A Quote by Andie MacDowell
There should be a greater register that the public is quite interested in mature women. It's really about the story; it shouldn't matter whether it's male- or female-driven. What should matter is if the story is powerful and interesting. And this has been going on forever.
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We haven't evolved a hero story that's female. We're always trying to fit women's stories into this male structure, which is this rising action, this powerful conflict, and this falling action. And I think a female hero story is not that. It's something else.
I'm not really a political-type person, meaning that I don't really make great stands or whatever, but if you ask me a direct question I say it shouldn't matter who you are, whether you're black, white, green, gay, male, female. If you can do a job and do it well you should be paid for it, you should be respected for it, and you have to be responsible. I think sometimes people can go too fare trying to make a point. I think they should just make their point and go on about.
What should matter is whether I stand for female empowerment, and I don't think there are many women out there who have any doubts about that.
It really doesn't matter whether it's an ensemble cast or it's a lead or what is perceived as a commercial or non-commercial or an offbeat film. None of that would matter, what really matters is the story and who's telling the story.
What prevailed was that it was a family story, so it didn't matter what the color. It was also the perfect subject matter for a miniseries: A best-selling book, a generational story, a social problem - they all made 'Roots' what a miniseries should be.
The story man must see clearly in his own mind how every piece of business will be put over. He should feel every expression, every reaction. He get far enough from his story to take a second look at it... to see whether there is any dead phase... to see whether the personalities are going to be interesting and appealing to the audience. He should also try to see that the things that his characters are doing are of an interesting nature.
At 36, I think I was pretty happy [actually], but here's the thing that I think happens... you're expected to be somewhere at 36, and there's that feeling: At this particular age - especially for women for God's sake - you should have this many kids, you should have a husband, or you should have this... and it's overwhelming. So that perpetuates the feeling that no matter where you are, no matter how much money you have, no matter how many kids you have, no matter how great they're doing, whether you want kids or not, married or not, it doesn't matter - you feel behind.
I don't think that a film should be known as 'male-centric' or 'female-centric,' but it should be known for the story. That would be really nice, and viable, too.
If I have a male protagonist, it's a studio movie, and if it's a female protagonist, it's an indie movie. That's just how it is. It's not about the studios. It's about America and who goes to see movies. Women are interested in men and women, and men aren't interested in the woman's story. They just aren't.
Why, I wonder, should the popularity of a news story matter to me? Does it mean it's a good story or just a seductive one?
Basketball is basketball. And whether it's male, or female, or has any other label attached to it... that really doesn't matter to me. It really doesn't matter who's playing. Hoop is hoop. Game is game. If you have it, I'll recognize it. Period.
No matter what happens with technology or whether you're in traditional animation or stop-motion or CG, the biggest challenge always is story. The flow of making the movie is usually determined by how your story is coming together, and when your story is straining and you can't quite get your hands around it, your entire production is straining.
If you have to become a filmmaker, find a story that takes you away, and tell that story. Don't think about whether it's going to sell, or whether it's going to make money, or whether it's going to appeal to distributors. Do something from the heart that really matters, and then you'll do something good.
Here we are, worrying about whether we're thin enough or whether our bottom looks too big in this pair of trousers or even whether or not I should wear a hat - does it really matter in comparison to the important things that are going on in the world?
You have to tell a good story first. If it's a good story, people will be interested. It doesn't matter about the content.
A strong story can move me to tears, and it doesn't matter whether it's a science-fiction or fantasy world. It's about what happens to a person, the choices they make. That's what's interesting.
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