A Quote by Anat Cohen

Sometimes I get off stage, and I almost have no recollection of what happened. It's almost like a trance; it's very bizarre. — © Anat Cohen
Sometimes I get off stage, and I almost have no recollection of what happened. It's almost like a trance; it's very bizarre.
Sometimes it takes you two or three seconds to get your head round a joke and laugh at it. With a snot-bubble laugh, it comes instinctively - almost in spite of yourself. It's caused by something silly - like when a little kid says something unexpectedly bizarre.
Almost. It’s a big word for me. I feel it everywhere. Almost home. Almost happy. Almost changed. Almost, but not quite. Not yet. Soon, maybe. I’m hoping hard for that.
Sometimes you write and you find yourself almost wondering how it will turn out. I don't think every writer sort of almost admits that at some stage his books can take on their own kind of life it selves and simply lead away into directions that they're not kind of prepared for.
Once I get onstage the tension explodes and I'm fine. I'm in another world - in a trance almost, doing what I love best, expressing myself through guitar.
I paint very quickly. And it just, it almost comes out of me like it's almost my therapy.
When you walk off the stage, I think the end point is that you enjoyed yourself. I get to say that almost every time - either I made a few new fans or something resonated.
The interaction with Marco Reus is also very good. We understand each other very well, both on and off the pitch. If we get along privately, then that affects things on the pitch. We're almost like brothers.
The ballet embodies the notes of music. And sometimes you almost feel like you can see the notes dance up there on the stage.
Sometimes I had to force the overpainting of three corners almost without any feeling for shape, almost without inspiration, only to find my way back, to get out of this hell.
The best shows I play, I almost don't even remember off the stage.
Very interesting show. It's "Hotel" with the E missing. Hot L Baltimore. It was about a rundown hotel which had become kind of a residential not quite welfare but almost welfare hotel with a very bizarre collection of people.The desk clerk was played by Jamie Cromwell. That was his first big thing. Conchata Ferrell played April, the main of the two prostitutes, and my character didn't exist in the [stage] show.
I went through some stuff. And I got very depressed at times. It was like a marriage breaking up suddenly, violently, quickly. And I was just trying to figure out what happened. When we started putting this tour together, I started to feel better almost immediately. And then this there is this, there is almost no better antidote to what I"ve just been through than to do this every night.
It almost seems like anyone who doesn't seem political in any way is at an advantage. It's almost like anti-politics. A stage where anyone who acts - and it is an act - as if they have nothing to do with the way that daily politics works is lauded as some kind of superstar human being.
Sarcasm is weird. Even not in acting, in life I feel like 'sarcastic' is a word that people use to describe me sometimes so when I meet someone, it's almost like they feel like they have to also be sarcastic, but it can sometimes just come off as mean if it's not used in the right way.
New York seems very very foreign to me, like more foreign than almost anywhere in America, and almost anywhere in the world, I find it like one of the most overwhelming places.
A lot of the Jews I met in Israel, almost all of them are secular. They get turned off by their religion, in the same way that Americans get turned off Christianity by people like Jerry Falwell and Pat Robinson.
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