A Quote by Alex Webb

Ultimately, the reward is the process - the process of photographing and discovering and trying to understand why and what am I photographing. — © Alex Webb
Ultimately, the reward is the process - the process of photographing and discovering and trying to understand why and what am I photographing.
People aren’t photographing for history any more. It’s for immediate gratification. If you’re photographing to share an image, you’re not photographing to keep it.
If you're really in the process of photographing, you are absolutely aware. You are looking.
I never stopped photographing. There were a couple of years when I didn't have a darkroom, but that didn't stop me from photographing.
...I started photographing myself, and found that I could see portions of myself that I had never seen before. Since I face just my face in the mirror, I know pretty much what it's like. When I see a side-view I'm not used to it, and find it peculiar... So, photographing myself and discovering unknown territories of my surface self causes an interesting psychological confrontation.
Ultimately success or failure in photographing people depends on the photographer's ability to understand his fellow man.
It doesn't matter if you're photographing a porter in a market in Marrakech or you're photographing the king of Morroco. You have the same sympathetic approach to everybody. You be nice to everybody, basically.
There is no one way of photographing anything. I don't believe there is even one best way of photographing any given subject.
I'm trying to grow more as a journalist and understand the story I'm photographing in order to communicate it in a better way.
I can see myself as a very old man in a terrific wheelchair. Only, I won't be photographing the tree outside my window, the way Steichen did. I'll be photographing other old people.
When I'm photographing, I don't have that kind of nonsense running around in my head. I'm photographing. It's irrelevant in the end, so it doesn't mean a thing. It's not going to make me do better work or worse work as I can see it now.
You will never go wrong with actually photographing process. It's primitive. Humans love to see the bipedal animal in us finish things. We just like it!
I like not knowing too much about somebody I'm photographing, because the process also becomes an experience for me to learn about .
Snapshots that have been taken of me working show something I was not aware of at all, that over and over again I'm holding my own body or my own hands exactly like the person I'm photographing. I never knew I did that, and obviously what I'm doing is trying to feel, actually physically feel, the way he or she feels at the moment I'm photographing them in order to deepen the sense of connection.
I think the best pictures are often on the edges of any situation, I don't find photographing the situation nearly as interesting as photographing the edges.
When you're photographing anything to do with war and conflict you're photographing something impossible. Everything you do is just clumsy and stupid and half witted. Because it is impossible to portray the full width and breadth of everything that you are up against.
I love the process of discovering a new world - that's why I'm passionate about acting. It's just discovering life, feelings, ideas and thought.
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