A Quote by Aidy Bryant

I like to play characters that have an inner confidence about them that maybe you wouldn't expect them to have and that they aren't afraid to unleash occasionally. — © Aidy Bryant
I like to play characters that have an inner confidence about them that maybe you wouldn't expect them to have and that they aren't afraid to unleash occasionally.
Confidence is not lodged in people's brains, it comes from the support system that surrounds them. Let's not confuse confidence overall with just self-confidence. Self-confidence is only one part of confidence. People also need confidence in others - their colleagues and leaders - that they can count on them to do the right thing and not to let them down.
I think it's understandable that when questions are raised, people maybe are thinking about them and wondering about them, but I have every confidence that during the course of this campaign, people are going to know who will fight for them, who will be there when they need them, and that's the kind of person I am and that's what I will do, not only in a campaign but as president.
The less said about Inner Space Fungus the better. I've still got the tapes in my house, but I'm afraid to play them back for fear that bacterial growth will take over my house.
Some people tell me they would be afraid of my characters, but I tell those people [that] they meet these characters all the time. They just don't care about them when they meet them, at the gas station, the car wash, the post office even.
At the end of the day, maybe I'm not like the other guys. Maybe I'm not as fast as them. I cannot jump as high as them. But it's been 11 years for me now. You just play different.
I always play outsiders. I think I'm carrying a lot of those characters and I wonder if I play them because those characters need an extra element of thought to bring them to life.
I expect that my readers have been to Europe, I expect them to have some feeling for a foreign language, I expect them to have read books - there are a lot of people like that! That's my audience.
A lot of men hate women subconsciously or just are very confused about them or are afraid of them or are afraid of their power, or want to suppress them.
I really connect with every character that I've played, just because I kinda have to; as an actor, you want to take them in and get to know them and like them; because they're evil, you kinda have to like them so that you can understand them and play them and play them with some kind of empathy.
I like to play characters, man. I almost don't even think of them as good guys or bad guys. I know that's a hard thing to realize, but I really just think of them as characters.
Our job is to unleash the play. It's not just about your character or interaction with the other characters. There's an energy in all good plays which you have to find. And that is part and parcel of ensuring that an audience gets what it's about.
I have too much respect for the characters I play to make them anything but as real as they can possibly be. I have a great deal of respect for all of them, otherwise I wouldn't do them. And I don't want to screw them by not portraying them honestly.
You have got to play the game with the cards that have been dealt to you, and it is of no use for you to bewail your fate because you don't hold different ones. Look them over, arrange them, and play. You certainly must play them before you will get any others, and you need never expect to have other people's cards.
Occasionally, I hear grumbles about everything being a series or a trilogy, but apart from the question of them maybe selling more books, I think that there's a real problem in trying to introduce a new world or a new concept while also getting your reader to pay close attention to your characters and themes.
I think all of us, under certain circumstances, could be capable of some very despicable acts. And that's why, over the years, in my movies I've had characters who didn't care what people thought about them. We try to be as true to them as possible and maybe see part of ourselves in there that we may not like.
For the most part, my characters don't talk to me. I like to lord over them like some kind of benevolent deity. And, for the most part, my characters go along with it. I write intense character sketches and long, play-like conversations between me and them, but they stay out of the book writing itself.
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