A Quote by Adam West

Playing Batman is an actor's challenge. First, it's different; then, you have to reach a multi-level audience. The kids take it straight, but for adults, we have to project it further.
Chris [Nolan] comes at this with such a different take on Batman, so I didn't feel that I had to be true to any other actor playing this role. Of course, I read the comic books. His relationships with Lt. Gordon and with Batman, with Gotham City, those really helped me the most.
My belief is that if I can achieve that level of entertainment by making the audience happy or sad or angry, then I have succeeded as an actor and have done my job. The profits and the fame as an actor will eventually surface, but first and foremost comes the work as an actor.
[on BBC's Sherlock] It's a rare challenge, both for the audience and an actor, to take part in something with this level of intelligence and wit. You have to really enjoy it. It's a form of mental and physical gymnastics.
If I'm hitting 3-wood and everyone else is hitting driver, it's a level playing field. If I'm hitting driver straight, then I think I'm playing at a different level than everybody else.
I really want younger audience members to see kids in their early 20's playing Frank's music and to be inspired to take things to a higher level themselves.
If you really do want to be an actor who can satisfy himself and his audience, you need to be vulnerable. You must reach the emotional and intellectual level of ability where you can go out stark naked, emotionally, in front of an audience.
If you really do want to be an actor who can satisfy himself and his audience, you need to be vulnerable. [You must] reach the emotional and intellectual level of ability where you can go out stark naked, emotionally, in front of an audience.
Animation is the one type of movie that really does play for the entire audience. Our challenge is to make stories that connect for kids and adults.
I always imagined that I would learn something each time that I would take to a new project, then I realized that each new project poses a completely different challenge.
But there's a reason that we have different laws for juveniles than we do for adults. And it's because kids are not liable for the things they do in the way that adults are, because we think that kids are different.
The StarTalks - while kids can watch them, they're actually targeted at adults. Because adults outnumber kids five to one, and adults vote, and adults wield resources, and adults are heads of agencies. So if we're going to affect policy, or affect attitudes, for me, the adults have always been the target population.
I enjoy writing for both kids and adults, though I think I'm better at children's stories because I was a teacher for so long, and I know that audience well. The process is no different whether I'm writing for children or adults. Really, the elements of making a good story are the same.
I wasn't ready to manage straight away. You have a few players who stopped and managed a first team straight away and were successful, and then there are the other ones who take different pathways. And I think what was important for me was to understand what I really wanted to do.
I think every actor is looking for a challenge, and to play something different, and to be a part of a project with other great actors.
If you're doing a family movie, you don't want it to be stupid. Farting chihuahuas is not my idea of entertainment for kids or adults. So you try to make a movie that adults can see on one level, and kids can see on another.
'Batgirl' and 'Harley Quinn' are the first DC hit books in a while that aren't starring Batman personally, really. But some of the attempts to reach the female audience have been really depressing to me.
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