A Quote by Alok Nath

When I did theatre in Delhi, often the parts were of older men. — © Alok Nath
When I did theatre in Delhi, often the parts were of older men.
After graduating from National School of Drama, I started doing theatre in Delhi. But there was not much money in Hindi theatre.
Older men are wiser and that is much cooler to me. I've never been one for going out clubbing or getting off my head, so I always gravitated to men who were similar. They just tended to be older. I think you have more of an adventure with an older man. And a happier journey.
Older men are wiser and that is much cooler to me. Ive never been one for going out clubbing or getting off my head, so I always gravitated to men who were similar. They just tended to be older. I think you have more of an adventure with an older man. And a happier journey.
I have grown up in Delhi in a way, and I keep coming here often. But, and I am sorry to say, I'll always be nervous when in Delhi. In my college days, I have had my bum pinched around so many times. So yes, in Mumbai, I can just walk around and do what I want to do, but in Delhi I'll always be scared.
I was a bit odd as a kid, because there were so little outlets for me. There was no theatre except for the odd community theatre and school shows. The only movie theatre was at the Canadian Forces Base nearby in Comox, so it either showed kiddie flicks for the families and restricted stuff for the men.
Acting is a trick word invented in the festival of Dionysus, before Christ, in Greece at a fertility festival. That's where theatre came from: a fertility festival. No women were allowed. All the men played all the parts.
I hadn't thought about the balance in mood. You see that we did it in alphabetical order, so if there's any kind of shape, or any kind of flow, it's random. Gender...we didn't think much about it. It was sort of interesting to see that women often were choosing women and men often were choosing men. And sometimes they wouldn't and that was fun. I didn't know that I would be excited by that, until I saw it happen.
I pretty much got into theatre to do community theatre and things, but then I went to Williamstown and found an agent. I then went to New York and did a lot of theatre there, so I started doing only theatre.
I left my theatre the Loose Moose almost twenty years ago, and I hardly ever go back. Sometimes I go back to do a Mask class. They're doing more of this than I was doing when I left. Often it's the same improvisers but they're older. And now, they don't care if the theatre's full or not.
The movies and comedy that I love the most, even if there are men starring in them, often the men wrote the parts for themselves.
There are older men with younger women but you don't see a lot of older women with younger men. There are some women who have been able to do it but not often.
I have an older brother and older sister. My older sister is the girliest girl on the planet, so I just hated everything about that. I did anything my brother did. He actually got me into wrestling. I watched it because he did, and I played video games because he did.
Doing theatre in Delhi didn't guarantee success in Mumbai.
I really lucked out with that song ["As Cool As I Am"]. Men were becoming much more comfortable with all the different facets and parts of their identity, including their gentler, funnier, sillier, nurturing parts. They started showing up. There was so much exploration of gender at that time. Women were showing up with the range of ways of being female in the world and men were showing up with the range of being male in the world.
A characteristic of older folksongs, in most cases, is that we don't know their composers or authors. Older folksongs were written often with no commercial purpose in mind. They were passed down by word of mouth, from generation to generation.
It might seem at first surprising that when I studied women and men talking at work, I found that women 'interrupted' each other more often than men did - when they were in all-women conversations.
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