A Quote by Alexander Spit

Hip-hop music in general kind of revolves around singles, and I appreciate that mindset, but at the same time, I wanted to go beyond that. It's not like I was intending to make a classic record - I mean, I'm always trying to make timeless music, but I really just tried to reference the music that on a road trip you can put in and not have to skip a track.
I was a hip-hop head. When I really found my own lane in music, it was hip-hop. I wanted to make hip-hop music. And I did, I made a lot of hip-hop music.
With rock music, it usually revolves around the band. You go in as a band and probably take about a year to record an album. But for a hip-hop song, you can create a track and an idea with verses and choruses in a day, and get three different people on it. It seems like you're able to do more with hip-hop.
I love the way I make hip-hop and I refuse to make pop-rap. I don't refuse to make mainstream music, which is why I did a soul record. There was no reason why soul music couldn't get played on the radio and I still wanted to have a relationship with my record label. So, I really enjoyed doing the Strickland Banks album. But there's no point in my trying to release underground hip-hop music on a major label. That part of my talent, or part of my art, had to live somewhere else and feature film was the perfect vehicle for it.
Hip hop music and soul music have been the two main motivators for me musically. The music I make is hip hop soul, but I do make r&b music as well. I don't think I make r&b music to the point where I'm accurately categorized. There's more to what I have to offer and offer in the future. People could choose to respect it or not, but I pray that you do. As long as you get it, support it, and pay for it, it doesn't really matter.
I am trying to change hip-hop music because I do feel there are places people can go with production and the structure of an album that they haven't gone yet. But, like I said, I don't have any delusions of grandeur. I just want to make music that doesn't make me bored.
I wanna make my imprint in the game as far as music - hip-hop, and just music, period. 'Cause I come from hip-hop, that's my background, but I'm not gonna let that limit me from where I can go.
My influences are vast and varied. I was into classic rock at the same time that I was into hip-hop. It was just that hip-hop was the first music that I got really really into. Rock was right on its tail.
I was listening to Jimi Hendrix and Pink Floyd, because that was new music for me. I really hadn't been up on them. I mean, I'd heard of them, but I wasn't up on their music. And I kept listening to Radiohead, and I was like, Man, I want to make hip-hop that feels like Radiohead. I want to make hip-hop that can use guitars and soul and jazz and just fuse it all together.
I felt like when I got with Kanye, and we discussed me being on G.O.O.D. Music, he just really took me to a place in regards to music that I love and music that I had made previously. We had a clear understanding of what I wanted to make, and he just seemed like he was an advocate for hardcore, uncompromising hip-hop.
I think I can see people wanting to hear more music-music now as opposed to all hip-hop. You know, which I have nothing against hip-hop. I think some of it is really good. But on the other hand, some of the real great artists are just being lost because they're not getting the airplay or anything to make them inspired to record again.
I've always wanted to introduce hip-hop filmmaking to film. There's hip-hop art, dance, music, but there really isn't hip-hop film. So I was trying to do that.
It ain't this big I, little You. Music is to be shared. Music is not a hustle. [Hip hop's become] cultural stripmining [by the major labels]. Some people get into this music to make a killing but music is a way to make a living.
I listen to all those kinds of music, from classic soul to hip-hop to Brazilian music to, you know, jazz to indie to alternative... And for me, when I'm making music, it's all in my head, and all those influences in my head. So if something comes to me that's a reference from a different genre then people are used to hearing from me, I'm not afraid to go there with it.
Hip-hop is the only music in the world where you can take any instrument and make it hip hop. It's anybody's music. It's what you make of it. That's for anything you do in life.
I've been writing songs and making music since I was probably ten years old...so my inspirations back then, I don't know - I guess it was something that was innate. I was really shaped to make hip-hop music and love hip hop.
When I first started, I wasn't really aware of anything in the industry or aware of who I really was. I just put my music out there and tried to get as many people to hear it as possible. I hadn't really thought about the kind of music I wanted to make.
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