I want to continue acting as long as I can because being on the sets is a big stress buster for me. I can't possibly think of stopping my visits to the sets because I'm old.
I think acting is boring because you have to sit for a long time. And being a director I am used to running around and being busy on sets. I lack the actor software.
If I wanted to get my arms as big as I could possibly get them, I would probably do around 20 sets of 4 exercises and 5 sets each for the triceps and 20 sets for the biceps per workout 3 times a week. That would be around 60 sets of triceps and 60 sets of biceps work per week. I would keep the reps between 6 and 8 and I would do all basic movements where I'd handle as heavy a weight as possible. I'd consume nutritious food that had calories in and just flat out eat!
No one set that I ever do is the same. I mean, if I go to a comedy club, and I perform three sets, all three sets are different because anything can happen in between sets.
I've given just as much of my life to that, and I practiced it with the same zeal, as I have acting. And I think that many of my skill sets from being a housewife I used for producing. Because you don't stop until it's done.
My dad was in these pretty big films that were relevant to my age group. I remember him doing 'Richie Rich' when I was eight-years-old, and then 'Jumanji.' I remember going to these sets, and I loved being on film sets. I just found it fascinating watching how stories were made.
I am a stress buster. Because I knew what people react or think after watching me on screen and I love it.
I don't think you should spend that much time in the gym. Don't sit around between sets too long. If you want to burn some calories, keep the sets tight. Give yourself 30 seconds to a minute between each set. Supersetting is brilliant.
Oh, my father's had a huge, immense impact on my career. I grew up on movie sets that he was working on, and it just become a part or was a part, was the only part of my life because I spent my whole childhood traveling and being on film sets.
People think 'big data' avoids the problem of discrimination because you are dealing with big data sets, but, in fact, big data is being used for more and more precise forms of discrimination - a form of data redlining.
Voice work is usually not that big of a time commitment. You can go in for a couple of days or a couple of months, here and there, and just go in and play. I like being able to do that. You don't have that luxury on film sets or television sets.
As far as I'm concerned, dance is a passion for me. I don't do homework and go to the sets. I believe in being impromptu. I just go on the sets and start doing whatever comes to my mind.
It's easy to be patient because you have a guy in the room like Eli Manning who comes in every day, one of the first people in the building and one of the last ones to leave and he's been in the league as long as he has. So that's what it takes to continue to get better, and he sets the standard, and I need to reach it.
The grave, where sets the orb of being, sets
To rise, ascend, and culminate above
Eternity's horizon evermore.
When I was in Baltimore, I played in several different bands, doing four sets a night, two sets of originals, two sets of covers, that kind of thing.
Wine sets even a thoughtful man to singing, or sets him into softly laughing, sets him to dancing. Sometimes it tosses out a word that was better unspoken.
Excalibur' was a quest for my father. I remember it was manic on the film set. And we had these massive castle sets. I think my dad was under tremendous pressure making the movie because there was so much going on. I remember it was a hard one to make - a lot of stress and strain.