A Quote by Alice Munro
It's certainly true that when I was young, writing seemed to me so important that I would have sacrificed almost anything to it ... Because I thought of the world in which I wrote -- the world I created -- as somehow much more enormously alive than the world I was actually living in.
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It seemed clear to me that life and the world somehow depended upon me now. I may almost say that the world now seemed created for me alone: if I shot myself the world would cease to be at least for me. I say nothing of its being likely that nothing will exist for anyone when I am gone, and that as soon as my consciousness is extinguished the whole world will vanish too and become void like a phantom , as a mere appurtenance of my consciousness, for possibly all this world and all these people are only me myself.
Writing isn't a job so much as a compulsion. I've been writing since I was very young because for some strange reason, I must write, and also because when I write, I feel more alive and closer to the world than when I'm not writing.
Reading, like writing, was a survival strategy when I was young because these were ways of feeling that my world could be much larger than it actually was. It was inevitable that I would end up writing sci-fi or fantasy.
I realize how myself and other people have started to almost fool ourselves that it's more important to us and more real than the real world, the offline world, and we value looking at our phone and pixels on a screen more than connecting eye to eye with a human being, which is terrifying to me because we're becoming robots.
I don't make records for this medium with which we're going to sell it. The selling of it can never be more important than what you're actually making. There's too much of that in the world - in everybody's world, not just in music. There's too much, "Are you hip to this kind of stuff?" "Hey, this is cool." "Are you hip to it, because this is what we're selling today?" I think it's bullshit.
Russell Hoban created a tremendous marriage of characters and philosophy. The plots, the wind-up toy characters, the settings, they all work together to support basically a dark vision that the world is kind of a dump. And we all have to find our ways of surviving in it and of making it a better place. It's a world where we don't have much help, other than what we bring to the table. It's a world in which brotherly love counts more than anything else.
It has seemed to me that literature, as I meant it, was embattled, that it was increasingly difficult to find writing doing what I thought literature should do - which was simply to push people into changing their ideas about the world, and to go further, to encourage us in the work of changing the world, to making it more just and more truly human.
The identifying personal association with objects, which are not personal, is an important modern experience - our real association, the strands of our feelings about the objects that surround us. It's also because they are so familiar, we don't think of them as important in the world, but actually they are the world. We are living in a very material world.
You're alive, Bianca. You still can't appreciate what it means, to be alive. It's better than being a vampire - better than anything else in the world. I remember a little of waht being alive was like, and if I could touch that again, even for a day, it would be worth anything in the world. Even dying again, forever. All the centuries I've known and all the marvels I've seen don't compare to being alive." ~from Evernight, by
Well, I wanted to be a philosopher, which is the idlest occupation in the world. I wanted to be involved in abstract thought, but because of various problems with the authorities I wasn't able to pull that one off. A lifetime of idleness in academia would have really suited me. So I was thrown out, as it were. Other than that, there seemed no possible idle occupations, so writing . . . although writing isn't exactly idleness. There's an enormous tension between indolence and languor.
Many folks have asked me, 'How do you do it and why have you sacrificed so much to do this work?' The answer comes easy. I look at my daughter and find hope in that she is living in a world of struggle, of social and political movement. She and the other five-year-olds will grow up in a more just, more equitable world. She motivates me.
The most important thing in arithmetic is not the shapes of the numbers but the reality living in them. This living reality has much more meaning for the spiritual world than what lives in reading and writing.
Imagine a world in which generations of human beings come to believe that certain films were made by God or that specific software was coded by him. Imagine a future in which millions of our descendants murder each other over rival interpretations of Star Wars or Windows 98. Could anything -- anything -- be more ridiculous? And yet, this would be no more ridiculous than the world we are living in.
The literary world is more time-traveling than the art world, and novelty is much more important in art than it is in writing.
Of course, a woman's choice to go out into the world is a very significant thing. But part of real liberation is recognizing that mothering is every bit as important as other kinds of work. I actually believe it's more important than anything we do out in the world.
The aim of science is to apprehend this purely intelligible world as a thing in itself, an object which is what it is independently of all thinking, and thus antithetical to the sensible world.... The world of thought is the universal, the timeless and spaceless, the absolutely necessary, whereas the world of sense is the contingent, the changing and moving appearance which somehow indicates or symbolizes it.
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