A Quote by Amy Poehler

If you're a good improviser, you improvise well enough that people think that you're doing a sketch. — © Amy Poehler
If you're a good improviser, you improvise well enough that people think that you're doing a sketch.
I think by now if people hire me, they know I'm going to improvise. I'm an improviser by trade.
For myself, the way that I learned comedy was doing it live for four years, and only after doing sketch for four years did I feel confident enough to be like, 'Okay, I feel good about starting to put stuff on the Internet where it lives forever.' As opposed to one time at a college sketch show where it bombs and we never speak of it again.
I think that if you just kind of try to throw together a sketch show, but you don't have any real vision for what you want to do with the sketch, I don't think your chances are very good. You know, "Let's just have a sketch show!" You have to do something different with it; you have to reinvent that form every so often.
People perceive her [Jill Stein ] as hurting [Hillary] Clinton. I think she's doing very well. I don't think the numbers will be good enough for them to be in the debate.
There was a male sketch group in my college. I was like why isn't there a female sketch group? So then I started doing sketch comedy and all that stuff. It just happened.
I don't think I'm leading lady material, and I was always the wrong shape. I was never tall enough. But it was more lack of confidence. I shunned doing straight parts. I didn't think I was a good enough actress, so I thought I might as well do something they were supposed to laugh at.
I think not every improviser is a good stage actor. Certainly not every stage actor is a good improviser.
I improvise whenever I feel it's important, or whenever I think that something's there. It's nice to have a script that's so well-written that I don't have to improvise. I mean, I used to have to re-write whole movies; this is kind of nice.
I think that one of Tim's great qualities and abilities is in what seems like a thumbnail sketch to get something quite telling, very simply, when you're doing it or being in that thumbnail sketch, you don't feel that it's important.
Sketch shows change gears so drastically every two minutes. I think sketch shows are for sketch fans; they're not really for everybody.
I am an improviser, ... I improvise music. Whatever you want to call it all, it is all improvised music. I may capture it and go back and write it down for others, but it was originally improvised.
When you're doing sketch comedy and you're pregnant, it's like wearing a giant sombrero in every sketch.
I've never gotten hired for drama because I'm a good improviser. I don't think people who write drama scripts want you playing with them as much.
Someone will say, 'Well, that's good enough.' As soon as I hear 'Good enough,' it really bothers me. I spend as much time as I think I can on anything I do. I try to do that with the people that work with me. I try to get the best out of them.
All of us want to do well. But if we do not do good, too, then doing well will never be enough.
I can't stress enough how important it is to write bad songs. There's a lot of people who don't want to finish songs because they don't think they're any good. Well they're not good enough. Write it! I want you to write me the worst songs you could possible write me because you won't write bad songs. You're thinking they're bad so you don't have to finish it. That's what I really think it is. Well it's all right. Well, how do you know? It's not done!
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