There are some amazing people around who can tell stories about drag from the '60s and in New York, like the amazing club kid drag. About drag from around the world. So people should be asking questions and listening to stories.
I do drag. Just because my drag is not the drag of Creme Fatale or Holy McGrail doesn't mean it's less drag. I perform live; I just sing with dancers. It's drag on a different level.
The inspiration of my drag is the history of drag, the long tradition of drag queens being at the forefront of queer activism. That informs my drag style, and in a sense, that is the direction we need to go in the future.
'Drag Race' doesn't claim to represent drag as a whole. 'Drag Race' is a reality show. If you see real drag shows, we just do drag and respect each other's art and who your real identity is - name, gender, hair color, anything.
People pull from drag culture because drag artists are - it's the ultimate art form and it's the last underdog art form. I mean, even clowns have college, you know what I mean? Drag queens, you have to learn drag from another drag queen.
At the end of the day, I just love drag so much that it's not enough for me to be a successful drag queen. I want to do right by my drag community as a whole... creating opportunities for other performers, documenting and uplifting amazing drag, and generally just contributing a lot of love and respect to our fabulous little world!
I would love one day for us to all get in to drag together and all hang out. Wouldn't that be fun, me and Bradley Cooper and Lady Gaga in drag skipping around the city?
I've loved the RuPaul model of drag, where you're an amazing drag queen, you're a smart and savvy business person, and you use those together to keep drag at the forefront of what people are talking about.
I love that drag is political. For me, one of the reasons I started doing drag was reading about how in the past, drag performers were able to organize the queer community and move us forward.
I always did what I thought was interesting. I always just did what caught my fantasy. Looking like a woman, that was never the criteria for me. It was always to do drag. And drag is not gender-specific. Drag is just drag. It's exaggeration.
I want to literally quit drag and go live in the woods somewhere and write music for my favorite female singers, like Miley Cyrus or Kacey Musgraves. I would love to be able to write music for them and hear these women I admire sing my songs. That would be like doing drag without having to get into drag myself.
A drag queen is one that usually goes to a ball and that's the only time she gets dressed up. Transvestites live in drag. A transsexual spends most of her life in drag.
In my early career I was sort of anti-drag. I said, 'Drag is dumb and boring, and I want to be an effing weirdo and go crazy and rebel.' But now it's like I've come to respect and understand how deep and traditional drag as an art form is.
I want to do something that is not just a pastiche of drag that's come before but is really authentically me. I try to tune out all the drag that's out there and tap into the drag that I was doing when I was a little kid - when I didn't even know the word 'queer' or that gay people were out there.
Just in my experience as a drag queen, I've been able to connect with queer people around the world - and to see them connecting with each other over a shared love of drag!
I was doing drag as just a hobby on the weekends to let my hair down. I never thought of drag was going to be my career and what I would be doing for the rest of my life. Once I made it onto 'Drag Race,' I'm like, 'Oh, OK - this is my calling.