A Quote by Alberto Korda
Forget the camera, forget the lens, forget all of that. With any four-dollar camera, you can capture the best picture.
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When I have sex with someone I forget who I am. For a minute I even forget I'm human. It's the same thing when I'm behind a camera. I forget I exist.
The camera makes you forget you're there. It's not like you are hiding but you forget, you are just looking so much.
Working on television is therapeutic to me. When that camera comes on all negativity vanishes. I forget about the fight I had with my neighbor. I forget about the pain in my left foot. I forget about my dog dying. Performing, for me, is an emotional cure all.
We forget all too soon the things we thought we could never forget. We forget the loves and the betrayals alike, forget what we whispered and what we screamed, forget who we were.
Forget the image, forget the ensemble, forget the rumours, forget the short skirts, the big hair, whatever! I owe this to the fans and I will never forget you so I want to accept this award on behalf of all of you.
When I'm taking pictures I even forget that I have a camera. When I shoot I forget about everything. Light comes, death comes, people go in and out in costume - and it's like a play.
The actors feel very free. The actor, he doesn't need to think about where the camera is, he just has to focus on what he's doing and forget the camera. The camera is never in the perfect position, and I think this is what keeps this feeling of reality. The frame is not perfect.
There's no room for anything else. You forget that you're tired or cold or hungry. You forget that banged-up knee and your aching tooth. You forget the past, and you forget that there's such a thing as a future.
At the end of the day, don't forget that you're a person, don't forget you're a mother, don't forget you're a wife, don't forget you're a daughter.
We forget that stretch marks, cellulite and some stomach fat is natural. We forget that we are born human and physically can't be perfect. We forget that God doesn't make us out of plastic and silicone. We forget to be flawed.
You carry that through and adapt it to a camera lens, but you're quite right, you cannot be sure of what an audience is going to do. You don't know what's going to happen to the piece you're doing anyway. You don't know how it's going to be edited. There are a lot more unknowns in cinema. But that you have to readily accept. That's when, I think, you have to forget about intellect, to a degree. Intuition is very important when you're working with a lens, I believe, for what the lens is doing, too.
I would like to use this little flower as a metaphor. The five petals of the little forget-me-not flower prompt me to consider five things we would be wise never to forget....first, forget not to be patient with yourself...second, forget not the difference between a good sacrifice and a foolish sacrifice...third, forget not to be happy now...fourth, forget not the why of the gospel...fifth, forget not that the Lord loves you.
First you forget names, then you forget faces. Next you forget to pull your zipper up and finally, you forget to pull it down.
The artist must forget the audience,
forget the critics, forget the technique, forget everything but love for the music.
Then, the music speaks through the performance,
and the performer and the listener will walk together
with the soul of the composer, and with
God.
Now I know what it feels to be a working mother - it's a mixed feeling. A part of me wants to face the camera, the other wants to stay with my son. But I am sure when the camera rolls, I'll forget everything else.
When I forget that the stars shine in air--
When I forget that beauty is in stars--
When I forget that love with beauty is--
Will I forget thee: till then all things else.
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