A Quote by Akhil Akkineni
When you come from a star family in the South, you're expected to be really good in dance and fights. It's really important that you open up as an actor in front of the camera.
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I really think music and movement - dance, you know - and literature inform my visuals. I think film is also based in dance. The relationship between me, the camera and the actor is always a dance.
We actually found some home videos, some really funny footage of me when I was around 3 years old. I come up to the camera to do a Nixon impression. I don't know who taught me that, but I come up to the camera and said, 'I am not a crook.' I got a really good laugh. You see me register that bringing joy to people is a positive thing.
I like girls who want to get up and dance and don't mind singing in front of my family - you know, silly stuff. Some girls won't eat in front of boys or won't go bowling. They just want to go out and look pretty. I don't really get that. I want someone who is up for having a good time.
I'm not an actor. I'm really bad in front of a camera. It wouldn't work.
It's not just the actor in front of the camera. And it's important to have respect for all those people that work behind the camera.
My professional success is really important to me, and my career is really important to me. It's the most important thing to me outside of my family. I take it very seriously and work really, really hard at it. Family comes first, but this is something that's really important to me too.
That's really good for an actor - to like the people behind the scenes - because then you treat the camera differently. If you really like someone who's shooting you, you're more open. You're not defensive, you're more relaxed, and I think that translates into a more interesting, natural performance.
I want make sure I'm showing up for the people I'm really close to and my family, and so finding a balance is really important. But I don't want to quit drag at all. I want to be 90 years old and I want them to prop me up in the doorway and have hot dudes dance around me like Mae West. I really do!
I want to be the person who eventually doesn't have to be in front of the camera. I can be behind the camera and really change things cinematically, and this is giving me an opportunity to do something behind the camera, which I really want to maximize.
The camera’s not a camera, really. It’s an open door we need to walk through. It’s up to us to keep moving our feet.
Family is very important to me. People often ask me how I managed to stay grounded and sane, having started as a child star and growing up in the industry, and really, it's God. But it's also my family and God in my family.
I'm good in front of the camera in terms of speaking or entertaining or being humorous, but when it comes to dancing, you really got to know your stuff in order to be confident. You can freeze up or get stiff, and it's just not a good situation.
I've always said the one advantage an actor has of converting to a director is that he's been in front of the camera. He doesn't have to get in front of the camera again, subliminally or otherwise.
The difference between a regular camera and a 3D camera, for an actor, is really no different except that the turn-arounds are longer. It takes a lot longer to set up a shot because the cinematographer is really trying to set up a whole world, so it can't be more intricate and more beautiful to the viewers, in 3D.
If I'm traveling, I'll take a film camera and a digital camera because sometimes there are moments where, if you've lost it, or if coming back and it accidentally goes through the X-ray machine and it gets overexposed, you might have had a really important moment to you and you would be really upset that you didn't have a back-up.
When I was young, I put on performances for my family and my parents where I would dance like a woman, singing a really exaggerated woman's vocal in front of my whole family.
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