A Quote by Alison Moyet
I just think that when you've been singing for 30 years, which I have been, you just want to find different things you can do with your voice. It's a constant journey. It's not like any one album that you make is who you are. It just reflects that particular day.
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Hillary [Clinton], I'd just ask you this. You've been doing this for 30 years. Why are you just thinking about these solutions right now? For 30 years, you've been doing it, and now you're just starting to think of solutions.
It's important to take time off because it's a long journey this life, and I want to be singing in 30 years' time. You see a lot of artists who get caught up in the here and now, and they just burn themselves out, and I kind of did that myself with my third album.
Many hated 'Selma.' Just because my voice and the voice of the people I come from is antithetical to so much of what Hollywood produces. I don't think what I'm saying is in particular radical or anything; it's just different from what they want to sell.
At the end of the day, all I can be is me. I'm not John Cena. In my 30 years, I've never been John Cena. I don't even think about becoming him. I just want to be - I want to be Roman Reigns. I want to do things my way. I think that's why I'm in the deep water with Vince McMahon and 'The Authority'.
Women have been oppressed for so long in any industry, it just takes time for a shift to happen to create more equality in any field, but I feel like it's slowly happening now. It's just things don't change over night. It's the same for racism, homophobia, xenophobia etc. If you think back even just 15 years and see how different people's mentalities were then, think how much more progress and equality we cab reach in another 15 years.
In more day-to-day restaurants, things have undergone a seismic change towards informality and sharing, which has been years in the making. Nowadays, people don't want just one dish; they want to order lots of things and they want to do it in fun places, places that give them an experience. The experience that a restaurant needs to offer is no longer just based around the food.
I just want to do something special in Charlotte. I've been there eight years now, and we haven't really been consistent as far as winning. I just want to try to establish that culture at some point. That's what I want to do. I just want to make it a winning organization.
When I finally stopped [singing], he had been saying, like, the last day or so, he'd been saying, now, I think we should put this one in the album. So without him saying I want to record you and release an album, he kept - he started saying, let's put this one in the album. So the album, this big question, you know, began to take form, take shape. And Rick [Rubin] and I would weed out the songs.
For me, I don't really feel like I have any particular main influences or artists that I pull from; it's more of an underlying effect of such a big range of music that I love and I identify with - and all of that plays into what I do in minimal ways. I just really try to make music that reflects my identify, which is hard to pin down and is a lot of different things. I strive to make music that is hard to describe and meshes a lot of different genres, with the vocals being the thing that ties it all together.
For years The National has been labeled as a gloomy kind of rock bandI think mostly because of Matt’s deep baritone voice, which even if he is singing about unicorns and butterflies, he just sounds sad most of the time.
I just want to make everybody feel what I'm singing. And just to relate to me and know that this has been dream since I was a little girl. I've worked so hard for this, and I just want them to connect with me.
A lot of people think YouTube is quite easy, when it just isn't. I've been doing YouTube for six years now, and I'd say the hardest years were definitely the first three or four. You have to constantly put out content that is good just to make people come back to your channel, and I work every single day just to try and expand my brand.
I had just finished a run of shows in the States and went to NY to work with BenZel for a couple weeks, mainly as a different focus to touring. I didn't have any expectations or pressures with what would come out of those two weeks, and think 'Tough Love' sums this up. It was me experimenting with my voice and having fun with it. It just felt right and kind of dictated the route of the next album, much like 'Devotion' did on my first album
Working with coach Sweeney has really been beneficial to my career. I've never watched so much film in my life, the constant communication between he and I. He'll send me clips every day, just different things to look at, ask what I think about it and we'll communicate and have different dialogues about it.
What's fun about the story development at Pixar is it's a journey. You don't just write a script and then that's the movie you make. It's just constant evolution and being open to that and that collaboration with the voice actors and with the artists and animators at Pixar.
I'm just experimenting with every different type of music you can imagine and seeing where my voice lies and what sounds best. I think when I do finally do the album it will be very eclectic - just loads of different stuff on it. That's what I am hoping.
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