A Quote by Akiane Kramarik

I was so young but started having these visions and impressions of the world. — © Akiane Kramarik
I was so young but started having these visions and impressions of the world.
I started off doing impressions. It was a comfortable way to get started.
I started dancing ballet when I was very young, so my background really is dance. But I remember loving the feeling of being on a stage and having a love for performing from a young age.
I started quite young at school, compering a charity event at an old people's home. I would do stand up and impressions and enjoyed the laughter. It's very addictive. It's a lovely sensation to say something and hear a whole room laugh.
We are all the subjects of impressions, and some of use seek to convey the impressions to others. In the art of communicating impressions lies the power of generalizing without losing that logical connection of parts to the whole which satisfies the mind.
I started performing non-professionally at birthday parties and family gatherings doing 'Saturday Night Live' impressions at four. Then I started for real at seven.
The world is for thousands a freak show; the images flicker past and vanish; the impressions remain flat and unconnected in the soul. Thus they are easily led by the opinions of others, are content to let their impressions be shuffled and rearranged and evaluated differently.
I'm quite jealous of my Scottish relations, in whose culture everyone, in a Jane Austen kind of way, got married very young, when you're too young to be cynical or jaded and just started having children.
We live in a world in which the only utopian visions arrive in commercial breaks: magical visions of an impossibly hospitable world, peopled by bright-eyed attractive men, women, children... Where nobody dies... In my worlds people died. And I thought that was honest. I thought I was being honest.
From what I hear is happening, young Indian boxers have started to do well on the world stage and started to gain the attention of the general audience.
Having visual impressions is, of course, necessary for seeing things, but it is not sufficient. What must be added is not anything sensible. And it is precisely this that unlocks the outer world for us; for without this non-sensible something, each of us would remain locked up in his inner world.
The realities of the world affected me as visions, and as visions only, while the wild ideas of the land of dreams became, in turn,—not the material of my every-day existence--but in very deed that existence utterly and solely in itself.
[D]oes the real world have any more substance than visions and hallucinations when we're having them? At any given moment, what's happening in our minds is all and everything that happens.
It is frustrating having to walk through America having to bob and weave people's impressions of me because they see a tall black guy walking down the street. That is frustrating.
It is frustrating having to walk through America having to bob and weave people's impressions of me because they see a tall, black guy walking down the street. That is frustrating.
I started reading Dickens when I was about 12, and I particularly liked all of the orphan books. I always liked books about young people who are left on their own with the world, and the four children's books I've written feature that very thing: children that are abandoned by their families or running away from their families or ignored by their families and having to grow up quicker than they should, like David Copperfield - having to be the hero of their own story.
I'd been on the Internet since the 1970s when it was just for nerds. I started saying, 'Who would benefit from this?' I started imagining a world where young people could have their own email address, back in the days of family AOL accounts.
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