A Quote by Aimee Mullins

In sports, I refused to do any interviews that were just going to become human-interest stories. Don't turn me into a tragic heroine. — © Aimee Mullins
In sports, I refused to do any interviews that were just going to become human-interest stories. Don't turn me into a tragic heroine.
When 'I' released, I gave a couple of interviews in which I expressed my interest to play an action heroine.
Interviews, when they are just simply an exercise in hearing what you want to hear, are of no interest. And many, many, if not most interviews have that character. The interviewer who comes in with a list of bullet points they're going to address one after the other. Interviews, properly considered, should be investigative. You should not know what you're going to hear. You should be surprised.
When I was a teenager, 'Playboy' was the most interesting magazine in the world, and not just for the playmates. I liked the interviews and the stories, and all that, but nowadays most of the stuff in there doesn't interest me.
It was like those songs I'd heard as a child, each so familiar, and all mine. When i got older and realized the words were sad, the stories tragic, it didn't make me love them any less. By then they were already part of me, woven into my conciousness & memory
You can't turn up at college in stilettos and say you're gonna be a filmmaker. In the college, they were teaching me avant-garde filmmaking, where I had to make films that were, like, an hour long about nothing. I just refused to do it.
Sports is so hard for me to wrap my head around. I never played any sports, I don't watch any sports, I hardly know the rules to any sporting event. Really, I'm borderline mentally damaged when it comes to sports.
We are essentially in the business of telling stories. We would like to think that most of our stories are basically human stories with sports as a backdrop.
Where there is no human connection, there is no compassion. Without compassion, then community, commitment, loving-kindness, human understanding, and peace all shrivel. Individuals become isolated, the isolated turn cruel, and the tragic hovers in the forms of domestic and civil violence. Art and literature are antidotes to that.
I enjoy the research element. There are so many stories from the past that interest me, that I want to learn more about, just as an interested person. And if I'm going to learn, if I'm going to research, it's probably going to lead me to writing a novel.
I remember when I was in Mid-South and they used to tape interviews every Wednesday morning, and I wasn't required to go to the interviews because I was a rookie and I wasn't cutting any interviews - I was a curtain jerker. But I went every Wednesday anyway because I was going to watch those guys and I was going to glean from them.
Leigh [Bowery] would make up stories about people committing suicide or going on hunger strikes because they were refused entry at the door.
Honestly we never lied to people about who we were. Usually the wackier interviews came to pass because the interview subjects, aware that we were Comedy Central, just wanted to get their stories out.
Lookit, I've done it their way this far and now it's my turn. I'm my own handler. Any questions? Ask me ... There's not going to be any more handler stories because I'm the handler ... I'm Doctor Spin.
My interest in acting was overwhelming, but I wasn't thinking, "I'm going to California and I'm going to become a movie star." Things were different then. I lived just for the moment, and whatever happened, happened.
When I showed interest in sports, my dad handled it right. I lost my dad when I was nineteen years old. Up until then, his policy on sports was that you can go out for any sport you want to - but don't even think about quitting. If you don't like it, you're going to stick it out.
We were making 'Tragic Kingdom,' and we were kind of battling with the record company. It was just being drawn-out, in the same kind of situation where we were all working, we all had jobs, we were going to school.
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