A Quote by Aidan Quinn

I don't get any parts I don't get offered. There are lots of great things out there I would like to do that I don't get offered. — © Aidan Quinn
I don't get any parts I don't get offered. There are lots of great things out there I would like to do that I don't get offered.
I'm in a place in my life where I get offered parts that I didn't get offered before - fathers and uncles and grandfathers and so on. And it took me a long time to get to that place, but I'm glad because it opens up new territory.
I also feel like the kinds of jobs I want right now - I consider them aspirational. I want to raise the bar for myself, and I am in this interesting spot where I do get offered a lot of things, but frankly, the majority of the things I get offered I'm not really interested in doing. I want to do the things that I have to fight for.
I'm in a fortunate position that sometimes you just get offered roles - they're not necessarily the roles you take, but to get offered a film is amazing. I think the work you've done before that is why you get it.
I get offered to do stuff where the money's nice but it's not something I want to do - I get offered a lot of commercials too.
Generally the things you get offered are never things you want to do. It's a continual fight for the good parts. As you climb the ladder and get to different benchmarks, enter new stratospheres, you're just competing against all the other people in that stratosphere.
Everytime I get offered theatre I get offered a film role too.
All happenings, great and small, are parables whereby God speaks. The art of life is to get the message. To see all that is offered us at the windows of the soul, and to reach out and receive what is offered, this is the art of living.
The things and the projects that I want to be a part of are not the ones that I get offered. I get offered a lot, but it's not what I'm interested in. So I have to fight very hard for the things that I want to do and to work with the filmmakers that I want to work with.
Directing is a big responsibility to take on. I think I'm only good at doing things I know very well. I don't direct movies because I get offered the new vampire movie or science fiction movie. I don't get offered those, anyway, but if I did, I would just tell 'em, "Look, I'm the wrong guy." I only do things about people and situations, and I do the ones that I think I'm the best guy for the job on, which is usually something I generate myself.
It's very rare that you get a part that you actually like. People have a misconception, whether it be because actors lie or because you're reading interviews from giantly, massively famous actors, but you don't just get offered parts, all the time. You actually have to work to get them.
I was offered a lot of reality shows in the past. I continue to be offered things like 'The Surreal Life.' I did one in 2002, right after the attacks on the World Train Center. It was called 'Celebrity Bootcamp.' It sounded exciting and cool when they presented it. When you get down to it, it was corny and cheesy.
All the parts I get offered are character and comedy parts, and I probably wouldn't get them if I had a different face. So I'm glad I have a comedy face.
Sometimes you are lucky enough to get offered things, and there is no rhyme or reason. I am very lucky because I come from England, and you have a whole range of things offered to you, from television plays and shows and theatre, so much more to explore, so it's never really money.
I get offered varied parts, often super sexy roles. But I still think it's an issue to find the good scripts. It's a myth that you win an Oscar and you get more opportunities, and this doesn't just go for me.
The great thing about animation is it's like the radio. I used to do lots of radio when I was a kid, and you get to play parts you would never get to play ordinarily.
I choose not to be in front of the camera. Sometimes I do get offered parts, but I really like just making movies and telling stories.
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