A Quote by Aaron Copland

For me, the most important thing is the element of chance that is built into a live performance. The very great drawback of recorded sound is the fact that it is always the same. No matter how wonderful a recording is, I know that I couldn't live with it--even of my own music--with the same nuances forever.
A live performance is the same no matter what genre it is. Wrestling, rock 'n roll, hosting, acting - it's the same thing.
Records are only one-dimensional. Even film is only one-dimensional. That's why music and live theatre is so important, because it's not the same thing. A recording is just a record of part of the experience, but it's not the whole experience.
I think there's an attitude these days that you can go straight from a studio to the stage, and it isn't really like that. But playing live was the most important thing for me at the start because whenever I recorded something, it didn't sound right; I didn't like how my voice sounded. It was just raw.
Forever is a really long time, you know? What do you do with forever?" "The same thing you do when you don't have forever." He smiled wanly. "Live.
My setup for a live performance lately has been just guitar and synthesizer. Sometimes I only bring one. The guitar is in pretty bad shape and isn't sounding the same. Most of the time my live approach has been pretty different from recording.
I don't know where genre really comes from. I grew up with parents who were artists, and I was always interested in what music they were listening to and open to all kinds of genres. So it's nice to see that whole families come to my concerts. I like having an element in my music that is inclusive rather than exclusive, without being pop for the sake of it. It's not important to me how many people listen to it - it's more wonderful that it brings people who wouldn't usually meet into the same room.
I'm planning to be here forever, but I know at some point I'll probably have to give it up. If you live to 100, there's a very good chance you'll live forever. Because very few people die after 100.
And at the same time, you are of course a performer, but it's very important that you understand that your role as a performer is to get the best performance from those wonderful colleagues that you have the chance to work with.
If the white man wants to live in peace with the Indian, he can live in peace. Treat all men alike. Give them all the same law. Give them all an even chance to live and grow. All men were made by the same Great Spirit Chief. They are all brothers. The Earth is the mother of all people, and all people should have equal rights upon it. Let me be a free man, free to travel, free to stop, free to work, free to trade where I choose, free to choose my own teachers, free to follow the religion of my fathers, free to think and talk and act for myself, and I will obey every law, or submit to the penalty.
Artists should re-emphasize performance and de-emphasize recording. You always make more money if you have a healthy performing life than you will if you have even a moderately healthy recording life. Don't make recording the most important thing you do. Make performing the most important thing you do, and then you can make recordings and sell them at your shows, because record labels aren't going to be around to help you get on the radio stations, and the radio stations probably aren't going to play you anyway.
I wouldn't say that I'm a consummate live artist. Album work is kind of just like quilt weaving or something. But live music is just like a method of emptying out the mind through volume. Volume as a form that allows you to do different things. And that doesn't really translate to recorded music, like how do you listen to that, on Spotify or in your car? It's not the same kind of effect. I would say that the loudness is a huge part of what I do live.
To live factionless Is not just to live in poverty and discomfort; it is to live divorced from society, separated from the most important thing in life: community. My mother once told me that we can’t survive alone,but even if we could, we wouldn’t want to. Without a faction, we have no purpose and no reason to live.
Some people live their lives as if each day will be their last. Some approach love the same way, in a desperate attempt to outrun the tiny changes or huge ones that are always looming on each of our horizons. But the sense of urgency that comes from wanting to experience life and love to the fullest can force decisions that are not always in your best interests or anyone else's, for that matter. In fact, sometimes facing the consequences of your choices can be even worse than death. You may live only once, but you don't necessarily want it to feel like forever.
Yes, very often! But at the same time I realize that I can't live without rhythmic gymnastics. It's the most important thing in my life
In effect, you're saying that if you knew how you oughtt to live, then the flaw is man could be controlled. If you knew how you ought to live, you wouldn't be forever screwing up the world. perhaps in fact the two things are actually one thing. Perhaps the flaw in man is exactly this: that he doesn't know how he ought to live.
No matter what, I will always prefer a live performance. Whether it be a play or a musical, or playing music live. As long as it's live, it's the best because there's sort of an immediacy to connection between an audience and a performer, whereas where you do film or television, you're at the whim of so many different forces.
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