A Quote by Alexandre Desplat

Even when he transposes Roald Dahl's 'Fantastic Mr. Fox,' he injects so much of his own personality and his own world that it becomes a Wes Anderson story, and you forget that Roald Dahl is behind the story. That's the proof of great directors to be able to digest and recreate sometimes a classic.
I was very excited to do 'The Witches.' It was with one of my favorite directors, Nick Roeg, and I loved his work from 'Don't Look Now' and 'Eureka.' So I was very excited to work with him. The story was a very subversive fairy tale by Roald Dahl, and a fantastic part.
Why do I love Roald Dahl? His voice, more than anything. It's irreproducible. It's so musical, and it's funny even when it's not trying to be, which is most of the time.
I love Roald Dahl.
I've always been interested in a certain kind of sophistication in children's literature. I loved Roald Dahl; I loved the underlying nastiness of some of his - darkness of his tales.
I've always liked the classic "young adult" writers like Mark Twain, Jack London, Roald Dahl, Charles Dickens. They write so clearly, and they know how to entertain.
If you go back to, say, the Brothers Grimm or Roald Dahl, you see so much darkness in children's material.
I loved reading Roald Dahl when I was young but I had forgotten a lot about the books. I read the 'BFG' on the iPad the other day and it was so interesting to see his descriptions of clothes and places.
A lot of young-adult authors, great ones, have tried their hands at literary fiction, and not a lot of them have succeeded. Not even Roald Dahl could switch-hit, and not for lack of trying.
I'm a massive Roald Dahl fan. I grew up reading his work and see a recurring theme - I have continued to love stuff that mixes the gruesome with a sort of humour. I'm drawn to that in my work.
I love Roald Dahl, Sharon Olds, Nizar Qabbani, who is a poet, and Junot Diaz.
I can remember exactly where I sat when my teacher first read Roald Dahl's 'James and the Giant Peach'.
The great thing about Roald Dahl is he tackled the big questions of life without any fear of being shocking or brutal, because he knew the kids could take it.
Any conversation including the mention of Roald Dahl, Ray Bradbury, or Emily Dickinson is one worth getting into or at least eavesdropping.
One of the first serious attempts I made to write a novel was when I was in Grade 6 and I had read 'Matilda.' I wrote my own version and my teacher had it bound and permitted me to read it to the class - cementing my love of reading, writing and Roald Dahl!
Roald Dahl pioneered a new kind of literature for youngsters, one that dispensed with cant and solemnity, favoring anarchy and joy over duty and humbuggery while acknowledging that oftentimes no good deed goes unpunished. But ultimately, it was his sheer joie de vivre that carried the day.
I think Roald Dahl had the rarest combination of talking to kids about complex emotions, and he was able to show you that the world of kids was sophisticated, complex, and had a lot more darkness than adults ever want to remember.
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