A Quote by Alvaro Morata
For a Spaniard, Italy is the best place to live. You've got all the beauty, history, art, good food, and fashion.
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I lived in Italy for quite a while and married an Italian woman. While there, I immersed myself in the complete culture: the music, art, literature, film, food, and history. It's easy to fall in love with. As a country, Italy does a good job of holding onto its rich traditions and culture. There's a real lack of embracing history in America.
Of course, we all know Italy is an amazing country. We have stunning coastlines and a scenic countryside. We have a climate that allows us to spend a lot of time outdoors. We have fashion, we have food. But life in Italy is so good that sometimes we tend to rest on our laurels.
Bologna is the best city in Italy for food and has the least number of tourists. With its medieval beauty, it has it all.
I think I went to Italy initially for the art, architecture, food and history, but I stayed there because of the people in Cortona.
I was born in the '60s and grew up in the '70s - not exactly the best decade for food in British history. It was horrendous. It was a time when, as a nation, we excelled in art and music and acting and photography and fashion - all creative skills... all apart from cooking.
There is in the DNA of the Italians a bit of madness, which in the overwhelming majority of cases is positive. It is genius. It is talent. It's the masterpieces of art. It's the food, fashion, everything that makes Italy great in the world.
I've been all over the world. I love New York, I love Paris, San Francisco, so many places. But there's no place like New Orleans. It's got the best food. It's got the best music. It's got the best people. It's got the most fun stuff to do.
Italy in the first years got food, for the first year or the first periods got food. Then we got raw materials and then we got tool machines, let's say, instruments for working.
Living through art is a better way to live - not necessarily making art, but being surrounded by art. I think it's just as banal as trying to show my version of the beauty in the world. It's about beauty at the end of the day.
Once physical beauty is gone there must be something more to take its place . . . 'To thine ownself be true' is a rule to live by in Hollywood, especially. There's a strong undercurrent of conformity in the movie colony that one must fight all the time. I think this especially true when it comes to fashion, beauty and grooming.
I'm such an avid magazine reader - music, art, beauty magazines - and I found that food and restaurants were pouring into everything I cared about. Whether it was the pop-up concept, or some mysterious mini-mall restaurant, I got swept up in the sexy romance of the food movement.
I was 17 when I moved to NYC . I'm now 32. But I do know I can't see myself living anywhere else. I love the food, the fashion, art, the intelligence of this city and the people that live in it.
I love art, and I love history, but it is living art and living history that I love. It is in the interest of living art and living history that I oppose so-called restoration. What history can there be in a building bedaubed with ornament, which cannot at the best be anything but a hopeless and lifeless imitation of the hope and vigor of the earlier world?
Beauty and art pervade all the business of life like a kindly genius, brightly adorning our surroundings whether interior or exterior, mitigating the seriousness of existence and the complexities of the real life, extinguishing idleness in an entertaining fashion, and, where there is nothing good to be achieved, filling the place of vice better than vice itself.
Art is not fashionable. That's why fashion and art are two different things. Fashion can never be art because fashion deals with whim, what is temporary, what changes, what is transient, what is now and not now. Art has to deal with issues that are timeless, that never change.
My deep relations with fashion started in Paris in 1980s, when I was appointed head of The Fashion History course at French Esmod fashion school, the biggest and the best in those years in Paris.
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