A Quote by Amy Gerstler
I think part of being human is learning to roll with the punches, to deal with any kind of personal or professional disaster that might crop up. You have to learn to deal with that stuff or not survive.
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On tour things go wrong all the time, I mean that's live music, that's what it's all about. I think one of the things I'm learning is that when stuff goes wrong, really brilliant musicians have the ability to turn this into something interesting and unique. I think good people in any sphere of anything know how to deal with problems, how to take it in your stride. We are learning this by touring, by being put in these positions when we need to focus and deal with it.
You feel like you need to deal with a lot if you're from Cleveland, so you learn to let things roll off your back, and you learn that humor is the best way to deal with it.
Moving to New York City and doing what I do, social anxiety is a really ridiculous kind of curse to have. But I met people along the way who deal with it - performers as well - and they are learning to deal with it daily and deal with it in different ways.
The nature of any human being, certainly anyone on Wall Street, is 'the better deal you give the customer, the worse deal it is for you'.
No one likes to lose, and that includes me, and I'm having to learn to deal with that; and I'm learning to deal with the physical game too.
I think [Iranian deal] was the worst deal I've ever seen negotiated. The deal that was made by the [Barack] Obama administration. I think it's a shame that we've had a deal like that and that we had to sign a deal like that and there was no reason to do it and if you're going to do it, have a good deal.
And that's the kind of thing people think, you know, that if you sign up to be a singer-songwriter you know how to deal with people setting up hate websites, or people being obsessed with you and crying when you touch them, but you don't, and you just have to deal with.
I can assure you Mr. Zureikat never gave me a penny from an oil deal, a cake deal, a bread deal or from any other deal.
What I think is key is everybody has to approach a relationship from a realistic standpoint. Everybody has stuff in the back of a trunk. The key is what kind of stuff can you deal with. There are some women who can deal with a relationship that I can't.
Learning to write for the theatre is learning to be a human being, because the theatre by its very nature makes you deal with other human beings.
You have to learn to deal with your own, for want of a better word, insecurities, fears. They don't go away. And that's normal. It's human. You don't ever really want to lose that. What you want to do is learn to manage it and to work with yourself. But there's a part of you that has anticipation and fear. And so the important thing to know is that there's nothing wrong with that and that that's normal. You have to learn how to deal with it, certainly, but it doesn't keep you from doing it. And that doesn't go away ever.
What I don't underestimate is everybody's deal is different and everybody's deal makes it difficult. And so it is incumbent upon employers to create flexible work environments that allow people to fulfill their professional and personal lives in a way that works for themselves.
I think we all have mechanisms that we use, each of us individually, to deal with pain that we've had or just dealing with life or whatever. Everyone's story is different, but we all have some kind of mechanism that we use to deal with stuff, that we create pretty young.
I have learned a lot through defeats, and, until today, it's - I'm still haunted by defeats, and they do happen. Sometimes, a film of mine is rejected. And how do you deal with it? And you have to learn how to deal with it and survive anyway.
When I went to the prosecutor's office, I wanted to be one of the good guys that the defense could trust. I'd try fair, clean cases, pull no punches, no below-the-belt stuff. Honorable. Because that's the kind of prosecutor I wanted to deal with.
I would always find a way to blow the deal and I'm not sure why. I think there was part of me that wasn't comfortable with monetizing the music and getting involved with royalties and all that kind of stuff.
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