A Quote by Amy Adams

I used to have a lot of superstitions, and then I realized that it was kind of hogwash. Once I let go of them, I relaxed a lot. — © Amy Adams
I used to have a lot of superstitions, and then I realized that it was kind of hogwash. Once I let go of them, I relaxed a lot.
Something I'm going to try to really instill in my own family is a lot of tradition. And, I used to have a lot of superstitions, and then I realized that it was kind of hogwash. Once I let go of them, I relaxed a lot.
I was taking my advance freefall course, doing my level 1 jump. My heart was racing. Like I said, I have a lot of fear with falling, so I panicked. Then I let go of the door of the airplane and kind of panicked the entire way. But after a few jumps I grew more calm, realized what was going on, and I think that was the key. The more calm I got, the more relaxed I was.
My grandmother was the matriarch. I was the youngest of all the men in my family, so I kind of used them as examples and kind of emulated what I saw them do. So I didn't have to deal with a lot of bullying because we had a lot of back-up, so to speak.
I realized that I really, almost by accident, had fallen into a labyrinthine, very powerful paradigm for dealing with these things through genre films. And once I realized that and realized the power of it, and the fact that because horror films aren't, in general, studio products - studios back them sometimes, but they don't try to meddle too much, because they kind of don't want to sully their skirts - you have a lot of freedom.
In my career, there've been three stages really. There's been the stage when you come into a team, you don't feel the nerves, you just go out and play. Then through your 20s you start thinking a lot more about the games and what's at stake. And then, as you get more experienced towards the end of your career, you enjoy it a lot more and you're a lot more relaxed.
I invite a lot of my friends to some of the performances that I do locally, and some of them know that I'm involved with music, but they're not quite sure how. And so it's kind of fun to play golf with a lot of my friends and then invite them to hear me sing once in a while.
We do the weigh-in, then go for a walk, then have breakfast, then I listen to worship songs on my iPod because I'm a Christian. I always read the same Bible verses, too. We do the same warm-up a lot of the time as well. But, I have no superstitions before a fight.
I write a lot of more instrumental music than I do vocal music. It's because I come out of a background of playing piano and then playing sax for a number of years. I kind of got into rock backwards. A lot of guys go into rock and then get sick of it and then go into something else. I came the other way, so I've always just had a lot more stuff lying around.
There's a thing that just as you go to sleep, if you keep your elbows elevated that you will never go below the dream stage. And I've used that quite a lot and it keeps me dreaming much longer than if I just relaxed.
A lot of it's mental - a lot of the juniors, once you break them or change the momentum, they go away very quickly.
There's a lot of guys who have great technique, people practicing a lot and you hear them, but there's not that many people who when you hear them, you go, "Man, that guy must practice a lot," right? Then you hear Miles Davis play, and you go, "Man, I had a girlfriend like that." That's a whole another level of musicianship.
School allowed me to have outlets so that some of the pressure was taken off the acting. Every role in every movie, I used to live or die by. Once I had these new outlets, I relaxed a lot more.
It's very natural for me now. A lot of airplanes, a lot of flights, a lot of hotels. Go home to pack and leave. But I'm used to it.
There's a lot of hidden gems in the UK. You sometimes have to dig deep to find them, but there's still a lot of great guitar bands out there. So, in a way it makes you appreciate it more, but then a lot of bands do go missing also.
I used to see my friend Harland Williams in a lot of auditions. Then you'd see one of the DeLuise kids because they're kind of heavy and character-y. You'd just see a lot of the same guys over the years.
With 'Seven Deadly Sins,' there was a lot of personal stuff in there that I didn't even realize I'd been carrying around for awhile. And a lot of guilt involved, a lot of emotion, a lot of depression. Once I was done writing that book, I was able to really let go of that stuff.
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