A Quote by Adam Rapp

When you're making under-million-dollar films, it becomes so much about actors' availability. When you're using big actors for small films, you're in second or third position to the big monoliths.
I thing for female filmmakers a big issue is making their second and third films. You see the statistics, and the dropoff on the second and third [films] , are dire.
Television is a big platform for actors, and so many actors have made it to films from there. And for me, too, it has been a great transition from the small screen to the big screen.
If you work with big stars, then they become the lead actors. It's not that I don't want to do films with big stars, but I would rather do the films where I get the title roles.
I think for female filmmakers a big issue is making their second and third films.
I like to see people put themselves into films, which is part of the reason why I love Woody Allen films so much - I believe his actors' work. I have a feeling that many actors in his films are similar to their characters, and I like that.
I am ably balancing big and small films. With every big film I do, I try to take up films that are high on content and small on budget.
There is this thing called Actors Access, which is run by the breakdown services. What they do is they put up casting notices that are available to everyone. Because there's thousands and thousands of actors and there are student films and grad student films and, sometimes, some small independent projects that are on there.
Many films you see in theaters are financed through outside sources. With big films, the studio will pay, hoping to reap the reward of their big bet. But with medium and small-sized films, outside production companies and financiers often foot the bill.
I hope I'm always lucky enough to be able to work in theater, TV, and big films and small films. I think there's advantages and disadvantages to all of them. The fact that this was a small film without much money and without much time made it rich in energy and momentum and drive when we were actually making it 'cause that's all you've got. You've just got the story and the people.
Bollywod films run on the shoulders of its lead actors. The audience goes to watch the actors and talks about the story later. On the contrary, Punjabi films are now running on the shoulders of their stories and content, which is an achievement.
In India, big stars like Akshay Kumar or Salman Khan do comedy and serious films and we call them great actors. But when it comes to actors of my stature, people rush to typecast me as a comedian without giving a look to all my work.
When you look at golf films before us they're all - garbage or satire. A lot of sports films tend to vilify the opposition. Where the opposition becomes this big angry monster, so big you can't beat him.
There's no big splashy renaissance in Italian films. We have good young actors and directors. What we lack are screenwriters. It's hard to write about Italy.
A producer wouldn't think of making a film about ballet dancers without using real dancers, but they will cast actors who have never held a bat in baseball films.
Alternate between short films, long form films, with or without stars, small budget or big budget films. Basically a filmmaker needs to be flexible.
I have been offered a lot of films with many big actors, but I have unfortunately declined them.
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