A Quote by Amos Oz
I often write about reconciling. Reconciling, or maybe half-reconciling between antagonists, between people who are deadly enemies. I write about reconciliation, but not as a miracle, as a slow, gradual process of mutual discovery - discovering one another. I write about sad, sober, sometimes heart-breaking compromises.
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I often write about reconciling. Reconciling, or maybe half-reconciling between antagonists, between people who are deadly enemies.
I write about reconciliation, but not as a miracle, as a slow, gradual process of mutual discovery - discovering one another.
The reconciliation is not based on the fact that one of the characters opens his eyes and says, "O brother! O sister! How terrible I was! How right and wonderful you were! Please forgive me! Let's hug and love each other from now until the rest of eternity!" This is not the kind of reconciliation I write about; I write about sad, sober, sometimes heart-breaking compromises.
'Dil Kabaddi' is an urban comedy about couples breaking up and reconciling. It's based on one of Woody Allen's movies. Can't remember which one.
I write and speak about personal and spiritual growth. One week I write about illness and another week I speak about relationships and another week I write about work and money and another week I speak to people with obesity issues. I write about whatever wounds seem to cry out for more enlightened solutions, and the love that heals them all.
Sometimes I write about my own life. And sometimes I write about situations I see my friends going through. Sometimes I write about a scene I saw in a movie. I take inspiration from all different places.
When you write fiction, there were things about Washington that I've experienced and wanted to write about, including the swamping nature of it, the compromises people come to town and are forced to make, and also, when writing about Joe McCarthy, the indecency and lies that he put forward that people didn't take a stand about.
People write about getting sick, they write about tummy trouble, they write about having to wait for a bus. They write about waiting. They write three pages about how long it took them to get a visa. I'm not interested in the boring parts. Everyone has tummy trouble. Everyone waits in line. I don't want to hear about it.
Discover the time of day when you write best, and write then. For me it's about 7 am to noon. For other people it's overnight. Try not to do anything other than write between those times.
People try to be more edgy, or write about that first explosive meeting between two people in a club, but not so much the long-term issues; I don't know how to write a song about teenage heartbreak anymore.
I write about the power of trying, because I want to be okay with failing. I write about generosity because I battle selfishness. I write about joy because I know sorrow. I write about faith because I almost lost mine, and I know what it is to be broken and in need of redemption. I write about gratitude because I am thankful - for all of it.
To disguise nothing, to conceal nothing, to write about those things that are closest to our pain, our happiness; to write about our sexual clumsiness, the agonies of Tantalus, the depth of our discouragement-what we glimpse in our dreams-our despair. To write about the foolish agonies of anxiety, the refreshment of our strength when these are ended; to write about our painful search for self, jeopardized by a stranger in the post office, a half-seen face in a train window, to write about the continents and populations of our dreams, about love and death, good and evil, the end of the world.
Writers often have a 'drunk' that is different than anyone else's. That's why it's so insidious and so damning. First of all, because they can write when they're drinking - or they think they can. A lot of writers will tell me - and this is the latest one I've heard - you drink while you're thinking about what to write, but when you actually write, you sober up.
I just write about what makes me sad, and then when I write, I hear myself. It's like therapy, where I write something sad and then I make it happier or hopeful.
I don't write about anything I don't want to write about. I like to think I could write about anything pretty much that I chose to. I have been asked to write songs about specific things, and I've always been able to come up with the goods.
I could never write about the sort of people John Cheever or John Updike or even Margaret Atwood write about. I don't mean I couldn't write as well as they do, which of course I couldn't; they're great writers, and I'm no writer at all. But I couldn't even write badly about normal, neurotic people. I don't know that world from the inside. That's just not my orientation.
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