A Quote by Al Madrigal
There are comics in L.A. doing impressions, and the first thing they do is hunch over and then start to do this bad Rick Moranis voice I do as well when I really get going. It's pretty horrible.
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If you had a job, and every day you're going back home and telling all your friends how horrible your job is and how horrible your employer is, after a while, they're going to start believing you. And then at some point, they're going to start questioning you and say, 'Why, if it's so bad, are you doing it?'
I write everything out in longhand in one fast go. And then I throw out the first few and start over again. By the end of the first draft, the whole thing's messy and disgusting and horrible, but you really understand the foundational stuff.
It was interesting doing impressions as somebody else doing impressions. Normally, I'll do a voice, and it's me doing the voice. To have to be Robin Williams doing the voice was an interesting sort of study in getting into somebody's head.
Honestly, as a director, at least for me, if I start doing the same thing over and over again, I'm going to get bored really quickly.
When we have a world where you have ISIS chopping off heads, where you have frankly drowning people in steel cages, wars and horrible, horrible sights all over, so many bad things happening. We haven't seen anything like this. The carnage all over the world. Can you imagine the people that are frankly doing so well against us with ISIS. And they look at our country and see what's going on. Yes, I'm very embarrassed by it. I hate it.
Well I’ve been doing it for about twenty years, I did films when I was a little kid, when I was about six or seven, I was in films and I had this really high voice, I did a series called Dinobabies, that was my first one. And then after that I did Madeline, yeah so it just kind of happened and then never went away. Then everyone said your voice is going to change and you’ll be out... No, no, still on helium.
I think the worst thing we can do is to concede to fanaticism its devotion, say. Well, you have to understand, these people are really fanatics, so we should back down from them. I think if journalists start doing that then they won't be practicing journalism. If satirists start doing that then they won't be practicing satire.
People found me ugly and weird looking. All those years of that whole insecurity thing just makes you feel horrible then really slowly you start to think if they can make me look nice in the picture then it's not that bad.
Finding places to perform was definitely the biggest challenge. Trying to find my voice over the years was a big thing because when I started I was just doing characters and impressions and that was it.
If my kids are doing well, then my life is going pretty well. And if my kids aren't doing well, it doesn't matter how the other elements of my life are. It's kind of amazing to have a context like that. This is really wonderful.
You told us over and over that you don’t think you could live without books, but the ironic thing is, you’d probably die before you’d think to rip pages out of one to start a fire. Am I right? Well, get over it already. Better to be warm then well-read.
The worst thing is the blank page at the start. Then the horrible things written on the blank page. Then deciding whether or not to throw out those horrible things: lame scenes, lame characters, bad ideas.
Don't get me wrong, it definitely ain't the Democratic Party either. They're so bad, I mean I'm actually starting to believe that John Kerry was just token resistance, that he literally was down with George W.Bush. It was just such a horrible, horrible, horrible thing to see, that campaign. So, you know, I don't know what's going on.
I went to London to do the stuff. I was like "What am I going to do? What's going to happen?" But then once you start working, you forget all that and you start enjoying what you're doing. Once you enjoy the process, you know that people are going to do the same thing. If you don't enjoy it and just do it like a job, then it's going to be feel that way. That's my theory of doing a movie.
When I first started playing basketball, my coordination was horrible! I went into high school at 6 feet and left at 6-7 and then grew another inch in college. Catching the ball, it was bad. I've always been pretty athletic, but when I got really tall, I just felt awkward.
I was going to be a storybook illustrator or an editorial illustrator. I ended up in a comics class by mistake because all the others were full, so I was like 'I'll stay for one class, and then I'll go take something else, because I don't care about comics.' I got pulled in really fast; I discovered I had a voice in comics that I didn't know I had.
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