A Quote by Alison Moyet

I threw away the whole of my working history, my photograph albums, diaries and stage clothes. Shoving big, ugly discs on walls is a bit like rubbing people's faces in it, saying 'I am considerably richer than you.' It is completely unnecessary.
Some musicians like to decorate their walls with discs saying: '1 million records sold in America.' I prefer to put up discs marking sales in lesser-known countries.
I always wanted to make an abstract photograph. I would photograph walls, sports interiors, marks on the walls people made. Even looking back it makes so much sense. It's like it was a fight against the photograph.
The great crime which the moneyed classes and promoters of industry committed in the palmy Victorian days was the condemning of the workers to ugliness, ugliness, ugliness: meanness and formless and ugly surroundings, ugly ideals, ugly religion, ugly hope, ugly love, ugly clothes, ugly furniture, ugly houses, ugly relationship between workers and employers. The human soul needs actual beauty more than bread.
I see my albums as working diaries, as living scrapbooks of me and my life.
When you photograph people in color you photograph their clothes. When you photograph people in black and white, you photograph their soul!
I did albums for Cash Money. I didn't do singles - I did whole albums for Cash Money - and at the end of the day, I'm saying I wasn't paid for albums, so its like you're doing 10 songs, and somebody pays you for 1.
People promise to stick with their spouse 'for richer or poorer' but it's the 'for poorer' part that causes the worry. The big shock is that the 'for richer' bit can also cause problems.
I was so aware of the stage clothes versus the everyday-life clothes, and the extremeness of the stage clothes that my parents had designed. Even coming across my dad's old Beatles suits from Savile Row and the history attached to them - the masculinity and simplicity compared to the '70s glitz and glamour of Wings.
People are getting away from the whole album experience, it's true. I think that's sad. Maybe I'm just saying that because I'm an old fart. But I can't help it - albums are what I grew up with, and I still love them.
Alas," said the mouse, "the whole world is growing smaller every day. At the beginning it was so big that I was afraid, I kept running and running, and I was glad when I saw walls far away to the right and left, but these long walls have narrowed so quickly that I am in the last chamber already, and there in the corner stands the trap that I must run into." "You only need to change your direction," said the cat, and ate it up.
I threw a big-ass party. It turned out a bit different from Perry's [in That's Ordinary World], but it was pretty nuts. It wasn't me that threw it though, my wife threw me a surprise party. So [unlike Selma Blair's character] she didn't forget.
I don't think shoving my butt into people's faces will tell them anything about who I am. How is that connecting to your audience? What is that doing for your music?
I went to the Home Depot, which was unnecessary. I need to go to the Apartment Depot. Which is just a big warehouse with a whole lot of people standing around saying "We don't have to fix anything."
I'm not a big spender or shopper. Neither am I extravagant, nor do I have big expenses. I mainly spend on travel. I don't buy overpriced clothes, as I feel such expenses are unnecessary. I probably wouldn't buy expensive watches or jewellery either.
I was invited to photograph Hollywood. They asked me what I would like to photograph. I said, Ugly men.
I was a bit of a late developer, and everyone was saying, 'Whatever you do, don't shave,' and I hadn't really started shaving. I remember rubbing the soot from a kettle on to my bumfluff to make it look more like I had a beard.
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