A Quote by Adrienne Monnier
For the last six or seven years the circus has no longer been in fashion. That is a pity. One should go to the circus, beyond any question of fashion, at least one or two times a year-I am not speaking here to the real enthusiasts, they know better than I what they have to do.
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If fashion is for everyone, is it fashion? The answer goes far beyond the collections and relates to the speed of fast fashion. There is no longer a time gap between when a small segment of fashion-conscious people pick up a trend and when it is all over the sidewalks.
I've said it from the very beginning: Fighting the best guys in the world doesn't pay as good as the circus. I want to join the circus. I'm trying to get that circus money.
Circus is what real life should be like. It's sincerity, feeling, emotions. All real. There are no lies in circus. There are artists working together to give a smile. It's a world where people help one another. It's the only show where a family, everyone from children to their grandmothers, can sit together and all be entertained by the same thing.
Fashion rests upon folly. Art rests upon law. Fashion is ephemeral. Art is eternal. Indeed what is a fashion really? A fashion is merely a form of ugliness so absolutely unbearable that we have to alter it every six months! It is quite clear that were it beautiful and rational we would not alter anything that combined those two rare qualities. And wherever dress has been so, it has remained unchanged in law and principle for many hundred years.
I would have done well as a gypsy child, I think. A circus baby. I coulda played a great street urchin or ragamuffin. Or just been one. I certainly liked entertaining people and making jokes, but I don't know necessarily if that's what your child is prone to that you should necessarily put them in a real working industry at six years old.
Now, everybody knows the basic erogenous zones. You got one, two, three, four, five, six, and seven. ... OK, now most guys will hit one, two, three and then go to seven and set up camp. ... You want to hit 'em all and you wanna mix 'em up. You gotta keep 'em on their toes. ... You could start out with a little one. A two. A one, two, three. A three. A five. A four. A three, two. Two. A two, four, six. Two, four, six. Four. Two. Two. Four, seven! Five, seven! Six, seven! Seven! Seven! Seven! Seven! Seven! Seven! Seven! Seven! Seven! [holds up seven fingers]
The circus allows one to be logical and unreal at the same time. In the circus, all is possible: there can be a man with two heads or a character with a green face.
They are enthusiasts, devotees. Addicts. Something about the circus stirs their souls, and they ache for it when it is absent. They seek each other out, these people of such specific like mind. They tell of how they found the circus, how those first few steps were like magic. Like stepping into a fairy tale under a curtain of stars… When they depart, they shake hands and embrace like old friends, even if they have only just met, and as they go their separate ways they feel less alone than they had before.
Once you're finally in a place at Saturday Night Live that you're really comfortable, that's when you should probably be leaving, unfortunately. I think most people stay two or three years longer than they should, because it's very simple, the vacations are great, and you get good at what you do. It's like any job, you're like, "Oh, I know how to do this." You know it's a temporary thing, but it's easy not to walk away from. You find yourself going, "I'll leave next year, or I'll leave the year after." But it's a job you probably shouldn't be at for longer than five years, to be honest.
I think it's changing is that business is not as good as it was and it has become a real question in the world of fashion. You see, bags and shoes don't take on the seasonal quality that fashion does. A black leather bag can be good in any season, but you can't say the same about fashion, particularly about fabrication.
If you want to fight in the UFC, you've got to realize that you are just an elephant in the circus. As soon as you ask for more peanuts, you have to go find a different circus.
We are like a traveling circus, our family! We sing, we dance, we do football, we do fashion.
The circus goes from town to town, so why run away to join it? It should be, I've decided to wait for the circus to come.
I love fashion because it's plugged into the zeitgeist, so it's always changing. Thirty years ago, I could never have predicted I'd be where I am today, so I know I don't know what's going to happen in the next five years or the next 20 years. I have my predictions—I'm sure technology will continue to have an impact on fashion, particularly the way people shop. I think quality will be increasingly important—we're moving away from a time of fast fashion. But really, the only constant in fashion is that you must keep moving forward, otherwise you'll be left behind.
When the politicians complain that TV turns the proceedings into a circus, it should be made clear that the circus was already there, and that TV has merely demonstrated that not all the performers are well trained.
If I'd known how wrong I was - if I'd had any idea of the awful night that lay ahead - I'd have run after him and never returned to that disgusting circus of blood, that revolting circus of death.
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