late brother and I, when we were small, had a room at the back of the house that overlooked the sunset; and both for he and I it was kind of magical.

Everybody you work with sees what you're doing from a different point of view, a very specific point of view. So, if someone is lighting, they're seeing it from that point of view. A production designer is seeing it from the placement of furniture that tells you about the character. Everything that goes into the room should tell you about the person who lives in that room.

Brace yourself! If we take in what the Holy Father is saying in his Theology of the Body, we will never view ourselves, view others, view the Church, the Sacraments, grace, God, heaven, marriage, the celibate vocation...we will never view the world the same way again.

There isn't much room for an outsider point of view in print any more.

Everytime I go to Starkville I ask for a room without a view

It's very hard in our adversarial society to find a third view. Take journalism, where everything is always presented as one person against another: "Now we're going to hear the opposing view." There is never a third view.

In a portrait, you have room to have a point of view. The image may not be literally what's going on, but it's representative.

In a portrait, you have room to have a point of view and to be conceptual with a picture. The image may not be literally what's going on, but it's representative.

I have my library separate from the family home, and every room is a different genre. The only room that I can guarantee I've read everything is the horror room.

There's room for Spike Lee's movies; there's room for Tyler Perry's movies. There's room for classics with an all black cast. There's room for all of it as long as we don't try to make any one piece define us as a race.

Also marvelous in a room is the light that comes through the windows of a room and that belongs to the room. The sun does not realize how beautiful it is until after a room is made. A man’s creation, the making of a room, is nothing short of a miracle. Just think, that a man can claim a slice of the sun.

I take a biocentric point of view. I look at things from the point of view of the Earth and the laws of ecology. As opposed to the anthropocentric point of view, where everything revolves around humanity.

While making my picture window photographs, I came to think that every room was like a gigantic camera forever pointed at the same view.

In 'A Room With a View,' you have three young Englishmen running around naked and laughing and whooping and jumping in the water. It's something the English don't apparently find troublesome.

It came right on the heels of A Room With A View. And that was such an enormous success, so I think people were hoping that Maurice would also have that kind of success.

My thing is this: You've got to talk about politics because it's out there. But I try to respect the fact that even if you don't have my views, I still respect your view. I may dog your view, but I'll respect that you have that view. And it's OK to come back at me to defend your view.

There are definitely challenges that come with being the only woman in any room, and on a show like 'The Breakfast Club,' with strong opinions, it can be hard to get the guys to see things from my point of view.

Helena Bonham Carter was 19 when we made 'A Room with a View'. She came for the interview in these extraordinary boots and a black dress, and sat with her feet out in front of her.

I love my kitchen. For Manhattan, I have a rather decent-size kitchen, and it has an opening that gives out to the dining room, which has a window with a view of the city and in the distance the Statue of Liberty.

I actually cannot stand a room without a view - I would rather have a bedroom the size of a closet with a view over a suite without one.

When you're making a critical decision, you have to understand how it's going to be interpreted from all points of view. Not just your point of view, not just the person you're talking to, but the people that aren't in the room. Everybody else.

I think my initial view of it is that 'The Room' has succeeded in being the best bad movie because it's the most earnest. I feel like it's a film that comes from the heart, and somebody's really trying to send a message about their life and their view on the human experience.

Balancing the complex point of view in the edit room was mostly a matter of challenging ourselves to keep digging deeper.

There is the view I call penal non-substitution, or the penal example view. (It is also called the Governmental View in textbooks of theology.) This is often associated with Arminian theology stemming from the great Dutch jurist Hugo Grotius. However, the view was taken up by [Jonathan] Edwards's disciples in New England, who developed a Calvinistic strand of the doctrine.

If you look around the room, and you're the smartest person in the room, you're in the wrong room.

Small hotels are going to be in vogue. In my view, small is going to be the new big, wherein people will rethink a lot about going back to that 1,000-room hotel versus going to a 40-room niche hotel.

'The Room' is relationships. The room is you and me and everyone in America. That's basically what 'The Room' is.

We moved wordlessly from one room to another, from the room of the dead to the room where time lay in pages everywhere I looked.

There are views. And what we see in a view is not necessarily what is in the view, all that is in the view. We have to separate, to some extent, the perceiver from that which is perceived or we have to lose all distinction whatsoever.

Ego is like a room of your own, a room with a view with the temperature and the smells and the music that you like. You want it your own way. You'd just like to have a little peace, you'd like to have a little happiness, you know, just gimme a break.

. . . crazy world or maybe it's just the view we have of it, looking through a crack in the door, never being able to see the whole room, the whole picture.

But every point of view is a point of blindness: it incapacitates us for every other point of view. From a certain point of view, the room in which I write has no door. I turn around. Now I see the door, but the room has no window. I look up. From this point of view, the room has no floor. I look down; it has no ceiling. By avoiding particular points of view we are able to have an intuition of the whole. The ideal for a Christian is to become holy, a word which derives from “whole.

British films are all "room with a view and a staircase and a pond."

That room was not available, and the only other room had been booked for a Jewish bar mitzvah. I called the father and told him I needed the room and I would pay him to move the bar mitzvah to an adjoining room which was smaller.

Appealing workplaces are to be avoided. One wants a room with no view, so imagination can meet memory in the dark.

Karma will lead you to a larger more expansive happier view or a dinger darker view. That view will enable you to make choices and have experiences.