A Quote by Abby Johnson
I have a nationally distributed film whose pivotal scene is the ultrasound-guided abortion.
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An important part of my story is that I didn't walk out of Planned Parenthood immediately after witnessing the ultrasound-guided abortion. It is made to appear that way in the film, 'Unplanned,' because they are trying to fit 10 years of my life into an hour-and-a-half-long movie.
Since I am a person who starts work without clear knowledge of a storyline, every single scene is a pivotal scene.
Every film that you make has to have a scene that is the heart that blood flows through in every other scene. That scene doesn't always have to be in the beginning of the film. But it can also be at the end, or in the middle, and that can sometimes make the film more effective.
Ultrasound is instrumental in the fight against abortion precisely because it allows women to make an informed choice by shedding light in a place which, for most of its history, has been shrouded in secrecy.
Film and television are very different. On the TV show, we do seven or eight scenes a day, so time and money are of the essence, and we have zero room for creativity because you've got to do each scene in only five takes. Whereas, on a film, you have an entire day to film one scene, so you have so much time to choose how you want to fill in a scene.
I didn't really come on the scene nationally until 2008.
Every scene in 'Ganga Jamuna' has been spellbinding for me. I can see the film any number of times and still not be able to pinpoint a scene and say 'This is the best scene!' Every scene is perfect.
I think the Resurrection continues to be a pivotal issue, a pivotal question for people. I think a lot of other issues have been raised in interim years, about the nature of truth, of course gender issues, issues involving social matters like abortion and euthanasia and so forth, those swirl about and change from time to time, but I think the fundamental question of whether or not Christianity is true ultimately goes back to the Resurrection.
If you walk into any bookstore, you can look at the newsstands and see which magazines are nationally-distributed, and you recognize certain names. Same with television. With the blogsphere, however, you actually have to dig, and know how to use multiple tools to figure out whom you should be speaking to.
Some things definitely work better on film than in books. Introspection is great in books but it doesn't work on film. Anything with high intensity, whether it's a love scene, a car chase, a fight scene - those things work so well on film and oftentimes they can tell a much broader part of the story.
And blessed are they who have learned the rhythms of the invisible clock whose hours and minutes are immense and soundless. The great clock of the seasons and the years, and the small clock of the intuition, whose timing is guided by the heart.
In nature, creatures never ended the lives of others except to survive. To women, abortion was self-defense and preservation of the species. Abortion was not a fancy borne out of the female mind. Abortion was instinct beyond ideas. Abortion was fear (the cat that devours its litter when a predator nears).
The only distinction I'd make is between film and telly, I guess. "Film," "movies," and "cinema" are all synonyms as far as I'm concerned; but telly is different. It's just a plodding we've-done-this-scene, we've-done-that-scene and it never becomes this new other thing.
'Baahubali' was really the film that broke most barriers of what regional cinema can do nationally.
I love Charlie, Billy Burke's character. Writing for him is so spectacular, he's so funny and wry and every scene he's in he just takes. There's a scene in 'Eclipse' where Bella tells him she's a virgin, and it's the funniest, most awkward scene I've ever seen on film.
That which we call character is a reserved force which acts directly by presence, and without means. It is conceived of as a certain undemonstrable force, a familiar or genius, by whose impulses the man is guided, but whose counsels he cannot impart.
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