A Quote by Adam Phillips
The child..will try to make himself..independent of other people. .. Excesses of appetite are self-cures for feelings of hopelessness. ..The child [uses] ‘doubt about food to hide doubt about love.’
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There is no doubt I have offended many people. No doubt, also, that I have blasphemed. I sometimes try to offend as part of my routine - after all, the essence of humour, even in a child, is the effort to shock and surprise.
The experience of a sense of guilt for wrong-doing is necessary for the development of self-control. The guilt feelings will laterserve as a warning signal which the child can produce himself when an impulse to repeat the naughty act comes over him. When the child can produce his on warning signals, independent of the actual presence of the adult, he is on the way to developing a conscience.
There are many different kinds of doubt. When we doubt the future, we call it worry. When doubt other people we call is suspicion. When we doubt ourselves we call it inferiority. When we doubt God we call it unbelief. When we doubt what we hear on television we call it intelligence! When we doubt everything we call it cynicism or skepticism.
Doubt is most often the source of our powerlessness. To doubt is to be faithless, to be without hope or belief. When we doubt, our self-talk sounds like this: 'I don't think I can. I don't think I will.'... To doubt is to have faith in the worst possible outcome. It is to believe in the perverseness of the universe, that even if I do well, something I don't know about will get in the way, sabotage me, or get me in the end.
Words, especially when yelled in anger, can be very damaging to a child's self-confidence. The child probably already feels bad enough just from seeing the consequences of his or her behavior. Our sons and daughters don't need more guilt and self-doubt heaped upon their already wounded egos.
An intellectual is going to have doubts, for example, about a fundamentalist religious doctrine that admits no doubt, about an imposed political system that allows no doubt, about a perfect aesthetic that has no room for doubt.
Making a film is like raising a child. You cannot raise a child to be liked by everyone. You raise a child to excel, and you teach the child to be true to his own nature. There will be people who'll dislike your child because he or she is who they are, and there will be people who'll love your child immensely for the very same reason.
Vancouver's a very child friendly city, there's... no doubt about that.
Doubt thou the stars are fire; Doubt that the sun doth move; Doubt truth to be a liar; But never doubt I love.
Doubt thou the stars are fire, Doubt that the sun doth move. Doubt truth to be a liar, But never doubt I love.
There is absolutely no doubt about it, and I may not be the one that does it, but the cloned child is coming. There is absolutely no way that it will not happen.
The whole body-mind thing comes into play, when you are feeling that self-doubt and your body is not going to help you if you're not paying attention. Your body's going to go with the self-doubt and make you feel worse, so by making the adjustments - pulling your shoulders back, standing up straight, walking in a more sort of expansive way - all sorts of little things will help pull you out of that self-doubt.
If you can show your child what its like to be charming and giving, show your child what love is really all about and show your child unconditional love, show your child caring and compassion and understanding the nonjudgmental and that is what your child will become.
Please don't kill the child. I want the child. Please give me the child. I am willing to accept any child who would be aborted and to give that child to a married couple who will love the child and be loved by the child.
The main battle is to make people realise that doubt is important. Doubt is good. The 'don't know' answer sometimes is the box you should tick, and it's about not being scared about that fact. Even the greatest minds don't know everything.
When I was a child, writing was the worst possible choice of a career in my family. My father had always identified himself as a writer to my mother when they met. When they met, he was writing this great novel, there was no doubt about it.
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