A Quote by Adrian Younge
'Luke Cage' came out in 1972 at the height of the blaxploitation era. It was a literary response to this notion of blaxploitation movies. It was the first time in American culture that Hollywood was embracing black movies.
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I lived right on the borderline of a black neighborhood. So I could go into the black area and then there'd be these ghetto theaters that you could actually see the new kung fu movie or the new blaxploitation movie or the new horror film or whatever. And then there was also, if you went just a little further away, there was actually a little art house cinema. So I could actually see, you know, French movies or Italian movies, when they came out.
There's people saying that 'Jackie Brown' was a blaxploitation movie, when there's nothing at all blaxploitation about it other than Pam Grier being in it.
I grew up watching those blaxploitation movies. Ron O'Neal, Richard Roundtree, Jim Brown, Pam Grier. For the first time, I saw 'The Negro' get one over on 'The Man.'
Movies and television have a way of using a soundtrack not just to create a mood but to literalize it. You could always count on a master class in splitting the difference between artistry and obviousness during the so-called Blaxploitation era.
I imagine it was much different in the 1970s. That was the Renaissance for black actors, albeit in blaxploitation movies. There was a much greater preponderance of work then than there is now.
If you take the '70s with Blaxploitation pictures, there was a proliferation of black-content films and motion pictures, television, stage plays and so forth at a time when Hollywood was in trouble financially, and it was cheaper to do black films to keep the lights on until they could reestablish themselves.
The first movie I ever saw was a blaxploitation movie. It was called 'Monkey Hustle.' Like I said, just listen to the name. That's a blaxploitation movie. It had these incredible, bigger-than-life images of people who looked like I did. Or who looked like I wanted to look like.
It's very difficult to get any movies done about Black heroes - Haitian or American - in Hollywood. The argument in Hollywood is that there is no market for those movies, and that is not true.
Blaxploitation films were black films targeting black people. They were films made to appeal to a culture in a way that was supposed to be unfiltered.
Even some of us who make movies underestimate their influence abroad. American movies sell American culture. Foreigners want to see American movies. But that's also why so many foreign governments and groups object to them.
I worked at Warner Bros. for a while. I was the head of the minority talent casting. It was like pre-Spike Lee and post-blaxploitation era.
After I began in elementary school, I was able to go to the movies, and that was how I would spend my weekends, watching several movies one after another and almost all of them American movies. This is how I fell in love, at so young an age, with American movies and culture.
The thing about Luke Cage that makes him different is - on the surface is he's a hero for hire; Luke Cage wants to get paid. Luke Cage in the comic books is like, 'I'm doing this stuff. It's all well and good, but I gotta make a dollar.'
At the time I came along, Hollywood's idea of teen movies meant there had to be a lot of nudity, usually involving boys in pursuit of sex, and pretty gross overall. Either that or a horror movie. And the last thing Hollywood wanted in their teen movies was teenagers!
My love for American music and American movies is from an early age. I was 10 or 11 when I heard Fats Domino and Little Richard and Buddy Holly. And the movies, my dad used to take my brother and I to the movies every Friday. It was incredible: we got to see just about every movie that came out for a period of years.
Even though my approach is slightly different, the Luke Cage of 'Jessica Jones' is no stranger to the Luke Cage of Marvel's 'Luke Cage.' It's really a continuation to a certain extent. It's just got a little different flavor, but it's still the same suit.
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