A Quote by Alastair Reynolds

I always like Iain Banks science fiction stuff and William Gibson's cyberpunk stuff from the 1980s. — © Alastair Reynolds
I always like Iain Banks science fiction stuff and William Gibson's cyberpunk stuff from the 1980s.
I love science fiction. I always have, ever since I was a kid. I love a lot of science fiction writers. William Gibson is one of my favorite writers.
It cannot be said often enough that science fiction as a genre is incredibly educational - and I'm speaking the written science fiction, not 'Star Trek.' Science fiction writers tend to fill their books if they're clever with little bits of interesting stuff and real stuff.
Neuromancer' by William Gibson is a cyberpunk classic.
It's funny because when I was growing up, I was really into science fiction and fantasy as a kid. And, when I first became a screenwriter, I ended up really just doing historical drama and non-fiction based stuff, like Band of Brothers and stuff that didn't get made, but was also non-fiction.
There is a great deal of cyberpunk that I admire, especially the work of William Gibson which I think is excellent. Somehow he speaks from his own heart and cyber punk is what comes out.
J. G. Ballard is just an example of the writers I like. Philip K. Dick is obviously one of them. I'm a big fan of William Gibson as well. He started cyberpunk with 'Neuromancer.' I've come to know him a little bit over Twitter, of all places, and I was always a huge fan of his. It's very cool to know he even knows I exist.
Physics is often stranger than science fiction, and I think science fiction takes its cues from physics: higher dimensions, wormholes, the warping of space and time, stuff like that.
It's kind of a misnomer about science fiction that science fiction is about anything other than people. It's about people doing stuff, sometimes doing extraordinary stuff.
I was standing on the shoulders of other science fiction writers like William Gibson, who had written 'Neuromancer' on a typewriter before home computers even really existed, and Neal Stephenson who wrote 'Snow Crash' in the early '90s and imagined an online virtual world before the birth of the modern Internet.
I don't think I have one particular favourite writer. I have many whose works I will always buy or reread - Muriel Spark, Anthony Powell, Robert Louis Stevenson, Ruth Rendell, James Ellroy, William McIlvanney, Kate Atkinson, John Burnside, Louise Welsh, Iain Banks.
The big thing is it's a domestic drama. Everything else in science fiction tends to be high-concept. Really for the last 40 years or so I think sci-fi's been a little cold and a little inhuman quite often - certainly since the 1980s - and I really wanted to do something that almost felt like a regular, real-life drama but just set it in a sci-fi setting. I think the best stuff is always like that.
Until I was 16, I read nothing but science fiction. I loved William Gibson and I still do. But my favourite book when I was growing up, for a long time, was 'Snow Crash' by Neal Stephenson, which I must have read about a dozen times when I was a teenager.
I love science fiction stuff - I'm a bit of a dweeb like that.
I'm fond of science fiction. But not all science fiction. I like science fiction where there's a scientific lesson, for example - when the science fiction book changes one thing but leaves the rest of science intact and explores the consequences of that. That's actually very valuable.
I like the idea of using cool cyberpunk stuff to tell really stupid jokes.
The nice thing about 'Futurama' for me personally was that it was a way to honor some of the traditional ideas in literary science fiction, not so much movie or television science fiction - although we have that too, obviously. Our situation, a workplace comedy, led to all sorts of stuff.
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