Shopping in the future can become an experience where conventional retailers can complement the success of online retailing. Government needs to work in partnership with the sector to help make this a reality.
Hula is the art of Hawaiian dance, which expresses all we see, smell, taste, touch, feel, and experience. It is joy, sorrow, courage, and fear.
Building a consistent experience and firm identity was instrumental in our ability to swiftly build our online presence, open four stores as well as a mobile store in a converted yellow school bus, and launch six shops-in-shops.
And the whole online thing is like, I just, that to me is a world that doesn't exist. It's not something you could touch or lick or smell. And as my eyes get worse, it's very hard to read. And there's no money in it. I mean, it's like they pay, like the best you can go is 1970 prices.
I quite frankly enjoy the touch and feel of a store, so I am a big bookshop person. Or, I go to an electronics store; Best Buy and Croma are places I could spend a lot of time in.
There is no doubt that online shopping has fed the craze for speed, because when you can't touch the fabric or try on the outfit, the only emotion you experience is the excitement of the purchase and the thrill of beating everyone else to it.
From the store windows, the store touch-points, the website, social media, or a magazine, it has to be one pure customer experience, not just to gain market share but to gain mind share.
Do the small things of life with a relaxed awareness. When you are eating, eat totally - chew totally, taste totally, smell totally. Touch your bread, feel the texture. Smell the bread, smell the flavor. Chew it, let it dissolve into your being.
I'm lucky that I was in retailing during the time that I call the golden age of retailing.
I remember as a child going to an exhibit about the Soviet Union, and every paper had this alien smell. The paper and the ink were all exported. It was like a piece of cheese from that country, you could touch it, feel it, smell it, and it was different.
Knowledge is the ability to love, the ability to feel, the ability to probe the depths and the heights of life. It is the experience of the experiencer, and at the same time, it is beyond that.
The feel of the experience is the important thing, not the ability to verbalize or analyze it.
Architecture is about experience: not only visual but also what you can touch, what you can feel.
I see everything like a movie. I laugh and cry, I smell, touch, see and describe my own experience. I don't care if this sounds strange; I am not the creator - I am only the channel. The story is given to me.
As readers, we want not only a strong story, but also characters we can relate to, characters that feel real. We have to find something of ourselves in them. Each character, even those only there to serve the mechanics of the plot, should have a number of layers. The entire world you are stepping into as a reader must feel real. It must have resonance, you must be able to touch the light; smell the smells.
I can feel a thing I cannot touch and touch a thing I cannot feel. The first is sad and sorry, the second is your heart.