A Quote by Albert Renger-Patzsch
I'd like to briefly state the accomplishment that we expect from a photographer. He must make the person being photographed forget that he has eaten from the tree of knowledge.
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The photographer discovers himself/herself being photographed and we can guess he is uncomfortable. Unsuccessfully he/she tries to recompose his posture and to look like a photographer taking photos. But no, he is and continues to be a spectator. The momentous fact of being photographed leads him to becoming an actor. And, as always, actors must assume a role, which is only an elegant way of avoiding to say they must choose sides, choose a faction, take an option.
We are sinful not only because we have eaten of the Tree of Knowledge, but also because we have not yet eaten of the Tree of Life. The state in which we are is sinful, irrespective of guilt.
It's not the photographer who makes the picture, but the person being photographed.
... the photographer is a thief who chooses what he steals (which, at this stage of the crisis, is a luxury) and does not democratize the image, that is to say, the photographer selects the pictures, a privilege which ought to be granted to the person being photographed.
The portrait of a person is one of the most difficult things to do. It means you must almost bring the presence of that person photographed to other people in such a way that they don't have to know that person personally, but that they are still confronted with a human being that they won't forget. That's a portrait.
Sometimes a photographer is a passenger, sometimes a person who stays in one place. What he watches changes constantly, but his watching never changes. He doesn't examine like a doctor, defend like a lawyer, analyze like a scholar, support like a priest, make people laugh like a comedian, or intoxicate like a singer. He only watches. This is enough. No, this is all I can do. All a photographer can do is watch. Therefore, a photographer has to watch all the time. He must face the object and make his entire body an eye. A photographer is someone who wagers everything on seeing.
You know, the Chinese don't like to be photographed because they believe that a part of their life is being taken away by the photographer. And in a way, they're right. The photographer is trying to get the prettiest moment of a life in his camera.
You look like a boy who has eaten the fruit of the tree of knowledge and doesn't like the taste.
Sorrow is knowledge, those that know the most must mourn the deepest, the tree of knowledge is not the tree of life.
The fate of an epoch that has eaten of the tree of knowledge is that it must...recognize that general views of life and the universe can never be the products of increasing empirical knowledge, and that the highest ideals, which move us most forcefully, are always formed only in the struggle with other ideals which are just as sacred to others as ours are to us.
I remember once visiting an outdoor exhibition of sculpture in Arnhem, the Netherlands. One of the artists had placed this notice at the base of a majestic beech: "Statues are hewn by fools like me: only God could make this tree." The Taoists looked at the inside of the tree. They saw God present, not as the super-sculptor, but as the primal force from which the tree drew its being and its specific form. Becoming aware of this divine origin was for them "great knowledge," to be distinguished from the "small knowledge" of our petty, every-day existence.
The seed must move to the soil; the tree must turn to the sun. The river must leave its source to reach the sea. And man must forget man, the maker, in order to make the world.
I have not eaten enough of the tree of knowledge, though in my profession I am obligated to feed on it regularly.
Forget about the profession of being a photographer. First be a photographer and maybe the profession will come after.
I came up, I suppose, a fairly traditional way. I went to art college. I always wanted to be a stills photographer, really, when I was younger, and I briefly worked as a stills photographer.
The way someone who's being photographed presents himself to the camera, and the effect of the photographer's response on that presence, is what the making of a portrait is all about.
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