A Quote by Alex O'Loughlin
I do have a stunt double because there are certain things that they won't let me do. Like they won't set fire to me. They won't like let me jump off a 20 story building. There are certain big stunts that it's just impossible to get insurance to let me do, but for the most part I'd say I do probably 75% of my stuff.
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A lot of people think that they are really cool because they don't outline. In my writing group, they would say, "I will never outline. I let the characters take me." C'mon, man - I outline the story, but it's only like one page. It's a list of possible reversals in the story, like things where everything will just change because of this certain reveal or this certain action. Then I start really digging into the character because, to me, I don't care what the story is.
I'm not a huge risk taker. I think that, for me, I take certain kinds of risks, but if you look at me, you wouldn't say I was a big risk taker. I'm not going to jump out of an airplane and parachute and things like that. That's not really me.
I like doing this stuff [stunts] though, it's kind of the whole reason that you want to do the movie. When you're reading it you're like, "Oh, I get to dive out a window? Cool! I get to jump off a building? Great!" So I love doing that stuff, it's like the stuff we used to do in high school to be stupid and fun.
My husband's a stunt man, and he dragged me to stunt driving school with him because I hate driving and he felt that it would help to make me feel more comfortable. And it did in certain ways, and in certain ways I'm still not.
That's what's gonna make me come up with new stuff, if you get a good break or a good beat, you get a certain energy, and you wanna release that energy. Freezes to me are like releasing a certain energy. That's me releasing energy that beat gives me, to come up with certain things. A good beat, a rare break, a dope song that I've never really breaked to before will give me a new feeling, a new movement.
We're at a time now where there's a lot more "I'll do whatever it takes" attitude. I'm not going to say or do what you want me to say or do just because it might help me or be the politically correct thing to do to help my career. And that may have hurt me sometimes. I think about different collaborations that have been brought my way - it might have meant I'd get to be on TV to do certain things, but I've said, "No. It doesn't make sense. I'm not doing it." And other people might jump at the opportunity.
I think, for me, the only real value to fame, stuff like that, is that you can then have a lot more creative power to get certain movies made and to do certain things.
I still audition a lot - it depends on the medium. For film, I audition just like everyone else, because it's a different set of casting directors. For television and theatre - well, for theater, there's some auditioning that has to happen, just for them to know that you can sing it, and how you'd take on the part. But for TV, things are getting a little better with, "Would you like to be a part of this?" But that's really for one - night things. It sounds like a pompous answer, if I say people are calling me to ask me to do things.
I ask the stunt guys, all the time, to do as much of the stunts as possible, and they let me do a lot. They don't throw me through windows because they're not allowed to and I probably wouldn't say yes to that. But I have done a lot of physical acting before, in theater, so that comes very natural to me.
It's a balance. Like, we are shooting the big car chase at the end and it's me with everybody. And I got my stunt coordinator who shot some stuff and I'm like, you are right next to me, why don't we do it together.
I'm an athlete; I've got an ego when stunt doubles have to come in. Not an ego like that, but when it comes to physical stuff, if I didn't have to have a stunt double, I would always probably do it myself unless the producers were jumping in and stopping me.
That was real disrespectful and stupid. But it ain't really catch me off guard. I mean, when you see certain things in a person's character [like J-Hood], you don't get really get caught off by guard by certain actions.
One of the things that's interesting to me is I find things like caffeine and stunts actually relax me. When they're putting a bit of gel on my arm and lighting me on fire, or when I'm about to go into a high-speed car chase or rev a motorcycle up pretty fast, I find everything else around me slows down.
I auditioned for 'Mad Men.' I auditioned for 'Top of the Lake.' I obviously auditioned for 'West Wing,' so I still get excited when I get offered stuff. Like, a part of me thinks, 'They think I can do it! That's awesome!' And that's a part of me I have to squash; otherwise, I would do everything just because people gave it to me.
'Wild Hope' just felt like such a selfish venture to me. It was a way for me to get out of my head, get some clarity on certain situations, and finally be a part of something that I was completely behind creatively and proud of.
Everything I do, I do it because it's me. At the end of the day, I only know how to be me. Everything is gonna be authentic, so I think, when it comes down to sayin' certain stuff in lyrics, or whatever the case may be, it's just me bein' me and me bein' honest.
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