A Quote by Amala Akkineni

I had been acting from a very young age and also performing with a dance troupe, the Kalakshetra Dance Troupe, from city to city. I needed a break. After marriage I took time off. That break lasted 24 years!
I worked for my family's Polynesian dance troupe for my entire life up until I started wresting full time.
I took a break from theater after 'The Cripple of Inishmaan' to make some money, to be honest, and also to feel more confident in front of a camera, and before long it was two years since I'd been acting onstage and I found that I really missed it.
My first real break was when my college sketch troupe, The State, was asked to contribute pieces for a new MTV show called 'You Wrote It, You Watch It.'
I actually grew up break-dancing. When you break-dance you listen to hip-hop and rap, so I've been listening to that music since I was a kid.
I went to performing arts high school, and I took dance and acting every day. Then, I went to Marymount Manhattan College and I have a B.A. in acting, with a concentration in theater performance and a minor in musical theater. I studied there for three years.
I started dancing ballet when I was very young, so my background really is dance. But I remember loving the feeling of being on a stage and having a love for performing from a young age.
But I was 22 before I took my first dance class. I had never been athletic, so I was very stiff; I still am. I think what I got mostly from dance was carriage.
Dance, when you're broken open. Dance, if you've torn the bandage off. Dance in the middle of the fighting. Dance in your blood. Dance when you're perfectly free.
A lot of the best acting training I had was in junior high and high school. We had very demanding directors and did real plays. You put our plays up against any theater troupe of any age, and they usually did pretty damn well.
My background is in dance. No, I'm kidding. I was actually really uncoordinated as a child, when it came to dance, but I did play a lot of sports, and I do some break-dancing from time-to-time. No, I really don't.
I actually got started in acting when I was in pre-school. I was really into dance and performing, so my mom had me in dance classes, and then I got involved in a local theater company.
Dance is a universal language, and whether you know how to dance or grew up training in dance, you have a respect for people who love to dance, and it's also visually very entertaining to watch a great dancer.
When I left Portsmouth, I was happy. I'd had a great two years there, but I wanted a break. I needed a break.
If a scene called for numerous Oompas to join in a narrative song and dance, I would perform the steps for all of them with subtle distinctions of expression and movement. When the images were joined with the help of a computer, I became an entire troupe.
One of the biggest misconceptions was, after I left Dream Theater, I went off and did, like, five different bands and side projects. Everyone was like, 'We thought you wanted a break.' And it was like, well, I didn't want a break from making music; I just needed a break from the Dream Theater camp.
I had a big troupe, a big army and it was a lot of fun. And, after 10 years of that, I just decided that I wanted to travel and do special dates. I go to Las Vegas these days.
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