A Quote by Anders Fogh Rasmussen

That's what it's like when people have crawled very high up in a tree, then they sometimes need help to get down with ladders and ropes and other instruments. — © Anders Fogh Rasmussen
That's what it's like when people have crawled very high up in a tree, then they sometimes need help to get down with ladders and ropes and other instruments.
I hate ladders. I don't mind heights, but I hate getting hit with ladders and falling into ladders. Anything where there are ladders involved or inanimate, unpredictable objects or multiple people gets dangerous.
You have to lay down in the center of the action lay down and wait until it charges then you must get up face it get it before it gets you the whole process is more shy than vulnerable so lay down and wait sometimes it's ten minutes sometimes it's years sometimes it never arrives but you can't rush it push it there's no way to cheat or get a jump on it you have to lay down lay down and wait like an animal .
Sometimes I feel people can move past what they've grown up around and their surroundings while in a place and some people need closure after they've left and then coming back. I've seen it happen with people I knew growing up that hated each other, and then years later you go home and you see them walking down the street and they have babies.
...I do like the low frequencies. It's from years and years of observing audiences when they hear a lower frequency coming from an instrument it tends to pull them in. You have to listen a little more attentively. High frequency instruments hit you so hard, after a while the ear has a tendency to want to shut down. And that's what happens. I've been able to observe very carefully how people tend to get very tired of listening to high frequencies a lot.
I used to have horrible cars that would always end up broken down on the highway. When I tried to flag someone down, nobody stopped. But if I pushed my own car, other drivers would get out and push with me. If you want help, help yourself - people like to see that.
I was surfing the Internet, and I came across a school in Atlanta where you could learn how to climb trees with ropes the way the pros do. It sounded terrific, and so I went down there, and I began to learn these kind of rarified techniques for how you get up and down trees while using special ropes and gear.
When you are very successful, you fly at the very high altitudes and up there you long for to be applauded by the Stars or by the Moon or by the God Himself, not by the people down on earth! In this case, I advice you this: Be humble; only then you will get the applause of the sublimes; only then, of the noble heights!
A long-term relationship is about showing up and working hard and banking on each other. If one's down, the other might be up and can help the other one up, and sometimes you're both down and you just [band] together. Endurance is a big theme of it for me. That might not sound romantic, but I kind of think that it is.
I don't get tired. I get beat up. You keep chopping on a tree, you need to give the tree some rest so the chlorophyll will fill back up and the tree gets its energy back.
We have two different ways of working. One is completely unstructured where somebody just starts playing and somebody joins in and then the other person joins in, and something starts to happen. That's occasionally what happens. What more often happens is that we settle on some sort of - a few sort of structural ideas, like, "Okay, when I put my finger up, we're all going to move to the extremes of our instruments. So, that means you can only play either very high or very low or both. And we're going to stay there until I take my finger down.
If you get the characters right you've done sometimes nearly half the work. I sometimes find I get the characters right then the characters will often help me write the book - not what they look like that's not very important - what people look like is not about their character. You have to describe the shape they leave in the world, how they react to things, what effect they have on people and you do that by telling their story.
Sometimes I like practicing, sometimes I don't. But I like the result... I hardly ever get discouraged. Maybe right when it's very hard to get something done correctly, but then the idea flashes through of how to fix it. And I get encouraged. And other ideas flow.
The value of the things is not in themselves autonomously, but that God made them, and thus they deserve to be treated with high respect. The tree in the field is to be treated with respect. It is not to be romanticized as the old lady romanticizes her cat (that is, she reads human reactions into it). This is wrong because it is not true. When you drive the axe into the tree when you need firewood, you are not cutting down a person; you are cutting down a tree. But while we should not romanticize the tree, we must realize God made it and it deserves respect because He made is as a tree.
Some people think 'Higher' is about literally getting high, and other people think it's more in a spiritual sense. To me, it's all that. To me, it was like I need to escape from this down state - emotionally, spiritually, mentally, everything. I want to be above this. Wherever we are now. I need to go up.
Protestants believe that the sacraments are like ladders that God gave to us by which we can climb up to Him. Catholics believe that they are like ladders that God gave to Himself by which He climbs down to us.
Very high, very grand, and very wise is the ocean of God, the Water of Life. You went after the form and were lead astray. How can you see it? You abandoned the truth. Sometimes it is named "tree," sometimes "sun," sometimes "ocean," sometimes "cloud," one thing from which scores of discoveries arise, its slightest definition an everlasting life.
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