A Quote by Alexei Mordashov

People were expecting Rouge to go bankrupt, so there was a lot of anxiety. The corporate culture problem was even worse than in Russia. And at the same time, the work rules were more difficult.
Everybody starts with creating or acquiring certain property in order to create the material to work with. When we started our business, we thought first of all about development, how to grow, and we managed to do this, even with all the difficulties and all the difficult rules that were implemented in Russia at that time.
The larger an English industry was, the more likely it was to go bankrupt, because the English were not naturally corporate people; they disliked working for others and they seemed to resent taking orders. On the whole, directors were treated absurdly well, and workers badly, and most industries were weakened by class suspicion and false economies and cynicism. But the same qualities that made English people seem stubborn and secretive made them, face to face, reliable and true to their word. I thought: The English do small things well and big things badly.
The heroes and discoverers have found true more than was previously believed, only when they were expecting and dreaming of something more than their contemporaries dreamed of, or even themselves discovered, that is, when they were in a frame of mind fitted to behold the truth. Referred to the world's standard, they are always insane. Even savages have indirectly surmised as much.
Professional wrestling in Europe is more of a sub-culture. It is not as popular as it is here in the United States. The people that were drawn to it were also people that were into sub-culture, hardcore sub-culture. It is basically an alternative scene that is sub-culture.
Sometimes supporting is difficult because a lot of people go to a gig to see the main act and to have a beer and a chat with their mates, so a lot of the time, even if you were John Lennon, would not listen to you.
People were looting tombs 5,000 years ago in Egypt as soon as people were buried, but the problem is only getting worse and worse.
We have a problem with radical Islamism and I actually think that we could work together with Russia against this enemy. They have a worse problem than America does.
I wouldn't even go into the history of the last days of the Soviet Union, the withdrawal from Europe, and what promises were given at that time, because those were oral promises, and our leaders of that time strongly believe that, like in ancient Russia, a word given is better than any treaty.
We've found that patterns of site looting have increased between 500 and 1000 percent since the start of the Arab Spring. Now this is a problem as old as human beings. People were looting tombs 5,000 years ago in Egypt as soon as people were buried, but the problem is only getting worse and worse.
All kids are different, even when they come from you and theoretically have the same culture. Some of my kids had been more outgoing and had an easy time at school. Others were more shy and needed more support. As a parent you are very aware of these differences and are not treating them all the same, given who they are as people.
We were never a band that did 96 takes of the same thing. I had heard of groups that were into that kind of excess around that time. They'd work on the same track for three or four days and then work on it some more, but that's clearly not the way to record an album. If the track isn't happening and it creates some sort of psychological barrier, even after an hour or two, then you should stop and do something else. Go out: go to the pub, or a restaurant or something. Or play another song.
My best mates when I was 19 were all in their 30s. I used to go to all their house parties, and they were crazier than the guys who were 17, 18. They were so much more liberated than the people who were apparently shackle-free.
I'm an untrained musician. Untrained musicians don't really have any music theory, they don't have a lot of rules. We break the rules, but it's mostly because we don't know what the rules are. It's easy for us to go to certain places, so I'm not surprised that a lot of people were amused by my songwriting style.
Christian values were important at home. Cleanliness. Don't steal. Don't lie. Those were the rules, and they were strictly enforced. Especially the stealing and lying. When you broke the rules, you got a beating. I always broke the rules a lot.
It was incredibly daunting for me to go from 'Son Of Rambow' to 'Narnia' because of the natural jump that there is that is dictated by budget, and the number of people working on it. Even though a lot more people saw 'Son Of Rambow' than we expected, a lot more people were always going to go and see 'Narnia'.
As a writer, I've always believed that while my work and I myself are embedded in whatever period I am writing about, clearly I am sensitive to the winds that are blowing in the culture. At the same time, I have always felt that the issue was not to deal with the problem in the abstract, but to deal with the people who are in that problem. The emphasis is on the people. The general problem begins to resolve itself even before the play is finished.
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