A Quote by Alastair Reynolds
You have to be able to invest in your own creations, to suspend your own disbelief in order to be able to write them. We all have to draw the line somewhere.
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It's always important to draw a line somewhere in a respectful way where you're still approachable, you're still there for the people and meeting them halfway, but you're not neglecting your own duties and your own time to rejuvenate to be able to do it again.
When it comes to acting, people talk about the suspension of disbelief that you ask of the audience. Before that starts, you have to, as an actor, suspend your own disbelief.
Make your own worlds. Make your own laws. Make your own creations, your own star systems. Don't feel answerable to anyone, or as though you have to create after some preordained model. You don't have to write like myself, or King or Anne Rice: be yourself. Nothing is more wonderful than discovering a new voice, particularly if it happens to be your own.
Take time to gather up the past so that you will be able to draw from your experience and invest them in the future.
Being able to create your own work, being able to indulge your own fantasies is so much better than journalism, so much more fulfilling than journalism, to me, that as long as I can continue to write fiction, I shall.
In listening to stories we tend to suspend disbelief in order to be entertained, whereas in evaluating statistics we generally have an opposite inclination to suspend belief in order not to be beguiled.
When people show you their boundaries ("I can't do this for you") you feel rejected...part of your struggle is to set boundaries to your own love. Only when you are able to set your own boundaries will you be able to acknowledge, respect and even be grateful for the boundaries of others.
Your own creations are your own children; you gave life to them, so you'll always have, if not more passion to them, more connections to them.
You just don't know anything unless you can write it. Sure you can argue things out in your own head and bring them out at parties, but in order to argue anything thoroughly, you must be able to put it down on paper.
You have to be able to recognize defenses on your own in pro football. You can't look to the sideline and read some board. You've got to recognize the defense on your own, and then you've got to communicate to your offensive teammates what you want them to do.
Normally, with stand-up, it's quite solitary, you write the material on your own, you perform it on your own, it's all very much on you. Your own thoughts. You have to sort of modulate your own performance.
What if you began to expect the best from any situation? Isn't it possible that you could write new chapters in your life with happy endings? Suspend your disbelief? Take a leap of faith? After all, what have you got to lose but misery and lack?
I like being able to do all of my own stunts. I appreciate stunt guys and what they do and, of course, the time and the effort that they put in, but for me, I'm young. You only live once, so to be able to do all your own stunts, train, become a real fighter... I feel like I can hold my own.
think what you hope for is that at different times of your life you're able to write the poetry that reflects the moment that you're in on your own journey.
When you write, you're supposed to go stand somewhere else for a while, see things from a perspective that's not in line with your own reflexive truths.
In acting, you are fulfilled if you give justice to your role... if you are able to do a credible performance and touch the audience. Same with directing. If you are able to draw out the best from your actors, then you fulfill your job as a director.
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