A Quote by Adam West

When I was getting started, I was so busy just fighting my way through, and I was under contract at Warner Brothers. I did 40 hours of color television with the late Robert Taylor as a young cop.
All I know is I've had an overall deal with Warner Brothers Television since the 'Smallville' pilot; that was my first pilot for Warner Brothers Television. I have to do pilots for them, but I get a chance to spend time and find the people that work best with me.
Warner Bros. got into television very early, so I did a lot of television there. In the beginning, it was sort of okay to do television. But then it became this thing where movie actors didn't do television - they certainly didn't do commercials, because that just meant the end of your career.
My whole lifestyle is different. I have a really busy schedule, and I pretty much have an airplane ride every day. But I like it. It's cool. I like being busy. I think that it's good that I'm young and I'm going through this, and I'm not, like, 40. I think it's just easier now at a younger age to be going through what I'm going through because it's definitely really tiring and hard on the body.
For my very first movie, 'Roger and Me,' I made it as part of my deal with Warner Brothers that the four people that were evicted in that film, that Warner Brothers would house - would pay their mortgage or their rent for the next two years to give them a chance to get on their feet.
I just turned 40, and it's weird to think that I've been doing this almost my whole life. I was a child actor and then didn't do it through junior high and high school, then started up again in my late teens doing 'Young and the Restless.' Dabbled with school, went back to college, played around. I think I was doing Pleasantville at 23.
The parallel we like to make.... is the idea of becoming the next Warner Brothers, which is a company that creates the content, but they also produce the content. They also distribute; they also market. So we say that because Fine Bros. and Warner Brothers is fun to say.
After the scarlet fever and the whooping cough, I remember I started to get mad about it all... I went through the stage of asking myself, 'Wilma, what is this existence all about? Is it about being sick all the time? It can't be.' So I started getting angry about things, fighting back in a new way with a vengeance.
Taylor was named after James Taylor and claims that she knows all the James Taylor songs, and I'm a huge fan of James Taylor and know all his songs, too. My dad told me that if I ever met Taylor Swift, I had to tell her that I know every James Taylor song. We started naming albums, and we were both shouting them out.
The NYPD never really had anything to do with it. This is stuff I did on my own time. It just so happened to be that I was a cop for my career. It was my religious belief. The NYPD very wisely stayed away from that. I was grateful that they let me do what I needed to do without getting involved because when you're a cop the NYPD controls you 24/7.
When I started, I had a really hard time getting work. It was the mid- to late-nineties. There was the WB. My age was perfect for it, but I just never came across as a youngster. I had to grow into my age in order to start working, and by the time I did, it was when things started to get good.
What I did sign was a tentative contract with Impact Wrestling when they were still Impact. That contract had a clause for me, because I was already working on some stuff in other areas of television. That clause basically said that if something else in television were to happen for me, they can't be uncooperative.
Most of the contract people at MGM stayed and stayed and stayed. Why? Because the studio looked after them. Warner Brothers wouldn't - they were always spanking somebody or selling them down the river.
I did an adaptation for a movie called 'The Devil in the White City' by Erik Larson for Warner Brothers. I love that book.
CNN? Oh, that's that network with Larry King, who, like the Son of Sam, is a native of Brooklyn. Used to be owned by Ted Turner, who, like the Cincinnati Strangler, is a native of Cincinnati. Now part of Time Warner, founded by the Warner Brothers, the oldest of whom, Harry Warner, like many Auschwitz guards, was a native of Poland.
He [Vince Spadea] was about as down and out as you could see from a Top 20 player. Then to claw his way back through the minor leagues and do it the hard way where he wasn't young, wasn't getting wildcards, wasn't getting any help. I guess he decided he was just going to do it.
When I went through the Simpson case, I was a cop. Then I was a good cop. Then I was a bad cop. Then I had the media camped out in front of my house when I retired. Then, you know, I am the evilest thing on the planet. Then I write a few books, and then I start getting involved, like the Martha Moxley case.
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