A Quote by Amy Bloom
I don't think writers really choose their subjects. I think the subjects, the topics, the themes, choose us, and then we make the most of what we have. For Trollope, society; for Roth, Jews. For me, apparently, love. Why hide it?
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writers do not choose their subjects; their subjects choose them.
It's often said that I choose subjects that are sensational! I choose to film subjects that spark difficult conversations and make people uncomfortable. Change only comes about when people are forced to discuss an issue, and that's what I hope my films do.
It's not a very popular subject amongst my audience, who are by nature more internationalist, but I don't choose what to write about, I don't choose my subjects, they kind of choose me.
What do you think it is to be normal?' Why in the world would you want to be?' she says. I don't know. I guess that's the problem.' I don't think normal is that great.' But so many people choose it,' I reply. I don't think that's it at all. I think most everyone is normal and some of us, for whatever reason, choose to reject that and wear ruby red slippers or old black hats.' Well, why do we choose the hard road?
Giorgio Morandi's paintings make me think that artists may not totally choose, or even control, their subjects or style.
You think you choose the subjects of your books. But sometimes, in ways you don't know, the books choose you.
This I choose to do. If there is a price, this I choose to pay. If it is my death, then I choose to die. Where this takes me, there I choose to go. I choose. This I choose to do.
I don't think that my art isn't serious. I think the subjects are not serious, or my treatments of the subjects are not serious. But then, I'm also putting down subject, because like the abstract expressionists, I don't think the subject is important.
While I would agree that I write about serious subjects, and that they're not necessarily the most pleasant subjects or even the most pleasant people, as a writer I just think about the humorous aspects of these things - that's what keeps me going when I'm writing a story.
I don't pick and choose subjects or settings; they pick and choose me.
Write about the things that attract you. Choose your subjects the way you used to choose your toys: out of desire.
Robots do not love. God created us with the capacity to love. Love is based upon one's right to choose to love. We cannot force others to love us. We can make them serve us or obey us. But true love is founded upon one's freedom to choose to respond.
We do not choose to be born. We do not choose our parents, or the country of our birth.
We do not, most of us, choose to die; nor do we choose the time and conditions of our death.
But within this realm of choicelessnness, we do choose how we live.
I always look at actresses who I most respect, and they make me think that you can make a choice in life. It's whether or not you choose to go down the route of publicising your personal life. I choose not to.
I always have the feeling that my subjects are the same - I'm just changing my point of view. I'm going to move a little bit this time and watch it a different way. But at the end, I think I'm always fascinated by the same things, except I will express them over and over again, with different words, with different colors, with different shapes. But strangely it will always be the same topics or subjects that are so important to me.
When you choose to be a competitor you choose to be a survivor. When you choose to compete, you make the conscious decision to find out what your real limits are, not just what you think they are.
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