A Quote by Amanda Shires

The thing that I'm trying to accomplish is to tell the stories and my feelings in ways that are relatable. But at the same time, I'm so tired of hearing the same old crap. Bring some freshness if you can.
What does it matter, if we tell the same old stories? ...Stories tell us who we are. What we’re capable of. When we go out looking for stories we are, I think, in many ways going in search of ourselves, trying to find understanding of our lives, and the people around us. Stories, and language tell us what’s important.
You're always trying to do something that, on one hand, honors all those stories, that is still in some way the same character that Stan Lee and Jack Kirby were doing back in the sixties. But, at the same time, you want to be able to tell new stories and not just rehash what's come before.
It wasn't until my fifth or sixth book where I realized I'm trying to do the same thing in every story I tell, which is bring everybody together in the same room.
Because people really got tired, too, of the same old formatted sort of thing, and the same old formatted music.
The Greeks used to use the same stories, the same mythology, time after time, different authors. There was no premium placed upon an original story, and indeed, Shakespeare likewise. A lot of people wrote plays about great kings. They didn't expect a brand-new story. It was what that new author made of the old story. It is probably the same now. We disguise it by inventing what seem to be new stories, but they're basically the same story anyway.
If you don't spend the time you need on developing characters and finding stories, complicated stories, the audience gets tired because they think they're seeing the same thing again and again.
There are some stories - not even stories, some feelings - that you can't accomplish in cinema without using celluloid.
As I said just now, the world has gone past me. I don't blame it; but I no longer understand it. Tradesmen are not the same as they used to be, apprentices are not the same, business is not the same, business commodities are not the same. Seven-eighths of my stock is old-fashioned. I am an old-fashioned man in an old-fashioned shop, in a street that is not the same as I remember it. I have fallen behind the time, and am too old to catch it again.
I'm not trying to stay in the same place and I'm not trying to compete with what's currently in fashion. That would be dishonest. But, at the same time, I'm different and the music reflects that to some degree.
The truth about being a writer is you do not choose the stories you tell, but stories choose you. You do not choose, therefore, characters either. Novels are like dreams you dream with your eyes open; they are books which appear in your head with the same apparent immediateness as they appear in your dreams at night. A writer always writes their obsessions and the truth is that all throughout life we end up writing the same thing in different ways.
The chief danger of the Church today is that it is trying to get on the same side as the world, instead of turning the world upside down. Our Master expects us to accomplish results, even if they bring opposition and conflict. Anything is better than compromise, apathy, and paralysis. God give to us an intense cry for the old-time power of the Gospel and the Holy Ghost!
I've been to Washington many times over the years for stories, and it always seems remarkably the same. More the same than the rest of the country. It's almost like they dress the same as they did 20 years ago. The same old guys are sitting outside the same dirty, dingy secret offices in the Capitol that you're not allowed to go in.
What I became a comedian for was to get my art out. To get some of these feelings and things I had on my chest out. I don't care if people believe them, listen to them, change their ways, or think, or any of that kind of crap. I'm interested in showing off. I'm the same kid from sixth grade who stood up and said "watch this."
Art consists precisely in making us admire old stories, charming us with them eternally, as Nature charms with her eternal sun, her ancient earth, and her men built all on the same pattern, and all animated by the same feelings.
Christianity and Islam, they have the same morals, same lifestyle, some of the same stories that shaped them.
The church and the whorehouse arrived in the Far West simultaneously. And each would have been horrified to think it was a different facet of the same thing. But surely they were both intended to accomplish the same thing: the singing, the devotion, the poetry of the churches took a man out of his bleakness for a time, and so did the brothels.
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