A Quote by Alphonse Daudet
The clever way death cuts us down, but makes it look like just a thinning-out. Generations never fall with one blow - that would be too sad and too obvious. Death prefers to do it piecemeal. The meadow is attacked from several sides at the same time. One of us goes one day; another some time afterwards; you have to stand back and look around you to take in what's missing, to grasp the vast slaughter of your generation.
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It's how you tell the story that makes it new. That's what artists do. They let us look at the world from a different perspective. They let us look at birds in a way that makes us never see birds again in the same way. That's why I don't think computers are healthy for kids. They're too literal. You pop a button and a bluebird comes out. You pop another button and you can take the color blue and shove it into the outline of the bluebird.
Most of the things at the zoo don't look like us. We're one design that works. Our chimp pals sort of look like us, so that's a different take on the same basic design. But fish don't look like us, and giraffes don't. They look a little like us, but not too much. And insects certainly don't look like us, and they work just fine.
Several of us linguists at that time would record our own kids, just to get some data. There was some literature on it then, but no day-by-day, blow-by-blow examples. I recorded all my children over the years in some shape or form. It's what linguists do. You don't talk to a linguist without having what you say taken down and used in evidence against you at some point in time.
And sometimes it happened, for a time. That kind of love comes and goes and is hard to remember afterwards, like pain. You would look at the man one day and you would think, I loved you, and the tense would be past, and you would be filled with a sense of wonder, because it was such an amazing and precarious and dumb thing to have done; and you would know too why your friends have been evasive about it, at the time.
Every time we look at the cross Christ seems to say to us, 'I am here because of you. It is your sin I am bearing, your curse I am suffering, your debt I am paying, your death I am dying.' Nothing in history or in the universe cuts us down to size like the cross.
Death and disaster are at our shoulders every second of our lives, trying to get at us. Missing, a lot of the time. A lot of miles on the motorway without a front wheel blow-out. A lot of viruses that slither through our bodies without snagging. A lot of pianos that fall a minute after we've passed. Or a month, it makes no difference. So unless we're going to get down on our knees and give thanks every time disaster misses, it makes no sense to moan when it strikes.
He removed several pages of death certificates, which were picked up by another breeze and sent into the trees. Some would fall with the leaves that September. Some would fall with the trees generations later.
Modern pictures are, no doubt, delightful to look at. At least, some of them are. But they are quite impossible to live with; they are too clever, too assertive, too intellectual. Their meaning is too obvious, and their method too clearly defined. One
I can't believe that this world can go on beyond our generation and on down to succeeding generations with this kind of weapon on both sides poised at each other without someday some fool or some maniac or some accident triggering the kind of war that is the end of the line for all of us. And I just think of what a sigh of relief would go up from everyone on this earth if someday-and this is what I have-my hope, way in the back of my head-is that if we start down the road to reduction, maybe one day in doing that, somebody will say, 'Why not all the way? Let's get rid of all these things'.
But now, for the first time, I see you are a man like me. I thought of your hand-grenades, of your bayonet, of your rifle; now I see your wife and your face and our fellowship. Forgive me, comrade. We always see it too late. Why do they never tell us that you are poor devils like us, that your mothers are just as anxious as ours, and that we have the same fear of death, and the same dying and the same agony - forgive me, comrade; how could you be my enemy?
Along this road, we won't stop moving forward Not even if we become separated from one another. For us, most of all, there was never a time, never a place where you could just stand still But even so, if there were times when we were afraid, when we'd look back on it all and wonder We'd just say that is was our destiny, wouldn't we? So we started off, all walking down the same road
Most things are forgotten over time. Even the war itself, the life-and-death struggle people went through, is now like something from the distant past. We're so caught up in our everyday lives that events of the past, like ancient stars that have burned out, are no longer in orbit around our minds. There are just too many things we have to think about every day, too many new things we have to learn. New styles, new information, new technology, new terminology ... But still, no matter how much time passes, no matter what takes place in the interim, there are some things we can never assign to oblivion, memories we can never rub away. They remain with us forever, like a touchstone. And for me, what happened in the woods that day is one of these.
The way we deny death says something about how we live our lives, doesn't it? At least in Sweden or Scandinavia, you don't have to search further back in time than maybe three generations to find another way to relate to death. People then had a different, closer relationship with death; at least it was like that in the countryside.
Most of us work so hard and live so hard. On the first day of the holiday I remain in work gear, it can take me some time to slow down and all that time I'm missing the serendipity of the wonderful things that are all around us.
Death is always sad, I suppose, to us who look forward to it: I expect it will seem very different when we can look back upon it.
I knew we would eventually get back together, but I don't think any of us really knew when it was going to happen. It had to be a situation where all four of us felt like it was time. It's just too personal and too big, with too much history, to do any other way.
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