A Quote by Alex Horne

Having live musicians in a comedy show adds a frisson. — © Alex Horne
Having live musicians in a comedy show adds a frisson.
I think that 'Mr. Show' was a huge influence on me. It was literally the reason I started doing comedy, because I was asked to do a bit at The Comedy Store, and B.J. Porter and I went to see Bob and David - who I'd never heard of - do a live show, which was one of the shows that got them the 'Mr. Show' show.
I think women are different, and I think having them in the room is crucial to a family comedy, ensemble comedy, television comedy, where half the eyeballs on your show are women.
Katey Sagal, you are an incredible actress. You worked on ‘Married with Children,’ the show that changed comedy, ‘Sons of Anarchy,’ the show that took comedy to a whole new level and ‘8 Simple Rules,’ the show that killed John Ritter.
We're having so much writing some of the sillier stuff that never would have been on Mr. Show. And that's not a knock on Mr. Show at all, because it's my favorite comedy show of all time. Even before I worked on it. It's just really refreshing to write something so stupid and say, "We gotta do that."
Musicians like to converse. There's always interesting conversation with musicians - with classical musicians, with jazz musicians, musicians in general.
It's very hard to watch comedy for me, when I'm doing a comedy show, because I either watch a show and I love it, and I'm jealous, or I watch a show and I see all the problems with it, and I'm angry that I watched it.
You're always having to live more to fuel something new. It's an obligation to yourself and to the audience. The personal baggage that comes with being a known actor just adds to that struggle.
We're not trying to make a reality show at all. The show gets described sometimes as a reality show, sometimes as a prank show. I think it's neither. It's just about us, and it's just about us having a platform to be funny and do comedy, really.
My palate is simpler than it used to be. A young chef adds and adds and adds to the plate. As you get older, you start to take away.
You forget that sometimes comedy is just a big night out for people. Almost every show, people come up to me and go, 'This is the first comedy show I've ever seen,' so you want to do well. If you do horribly at somebody's first time seeing live stand-up, well, you've not only tainted yourself, you've tainted a whole art form.
Scott and I had just worked with Jimmy Pardo doing a live show over the summer. And it was a lot of fun and we wanted to keep doing a live show. And as Scott said, we knew a lot of funny young people who needed a place to do stand-up. And we were in a place, where we were writing so much that we weren't around live comedy so much, so we kind of missed it.
'Saturday Night Live' was actually started with a show that Lorne Michaels and I did at a summer camp called Timberlane in Ontario when we were 14 and 15. We would do an improvisational show with music, comedy and acting.
Saturday Night Live was actually started with a show that Lorne Michaels and I did at a summer camp called Timberlane in Ontario when we were 14 and 15. We would do an improvisational show with music, comedy and acting.
No one in 'Banshee' has small opinions. They have strong beliefs, and they will defend them ferociously. Having that element in the show just adds another level. It's another avenue for story, and it enriches the world.
I started out in comedy gigging and scraping a living together, and eventually worked up to doing shows at the Comedy Store in London in 1979. That led on to me presenting a show in the early days of Channel 4 called 'Whatever You Want,' which had live music and sketches.
Out of doing all that experimentation with sound I decided I wanted to do it with live musicians. To take repetition, take music fragments and make it live. Musicians would be able to play it and create this kind of abstract fabric of sound.
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